Solidify by sharing

routine

I’m kind of sad that I ran out of worthwhile, published work to post here. It has been awhile since I finished anything that felt publishable, but I recently sent out a couple of short stories to higher tier magazines, and am waiting on a response, now. 

There are three big writing projects occupying my interest at various times, right now:

1) CHUD.com. I love this place. I love how it has evolved over the past few years. I’m really happy that I have the time to contribute again. According to my DEVONthink database, I’ve done 21 DVD reviews since I started in early April. Criticism isn’t my best skill, but it’s a fun one to exercise. 

2) Fingerless. This is a novel without any trace of the speculative or fantastic, which, now that I think about it, is a natural sort of extension of my development as a writer. Fingerless is about a character I’ve had in mind for several years, now, so it’s unlike anything else I’ve ever attempted. I’m not sure if the things I’m putting in this character’s mouth are worth sharing, yet, but I’m trying to invest her with enough distinct experiences to make her at least interesting to read. Currently, I’m getting a couple thousand words done each week, sneaking off to a coffee shop with my laptop on Saturday and Sunday in the morning after my graveyard shift wife goes to sleep.

3) The stories of The Great Wide World Gone Dark. My short story output can be roughly divided into periods, based on the length of time and associated change of manner and voice in between spurts of creativity. The recent stories, the ones out to editors right now, have all be linked by being moody fantasies in which some element of the unreal challenges a character with solitude in some way, either imposing it or removing it. When this topic stops fascinating me, there will probably be another break for a while, and then I’ll get another raft of short stories with a different feel. I categorize these ones by the first story I wrote in this mode: The Great Wide World Gone Dark, which hasn’t been published yet.

So far, the stories I have finished under this heading are: The One-Way Cave, The Kid’s All Out of Time, The Parting of the Sea, and The Great Wide World Gone Dark. There are at least three more sketched out. 

And that’s what occupies my creative time, these days.

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Vinegar and Baking Soda

stories

100 words. Originally published in The Drabbler.

“Our love is nothing but a mental exercise,” he said from behind his faceplate.

“Your air is poisonous to me,” she replied.

“We needn’t breathe together,” he said. “We only need to touch. I want
to feel your skin, to form a real memory.”

The other relented, loosened her glove. They touched. The chemical
reactions were numerous, thrills and surges of endorphins, but the
most obvious was the sudden flame that sprang between their searching
fingers and crisped their flesh.

When the girl’s father picked her up from sickbay, he cuffed her and
said, “We don’t mix with the others.”

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Grammar

stories

Originally published in Lost in the Dark.

The girl had her eyes set high. The last apple was gripping stubbornly to the cloudmost branch of her Father’s scraggly tree. He had planted it the year she was born. It had grown to twice her height. The apple hung out of her tallest reach. She blew a lock of mousey hair out of her eyes. She was crowned with dirty leaves, as if the tree had been throwing its only ammunition at her, fighting for its last fruit.

The girl took a stone and threw it at the apple. She overshot. The stone sailed out of the yard and into the close, encroaching forest. Like all little girls, she hadn’t bothered to think of what would happen if she failed. 

“Ow!” came a voice from the forest. The girl’s ears perked at the sound of a horse, not the heavy stamp of a working horse but the light toss of a hoof that can afford to be shod and reshod in silver.

The second the horse’s head peered around a bend in the path, the girl darted into the house. The head was white, bled free of all the muddy browns and blacks that marked the peasant horses she knew.

She slammed the door. Her father grumbled a little from his room, where he lay pillowed on a foul-smelling earthen jug. She bent to a knot hole and spied greedily out.

The man on the horse was stained with expensive purples and skin-deep crimsons. His cloak stretched past his back into a blanket for his mount. It was lined with soft, unsullied white fur. He held a whip with a brushed copper handle. The girl couldn’t make it out at this distance, but she imagined the cord was soft brown skin, just enough to give a gentle prodding to a loyal marching steed or servant.

“Warrit, gel?” muttered her Father. She had heard him coming. Even on an earthen floor, his steps echoed.

“It’s the king, father! I hit him with a stone!”

“You did what?” roared her father, already throwing open the door, letting his face fall. “Your majesty!” The king dismounted, still holding the whip. He reached a ginger-colored hand to his forehead and tested the anger of a bright red bump.

“I demand to know the meaning of this. Speak quickly, or it’s the stocks.”

“My liege!” The girl’s father bowed and scraped at the dry soil beneath his face. “It was my daughter!”

“Your daughter, whom you are responsible for. Where is she?”

The girl’s father pointed back to the house and the king flexes the hand holding his whip. “Tell her to come out this instant.”

The girl came without being called, close enough to hear for herself. “I’m sorry, your majesty,” she murmured.

“Sorry is an excellent way to be, girl.”

The girl stared curiously up at the king. He was only a head taller than she. The strand of his whip was hard, black. His eyes were pale enough to be called white. There was no hint of amusement beneath his mustache.

“Will you curtsey to your king, girl?” She did. “How old are you?”

“If it please your majesty, she is at her sixteenth since being named.”

“You are in no position to question what would please his majesty, even were you sober.” The girl laughed. The king turned back to her and brought a hand up to his nose, across the nostrils. He smelled of horse, rich and huge. “You are an impertinent girl.”

“Majesty. I don’t know that word.”

“I would not expect you to. Tell me, what words do you know?”

“I know how to name each thing in this yard, and in the house. I know words to name you, and your horse. I know myself.”

“You would name my horse for me?” There was no amusement blushing the King’s face, but something similar brushed against his voice. “Do so.”

“He looks a Thruppence to me, your majesty.”

“She cost a good deal more than thruppence, girl. What is your name?”

“Esmerelda,” blurted her Father. He felt lost, hung-over, and he clutched at this tiny contribution as though it could save his life. The king stared down at the back of his head. A corner of his lip rose, pulling away from the grime and lice.

“Where is your mother, Esmerelda?”

The girl shrugged. Her father dared to roll back onto his heels. His eyes were level with his daughter’s tiny breasts. 

“Your majesty. She passed away last year. In winter.”

“I’ve done all her work since then, lord. Plus his, when he’s in his cups and bottles.”

“Esme!”

Now the king laughed.

“A daring girl. You shall lose your right arm for the stone. Your left, though, you will keep, as I trow the burden you are made to carry, here. What is it you do?”

The girl was speechless. How, she wondered, could he put, in a single sentence, the words to wound her straight next to a pleasant question? She opened her dirty mouth to retort.

“She is wool-spinner, lord. But lord!” The king lifted both eyebrows up into his tousled hair.

“Yes?”

“Don’t punish her haughtiness, lord. She is a stubborn girl—” a belch interrupted the plea. The king’s nostrils flared, and the girl’s father fought against the blood threatening to abandon his face.

“Stubborn is a word. Haughty. She thinks herself above her station. I shall have her executed.”

Desperate instinct framed the father’s next words. “She can spin straw into gold, my lord! She is only haughty, as you say, because her talent makes her so.”

“Straw into gold? Is this true, girl?” He fixes his eyes on the girl. She is silent. He slides his gaze down, over her small swelling. There is her Father’s pleading face, peeping around her body like a groundhog testing the air to see if it’s really Spring.

“Of course it is true, my lord. I told her to never tell. Can you imagine what would happen? Why, she would be drowned as a witch.”

“At least.” The king turned away and leaned an arm on his horse. He paused, and both the girl and her father balanced on the pressing of a knife’s edge. The King swung up into his saddle.

“Come, girl. With me. We shall see this magic of yours tonight. Afterward, if I am not pleased, you shall lose not one, but both of your arms. And you—” the king extended a hand to the girl and a glare to the father “—you shall speak nothing of this. Not now, not ever. I shall send men to ensure you are properly stewarding this land tomorrow.”

The king pulled the girl up into the saddle. She felt his manhood grow into the small of her back as they clattered down the path on light, ringing hooves. She didn’t cry.

A pair of eyes watched the forest. They blinked and creased as a grin pressed against them.

#

The castle smelled of piss and poor man’s air. The girl said as much and the king exploded with laughter.

“Perhaps your tongue as well, lass.”

They had left the horse in the stables near the keep. Piles of dung clogged their steps to the double oaken doors. Some of the stench clung to the girl’s shoes. She asked for leave to take a bath. The king responded with a heavy hand on her shoulder and a step closer.

He took her down worn stone steps. She went a pace in front, his hand not so much guiding as adding impetus. She slipped once or twice. His grip followed her down. The first time, he tried to offer his other palm, open in aid, but she brushed it away, knowing as she did that she had invited another chop on the block.

He halted her at the bottom of the steps. She blinked in the gloom. They were beneath the ground, surrounded by dark mouths that must have been doors. She opened her mouth to ask where they were. A sharp squeak halted the words at the tip of her tongue. The king hauled on an old, rusty door. It looked as though the rust was holding it together; given a good cleaning, it would be nothing more than an iron skeleton.

The king stepped aside, brushed the burnt red dust off his hands, and mocked her in a low bow.

“Your chambers, great sorceress.”

She slipped in like a mouse in short hurried steps measured with long pauses. The cell was a cylinder, several stories tall. A single high window shone dirty light and stink in a gray column, picking out the center of the floor and hiding everything else in black contrast. She moved into the light and shivers.

“What am I to do?” She paused long, received no answer. “If I am to spin, give me the wool.”

“Yes,” said the king. “Your wool.” He smirked.

How could her father do this? she thought. If only he had been sober— but no, her father’s sobriety was no different from his drunkenness, merely interrupted by fewer belches and bawdy, repetitive stories.

“The straw, then.” She drew herself just out of the light, letting it fall between her and the king.

“I shall have my steward bring you a small pile. I expect to be pleased by the morning. If I am not, you lose your arms.”

“And perhaps a leg and tongue,” the girl shot back.

“Which would all be a shame, lass. You are quite beautiful, in your woodsy way. No matter. If your magic carries you through the night, however, you can be sure that I shall give you a bath, a few nice clothes and trinkets, and a warmer, fuller bed to sleep in.”

“Yours?”

He crossed the room and slapped her. The weight behind the blow drove her to her knees, scabbed from the forest, now scraped on the cold stone. The king turned and left. The door squealed shut and a bar shot through a lock like a thunderclap.

“God’s wounds!” screamed the girl. She pounded a shuddering fist against the floor. She imagined her curse battering against the walls of her cell like a bat in a cage, finally finding the small window, blistering across the sky and into the Lord’s magnificent eye. 

“Give me strength.” These words dripped out of her mouth and into a cold puddle on the stones.

The steward arrived some hours later with a bemused expression, a small cart of straw, and a spinning wheel. He warned the girl against accidentally pricking herself on the spindle and she glared. The steward gave her an amiable shrug, halted an habitual bow, and slipped out the door.

The girl lifted a piece of straw and twirled it in her fingers. The light was deepening in color, heading toward pure black. She kicked at the spinning wheel. It was old, cracked, and mostly useless. She didn’t think she could even spin wool on such a machine; that is, if she knew how to spin wool.

She cried small tears. They dripped out of her open eyes, off her chin, onto the floor, into the cracks between the flagstones.

Hsst!”

Startled, the girl looked around. It had sounded like a cat. It was nearly full dark now; the window hung in the sky like a malformed moon. A squat silhouette leapt at the hole and whuffled like an ancient dog.

“I say! Hsst!”

“Who is there?”

“A charming little beggar boy? No! Not such! I am a helper, a creature, a tinker and thinker, and transfigurator — specializing in the plain and the ordinary.” During the speech, the silhouette crawled down the wall of the cell, now speaking into its own chest as it flipped easily over a handhold, now grinning its words up into the girl’s shadowed face. “I heard from the birds and the wind of your plight and would offer my humble services to you, if you would take me.”

“You would help me spin this straw to gold?”

“I would spin this straw to gold, meadow lark. You would sleep. You look as though you need it.”

“But why would you help me?”

She peered at the man. He was squat and nimble, wide-mouthed, deep-chested, and musical in tone. He was a contrast walking, and the girl would not have been surprised if, in daylight, his face was Moorish on one half and Norse on the other.

His head tilted and she hears what must be dry skin creaking as his mouth gapes even further.

“You are beautiful, my woodsy girl. I would help you just for this chance to look on you again. Now take you to that corner and lay down your worries as your pillow. Come morning, I shall be gone, and this straw shall be gold.”

The girl did as she was bidden. As she slid into a dream of white horses and small, wet sounds, she heard the frantic squeaking of the wheel, whirling around its unusual task.

The little man smiled as she slept and let a word fall off his tongue, honey and magic, over and over again. Each time the word found straw it spread, thick and sticky, softening the fibers and staining them gold. The bobbin spun, collecting thick, rich strands that would echo the sun come the morning.

#

The girl was awake before light. Her dreams had been troubled and the floor too cold for a comfortable sleep. She let her eyes slit open, fearful of seeing a pile of straw, and berating herself for having fallen asleep. The little man could have done anything he pleased to her, but it had seemed like the right thing to do at the time, to curl up and forget, to be haunted by strange dreams instead of hideous reality.

The pile of straw was gone. Seven bobbins absolutely full of spun gold stood in a neat row beneath the wheel. The small tendons in her feet started to spasm uncontrollably as  she stood. She picked up one of the bobbins. The thread was almost warm; it at least carried the memory of warmth, as though all gold were descended from sunlight.

She dropped the bobbin and whirled around, certain she had felt eyes on her neck. There was no one else in the room. She looked up; no one was at the window. The little smiling man was gone, and might not ever have been there if it weren’t for the riches flanking the old wooden wheel. She bent down to right the spilled bobbin and tucked a lock of hair behind her ear.

The sun was climbing higher, but the light in the cell was still cold and gray.

The door wailed and the king strode in. His eyes fumbled about in the dimness, came to rest on the seven bobbins. He was surprised, yes, and shocked, but mostly pleased, having gotten to be king by delighting in surprising fortune.

“Well, well, girl! You have been busy, haven’t you?”

The girl bobbed a curtsey, peering past his cape while her eyes were down. The steward stood in the doorway, mouth like a fish’s.

“Stand up, girl. Esmerelda. And tell me: how is it that you were able to do all this?”

The girl bobbed again. She bubbled small words that meant nothing and the king grumbled, reminding her of the previous day.

“Answer me plain, girl. You do not, after all, need your tongue to spin.”

“Please, your majesty, it was so hard,” she begged, hoping to draw some sympathy like a veil across his face. For a moment, there was something in the way his eyes were set, but it tore from ceiling to floor as the sun spiked onto the wheel and the gold shimmered anew with faerie promise.

The king’s mouth opened, stuck between a word and a sound of glory. He swallowed, settled on a word.

“I shall be that much more pleased to see my wealth increased on the morrow, then. Steward: I am satisfied. Tell Rickard that he may go back to the kitchens.” The steward turned and muttered. A pair of heavy boots scraped up the stairs. The girl didn’t see to whom they belonged. 

The king smoothed his mustache. “Bring her bread and water. And another batch of straw. Larger this time.”

The king himself bent and stacked the bobbins in his arms, letting his thick gloves brush against the grime of the floor and trail through the small stagnant puddles. He almost dropped one of the spools. He chuckled to himself, adjusted his armload, and swept out of the cell without another word.

Around mid-day, as the girl judged by the slant of the sun, the steward returned with two cartfuls of straw and a bit of a smirk. 

“My privacy, sir.”

She sat in front of the spindle, enclosed by the dirty yellow piles. Her thoughts blurred across the whole spectrum from fear to outrage. Would the little man return? The empty light started to spill out of the cell. It was getting darker by the second. Her eyes were getting emptier. 

As the last bit of sun faded, she picked up a single spear of straw. She placed it on the wheel and pumped the pedal. The straw just sat there, unwound and untouched. She trawled her dreams, trying to dig up the words the little man had spoken as he spun. They had sounded like: Truth-in-broken-cousin. She let the sounds elbow their own way off her tongue, and got a mush of muddled tongue and meaning. Nothing happened.

She sobbed, just once.

Hsst!”

The sharp whisper lanced down into her prison and she looked up with a shining, invisible smile.

“You’ve returned!”

A little, echoing laugh made its scampering descent from the window. 

“Never before have I heard such a pretty phrase to greet me. Never before. I am a happy little man, and helper, too. The birds and wind—” he was in front of her, now, and a little closer than she might like. She could smell him; he smelled as though he had never bathed. “—they told me of your second task. Don’t worry, my little woody wench! These things always come in threes. Nearly finished now, nearly done.”

“You will help me again?”

“I may.”

“Oh, but sir—” her words were cracked by his laugh, but she stumbled ahead like a young aristocrat anyway. “—you must help me!”

“Must I? I helped you once, and where’s your gratitude? Naught but a smile for the little tinkering, thinkering man.”

“What could I give you? I have nothing!”

“You have your berry lips, little help-lass. If I could taste of them, then I would feel the strength to spin the whole of the night, every star from its silver light into soft silk. Just a kiss, little gel.”

“Just a kiss?” The girl’s lips peeled back of their own. She pursed them, purposefully. The man stank, but surely a little taste of bad breath would be worth the freedom it would buy her. She nodded. The little man didn’t dance or clap his hands. He just tilted his head up, opened his eyes wide and pushed out his distended lips.

The girl closed her eyes and shuddered down until their lips met. He tasted of wood-smoke and old potatoes; she, the mold of captivity. When she pulled away, she saw a sadness in his eyes, suspended by his bushy arching eyebrows.

“There,” she managed. “Is it to my lord’s pleasure?”

The little man laughed again, transforming his eyes into thin slits of humor.

“Your lord, lass, will never kiss you. Now get you again to sleep, and dream of the future. When you wake, your king’s treasury shall be deeper, and you that much closer to breathing back the open air of your happy forest home.”

She obeyed, gratefully. She chewed on her lips, but couldn’t dislodge the taste of him. Nor could she shake the thought of her happy home, reeking of alcohol, floored in dirt, and sparsely draped in small, wrinkled fruits and last month’s vegetables.

#

Morning came with a fanfare. The door burst open while the girl was still blinking the night away. She had slept in this morning. Already the sun was making brilliant fourteen bobbins full of gold. The king shoulders his way past the heralds as they are lowering their trumpets. There were other men clustered in the hall outside the cell, all robed in finery and identical in their gaping expression.

“Stay out of the way, girl,” his majesty hissed. Then, louder, “See, good men? Pure gold! You may test it if you like. I have been very thorough, of course, but there is no need for me to be fearful of your happening upon a clever trick or jest. The girl is far too bovine, and I am far too blessed!”

The king underhanded one bobbin to the gathered men. They conferred among themselves in voices too low for the girl to make out. Before long, one man cleared his throat.

“We can find no fault in the alchemy, your majesty,” he said. The king beamed.

“Esmerelda—” tossed the King over his shoulder as he loaded his arms with the riches “—if tonight you can turn all the stables’ bedding to gold, you shall have golden bedding of your own. I swear on my family name.”

The door shut. The girl was again alone and cold. She stood still, a rod of cold iron seeming to splint her spine. Hours passed. Daylight waned. She didn’t bother to capture her thoughts and wrap language around them. They washed around her in red waves, chilling her and warming her in their ill-timed turns. Monsters, or ghosts of monsters, or voices of ghosts, or the taste of voices. Nothing made sense. Freedom comes when you don’t have to think— but she halted that thought before it fully formed, narrowing her eyes at the cracking mortar of her cell.

Freedom was the forest and the monolithic stones she used to play were castles before they were quarried, hewn down, made into gravestones and dungeon bricks, the bricks that blocked her sight and smell.

One more night. The moon rose.

The girl stretched her shoulder blades apart, letting the iron holding them straight dissolve. She hunched her back and took a good look around the cell. The steward hadn’t come by during the day with a new load of old straw. Did the king expect her to perform out in the stables, where he could watch her and her deception.

Hsst!”

No, not yet, thought the girl. She clenched her fists and closed her eyes. She smelled the smoke and sweat of the little man, getting stronger and stronger.

“I heard another rumor, woodsy girl.”

Her teeth were clenched as fists. She pummeled out her words.

“There is naught here for you.”

“Naught and nothing? Oh, but hear how wrong you are!”

The door squeaked and the steward backed into the room. He was tugging on a huge mat, spilling over with dirty straw. His back was straining, and his white hands were covered in dung. He dropped the mat, turned, and glared at the girl, huffing loudly so she would take notice. Gradually his eyes trickled off her cold, unresponsive stare and down to the wide-eyed, grinning face of the little man.

“Who is—”

The little man opened his mouth and spoke one word. It entered the girl’s ears, she was certain, but she couldn’t remember what it sounded like, or how it felt, or tasted. It had had a smell, she knew, but it had only touched the tip of her nose, like a sweet kiss, then giggled away.

The Steward’s eyes rolled up into the high corners, then clicked back down. He scowled, grumbled, “There are eight more matfuls,” and never looked at the little man again.

The girl did. She was met with the widest grin yet, and a shrug.

“What’s your name, my girl?” the little man asked.

“Mother called me Esmerelda.”

The little man hummed her name without opening his mouth, just letting the sounds drift around his tongue and teeth. He swallowed and spoke.

“You have quite a job to do tonight.”

“Me? But I thought—”

“Of course I’ll help you. But this time not for your beauty, and not for your kiss.”

The steward backed into the room, grumbling, hauling another mat. The little man didn’t speak until he had left for the next.

“This will be the largest favor I have done for you. And what have you given me?”

“My beauty. My kiss,” stammered the girl, missing his oddly twisted and musical words.

“Not enough. Not much, and not enough. I need much more from you, tonight, in exchange for this. My fingers will bleed, and my tongue will be bruised and thick in the morning”

“Then what? What do you want for this?”

The little man walked in a small circle, blowing air between his teeth, half-whistling. The tune wriggled through the girl’s ears and made her want to go swimming.

“If the king returns tomorrow and finds you sleeping amid a pile of horseshit and hay, you will lose your fingers, your hands, your arms, your legs, your pretty breasts and nose. He won’t speak to you. He will be cold, silent, but right there in front of you, watching Toothless Rickard at his work. You will plead for a morsel of pity, at least until your tongue comes out. He will take your house as the crown’s and kill your father; a swifter punishment than yours, for certain, but no less hideous. And when you are gone and thrown into the pit, I will swing past, drop my pants, and take a shit on your ungrateful grave.”

“But sir—” a sharp laugh “—please! I haven’t . . . I mean, I don’t even know what you want me to do.” She saw herself underground, covered over with soil, and his hairy arse adding derision to death. She is sure that soft jade grass would cover her everywhere but that one spot, which would be brown, cracked, and fever hot.

He stopped whistling. “Your maidenhead,” he said.

“No!” She backed up. He matched her steps. She flattened herself against the freezing wall. The steward entered, gave her a funny look, dusted off his hands, and left again. “Help!” she cried and he doesn’t care.

The little man stared into her belly. “Give me your maidenhead,” he said. “A child will come of it. The child will be mine, without question or care.”

The girl lost control of her tongue. She babbled, was silent, screamed; it made no difference to the little man. The steward came and went, finally bringing in the last haul of straw. The piles ringed the doorway, blocking it from sight. In a moment of silence, the girl heard the door shut, a delayed echo of her hysteria. The bolt pierced the lock.

A sob— she realized it was hers. She brought herself up straight and focused on the little man. He hadn’t moved an inch or whisker.

“Well?”

“You shall have my firstborn child.”

“And your first time, whore.”

The dark words scrambled up her legs and dug dirty hands into her stomach. “And my maidenhead,” she said.

“Good. Then I can help you! Bring the wheel.”

She tugged the old machine in fits and starts, filling her palms with splinters. The little man wandered among the piles of filthy straw, muttering under his breath and poking at the odd lump of dung.

“Lie here.” He pointed at a pile much cleaner than the rest. Cold, she stretched on the straw. “Lift up your skirts.” She tried to let her eyes anchor on a point on the ceiling, but it was far too dark, the ceiling invisible. Her eyes wandered, loose and frightened by the freedom.

She felt a stab of warmth. She didn’t dare look. It felt like a beetle crawling between her legs with small warm feet. She closed her eyes the first time he groaned, squeezed them tighter the second time, and sobbed the third.

“All done, princess, all done. Now, you must go to sleep and remember what you’ve promised. Golden dreams, my little woodsy girl. Golden dreams.”

She didn’t open her eyes. Her skirts were bunched about her waist. Her sex was held in the palm of the hot, stagnant air. The wheel started to spin, squeaking each revolution, rhythmic, a songbird. She couldn’t think of anything but the in and out, her mind producing dreamlike images of things she hadn’t seen, of his thing, of him bending over her, and he squeaked like a wheel every time he pressed into her. 

The little man watched the girl fall asleep while his tongue and fingers pulled the straw through the dyeing magic. “Don’t forget, child.”

#

He was gone when she woke halfway through the night. The wheel was silent. The straw was gone; even the smell of dung had drifted away, replaced by that summer apples and cut bark. She shivered through a short chain of half-formed thoughts. She fell asleep again, to dreams of giving birth.

Her child bawled into the world. It was a dwarf with a hook nose and long beard. Its teeth were yellow and it wouldn’t stop grinning. The twisted mouth gaped wider and wider, giving its own birth to a mirror lodged in the short stump of a throat. The mirror cracked, and each shard reflected a new ray of light, brighter and brighter and then morning was on her.

“I told you to get on your feet, girl.” The king was standing in front of her. She hadn’t heard the door, his boots, his first order. She pushed herself up off the floor, leaving her head bowed. Even the straw she had slept on had been taken. Turned to gold? She wanted desperately to look around, to make sure the payment the little man had taken had been worth the product. She pulled her curiosity down under the hoods of her eyes and curtseyed.

The king was wearing his soft skin gloves. He stroked her cheek with one and pulled a lock of hair behind her ear.

“Do you know how rich I am?” She shook her head. “Enough that I could start a crusade of my own into the Holy Lands, and may well do just that, if the mood takes me. I can pay off all the debts the realm incurred before my kingship.” He laughed. “I could buy France.” He started to walk around behind her. The king sighed deeply; she could hear the way his cynical smile shaped the sound. “I can not, however, allow this wealth to spread. If every peasant father had even a spoonful of gold for his dirt-grubbing family, then my own treasury would be that much less valuable —not to mention that much poorer.

“So, my girl—” he was in front of her again “—I can’t, you see, allow you to go home. You would bring the news of my wealth to your father, and he would tell it to his ale, and be overheard by every filthy little thing that sweats beside you folk in the fields. You must stay with me.”

“Yes, your majesty.” At least there would be food.

“As simple as that, girl?”

“My father is a bastard, your majesty.”

“That I don’t doubt. Not even coming from you.” The king breathed gold deep into his lungs and exhaled hesitantly. “You will be cleaned up and looked after. I will allow you run of the keep and castle, with this one condition: you may not speak. If I learn that you have opened your mouth even once save to stuff your face, then you will spend the rest of your years here. Right here.” The king’s hand stabbed down to the floor. The girl almost laughed to see how the soft leather wobbled and waved, like a turkey’s wattle, like a little clown gamboling in his motley. “Do you understand me, girl?”

She looked up and nodded.

“Good. I will get you a bath, after you help me carry this to my treasury.”

#

Before long, the girl had learned the ways of the keep. She spent a good deal of her time in the kitchens, because it was warm there and smelled as she always thought summers should smell. Once she was reaching for a pasty and, burning her callused fingertips, let out a yelp of pain. The kitchen maids all craned their necks to stare at this child they had been told was a mute. The girl was mortified. She would be damned by any words of explanation, and silence offered suspicion. Thinking quickly, she made a few sounds like a fool, tongue glued firmly to the top of her mouth. The head cook shook her dimpled head, dislodging flakes of pity. She handed the girl a cooler pasty and shooed her out of the kitchen. 

The girl threw the pasty to a dog. Then she kicked the dog in the ribs. It snarled at her. She kicked it again, then ran.

The king heard about the incident and beat her. It was not seemly for a king’s consort to behave so in the presence of servants. “I told them you were mute, not an imbecile,” he had said.

As the months went on,  became filled and round by the mystery child in her womb. She sat long in her chambers, just down the hall from the king’s, within hollering distance. He had cursed when the maids told him she was expecting. Then he came to her at night and explained the situation to her, and warned her again not to speak. 

The king took her when he liked. The girl wanted him to be sure that her child was his, as much as she detested his loves of gold and iron. If he suspected even the smallest amount that the child, the freak it would certainly be, were not his, he would kill her. That had been an unspoken part of their agreement. So, whenever he came to her, she wouldn’t make a move of protest, much less a sound. The first time, she prayed his strong seed would clean her, clear the field planted by the little man. She only felt dirtier.

And now, her husband gone to France to fight a battle that he excitedly called a war, she fidgeted with her skirts and waited for happy news. To distract herself, she watched the sun crawl across the floor.

#

There was a clearing, far from castle and town, floored with deep moss and roofed with ancient branches woven into each other like lovers only wish they could be.

At its center sat the little man, humming to himself with his eyes closed. He listened to the wind buffeting the leaves, the leaves speaking like cicadas. His legs were crossed and his gnarled fingers danced over them. He smiled as though coming to a decision.

He creaked to his knees and then to his feet. He turned in a slow circle. He spied an old tree, twice struck by lightning and nearly outweighing its own roots. He padded over to it.

Masked behind a mass of thick brush, three men in black watched as the little man stroked the bark of the tree and murmured words they couldn’t hear. One man held a tiny crossbow, its string wound so tight it almost hummed. The other two held daggers, blackened so as not to glint in the filtered sunlight.

The little man took a step back, sucked in a great breath and screamed. His tongue moved as though it were shaping words, but all the assassins could hear was one long wail, the sound of a lone wolf, of a whole pack’s answer, of the moon tearing in half and dripping her pain on the oceans. They covered their ears and squinted shut their eyes.

With their eyes closed, they didn’t see the ancient tree topple, they couldn’t see the trunk suddenly hollow, sprouting a doorway here, a small window frame there. They couldn’t see the tiny bluebird flung from its nest or hear it chattering angrily into the netted branches.

The little man closed his mouth. Through it all, the air never moved beyond a breeze; but now it felt cooler, emptier. The assassins opened their eyes.

They saw the little man rap on the front door, putting his ear against it, testing its resonance. He poked a finger into the window frame, scratching at the smooth wood. He rocked onto his heels and clasped his hands behind his back. He whistled a tune, light and twisting as a curl of wood smoke.

The crossbow bolt stuck into his back. His groan of pain was visible, but silent. He reached one fluttering hand to finger the shaft, curled his fist around it, and yanked. He fell to his knees.

Daggers out, the other two assassins rushed him. The little man held the bolt in his right hand. He muttered a word and the blood vanished from its metal head, from the stained shirt on his back. He turned to face the assassins. His eyes were wild, angry, dark and getting darker.

He opened his mouth. One word slithered out and brought the world to a halt. Something blurred. A head fell into the moss, painting the green with red. The thick ground swallowed it up. Then there was nothing but the peaceful clearing and the twitter of the homeless bluebird as it flew away.

The little man didn’t smile. He heard the thrashing of the third assassin as he fought through the trees, blind with horror. The little man started to run. He dodged branches and melted through underbrush, shaded out of sight and silent. He stopped, breathing steadily. He was ahead of his quarry, the crunching of the assassin coming toward him, now.

The assassin nearly stumbled past the little man, hollow eyes grasping at the path ahead. A small, strong hand whipped out, grabbed him under the ribcage, and pulled. There was a crack and a scream. The assassin fell to the ground and looked up at the little man, who opened his mouth.

There was fire, this time. A soft rain put it out.

#

The girl had never taken up stitching as the king’s other maids and consorts had. They had tried to teach her, at the king’s insistence, but the needles had hurt her fingers, and the other girls had been too jealous of her to keep up the lessons. Not having much for distraction, she sat in front of her highest window and brooded on her plan. She looked down on the rows of apple trees of the king’s orchard. It was near to spring, but the trailing ends of cold and snow still clung to the mud and draped over the trees and fields like the train of a cape. The girl watched snow melt and considered spitting on one of the guards stationed at the foot of the keep.

A bird, desperately beating the air, grabbed her idle attention. It flew the way the king moved when he was drunk, listing mad back and forth, but somehow moving steady to his goal. The bird started to circle, gaining altitude. The girl stepped back from the window, puzzlement claiming the color of her cheeks.

The bird flew to her sill and stopped, folding its wings and shrugging like an old man testing the warmth of his coat.

“My lady? Have I news for you?”

“Have you?”

“You haven’t heard the news?”

“I haven’t heard anything, little bird. Tell me your news.”

“Did I live in the clearing, near to the little man? Did I overhear him singing about the lady and her baby— and did he call the child his own?”

The bird kept leaping back and forth on the sill, its head taking in all the room and world in fast movements, like wet lightning. The girl sat down and cupped her hands around her belly.

“You know where the little man lives. What of my assassins?”

“My lady? They were men dressed all in shadows?”

“Yes. The finest assassins in my lord’s flock.”

“Did you hear the word the little man spoke? Why did he make the men so apart? Did you see the blood?”

“He . . . killed them.”

“Did you see him break my nest? Why did he do that? Why did he sing about my lady’s baby?” The bird hopped a couple times. Its talons were so small as to be invisible, but the girl could hear the small click every time it moved. She hugged her stomach tighter. The little man was still alive. He had killed the finest murderers in the land.

“He spoke a word to do this?”

“Yes, yes, yes.”

The girl closed her eyes, heard the squeak of the spinning wheel, and something softer and more magical beneath.

“Did you hear what he said?” The bird was silent. It dug its beak into its breast. “Speak,” said the girl.

“My lady? If I speak, will it hurt?”

The girl hadn’t considered that. She thought for a moment, then she raised herself and crossed to an expensive writing desk. She had insisted the king teach her to read and write, as an alternative to needlepoint. She had written a letter to her father. The king had come to her while she was writing it. He had thrown it in the fire and was rough to her that night.

She took a sheet of rough paper and placed it in the center of the desk. The inkwell was half-filled. She took it and spilled a small puddle next to the paper. A beckon, and the bird perched on her shoulder.

“Make the sounds, here.”

The bird bobbed between staring into the girl’s ear and at the spreading pool of ink.

“My lady? What does a sound look like?”

She took the bird to her bed and taught it in the voice of a patient wind. Some time later, she watched its forked black feet hop across the page, spelling a word. Then she wrung the bird’s neck.

#

After she had given birth, she held her baby and traced the line of its mouth over and over. She was glad to have it out of her, and glad that it slept beside her in her bed.

But when the king came home, he would know. He would know it wasn’t his, or suspect her magic somehow twisted his firstborn. 

He wouldn’t know. The girl stretched, letting her muscles scream themselves hoarse. The baby pulled a breath into its small, sunken chest and stretched its horrible wide mouth into a yawn.

One of the maids knocked and opened the door.

“My lady. A visitor to see you.” The maid’s eyes were glazed. The new mother sank a shudder under the warmth of her quilts and nodded. The maid backed out and the little man waddled in. He hopped up onto the foot of her bed.

“Well, well, my little woodsy girl. What have we here?”

He tried to peer at the baby, but the girl blocked his view.

“This child is not yours.”

“Now, now, we had an agreement. You have paid for but half the price of your gold. I’m here for my other half.”

“Why not go father your bastard on some peasant girl?”

“That is what I did. Give me the child.”

The girl scooped her baby to her breast. Its head snapped forward and back before she remembered to place her hand beneath its neck. As she died, she bit down on another shudder of revulsion. The little man was crawling towards her, his eyes going black.

“You don’t dare harm me. Not while I hold your child. Reason with me.”

“You are a half-wit, and a girl beneath that. You have seen what I can do.” He grinned, empty. “And you may not have heard, but I took care of those men you sent to bargain with me.”

The girl took a deep breath and clutched the baby tighter, feeling its skull dig into the flesh over her heart.

“I heard. I heard more than you think.”

He paused and leaned back on his haunches, narrowing his eyes. “What?”

“I know the word.”

“What!” he exploded and leapt back. He somersaulted off the bed and out of sight. The girl could hear him, pacing, frantic and muttering.

“It’s true. I know your secret.”

His head flew over the baseboard, framed by two gnarled, angry hands.

“You know nothing. You are less than the cows in the field. You are just the field.”

She opened her mouth and the first syllable crawled off her tongue. It tasted like the searing heat of vomit. Her ears refused to let it into her head. She felt as though she were silent, mute. The little man screamed to cut her off and she covered the baby’s ears.

“No! No, you can not use that word. That word is my name! It is not yours to use.” He gave her names of her own, again and again, never repeating himself. She bit her lip, drawing blood.

He whirled and yelled a word she had never heard. She felt suddenly strange, as though dreaming. Beaten by strangers and left on the roadside. Nursed and raped by a wild boar. Sold into slavery by her brother but she doesn’t have a brother and she isn’t a hard worker.

She looked down and screamed. Her legs were gone. The little man stood where they used to be, smirking.

“I have more words, brazen bitch.”

Her heart stopped and sank to her stomach. She felt it throbbing, empty. She had vomited everything when the contractions started.

She opened her mouth and forgot everything except a fear that burnt her hair black and a plea that brought her heart back to her chest. 

Minutes passed. She looked down at her baby. It wasn’t breathing. She pulled her hand away from its neck. Its head flopped into her blankets.

The little man was gone. There was blood on the walls.

The king stormed in, some time later. He demanded to see his child. The girl’s ears were ringing. She couldn’t hear him. He leaned over her, shook her, slapped her hard across an already red cheek.

The word came to her again, and this time everything went black.

#

She called herself the queen, and, with urging, the extended royal family took it up. She ruled a fearful kingdom. Those who hadn’t seen her had heard. She became barren, would never produce an heir. No one had the manhood to urge her from the throne.

She visited her father twice. The first time, she gave him the corpse of her baby and told him to bury it. A week later, she returned, found him drunk and the baby rotting in a corner. She told her honored guard to plug their ears. She spoke, briefly, and then returned to the castle. It took her two baths in water and one in milk to wash the stench of smoke away.

She chose Wednesdays for court days, presenting herself before her subjects. It wouldn’t do for their queen to be disfigured, though, so she sent for a local artifax. He crafted her a pair of wooden legs, wrapped in soft deer skin. Her maids help her into the throne before any of the courtiers arrive.

She judges harshly. She only knows so much.

When she is bored listening to small complaints of land and marriage, she wriggles the stumps of her legs together, watching the stilts of rumpled skin flap like fool’s motley. They make a sound like a timid grasshopper. The queen laughs to herself. No one else dares understand the joke.

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The Revolution Will Be Fictionalized

stories

Originally published in Full-Unit Hookup.

Click. Ambient hiss. 

World Science Journal: There. That’s better. So, the question on the table— 

Gregori Egorov: No, I’m not worried— 

WSJ: Hang on a sec, Mister Egorov. I’ll repeat the question for the recording. With all the litigation being brought against proponents of free information, are you concerned about the legality of your project? 

GE: I’m not worried. When I first set [the project] up, in my fourth year of university, I was using a random number generator. My earliest published successes, the first near- or exact-copies, were attacked by owners of the originals, the templates, as violations of copyright. And, in a sense, the copyright holders were right. I had created the numbers artificially, which, in the courts, looked very much like an analogue to me just sitting down and tracing a cartoon, say, or copying, word for word, a short story. 

Then, during my post-graduate studies, a mentor suggested to me that I use pi as the basis for the project, rather than a random number generator. I would yield similar results and be legally unassailable. 

WSJ: Why is that? Why use pi

GE: Because it is theoretically an infinite, non-repeating series of digits. All possible combinations of numbers are contained with it. And I can’t be accused of creating the content I publish, since pi itself cannot be owned under the world copyright code. 

WSJ: All the information is there? 

GE: It’s all there. In the public domain. You just have to find it. 

#

Gregori Egorov, in a black bathrobe worn to threadbare transparency, tripped down the last four steps, righted himself on the landing, and blinked in the sunlight. It was very much like coming down a flight of clammy concrete stairs and into the belly of a mad scientist’s underground lab, if you discounted the wide open curtains, children playing in a sprinkler outside, and the smell of bread in the oven. Not to mention that the only madness evident was a tendency toward anal-retentive cleanliness. 

Watta was in the kitchen, cross-legged on the counter, fiddling with one of the dials on the oven. She turned and spread her arms for Gregori. 

He signed, Burn, and raised his eyebrows to show it was a question. 

She heaved a sigh, signed, I’m not child, and opened wide her arms again, demanding to be held. 

Gregori lifted her by her armpits, blowing out a thick lungful of air. “You need to lose a few, honey,” he said. She wrapped her furry arms around his neck and craned her own to plant a wet kiss on his cheek. 

“Aww, thanks, stinky,” he said. Her palms dangled down to his butt. She squeezed. “I’m sorry. You need to learn to be more gentle, my love. I haven’t recovered from last week, much less last night.” The warm saliva from her sound of distaste spattered against his ear. “Let’s get to work, huh?”

She nodded and signed, Okay, as punctuation.

Two desks ran along each side of the living room, which jutted out from the side of the house like an arm or a neck. Floor-to-ceiling windows ran the whole length of the room, interrupted by wooden struts. Taped, tacked, and gum-stuck to these struts were hundreds of printouts, from legal-sized pages to slips the size of cookie fortunes. One desk faced the walkway out front, the other the back yard. Each desk had a series of flatscreen monitors, desk lamps, and small linked-paper printers at the end. It looked like the office of a team of private investigators who both struggled with seasonal affective disorder. 

“What did you say you lost, ma’am?” 

“My bestselling novel. The one I haven’t written yet.” 

“Hang on. Let me open the blinds.” 

A sheet of banner paper had been glued to the window, just above eye level, of the latter. Watta’s Desk, it read, and underneath: cat frown and a rough drawing of an eighth note. That had been relatively easy to find in the mess of pi. Watta had gone nuts over the random words that had followed the legend, and had refused to sign anything but, Cat Frown, for a week. 

She scrambled up into a thick black leather chair at her station and steepled her toes. She stared at Gregori, drumming her hands on her feet; he had stuck his hands in his pockets and was now breathing deeply the warm greenhouse air. He stared out at the street, at Doctor Jema from next door walking his dog, at the two teenage girls sunbathing in the front lawn of the next house over. 

Watta pushed away from the desk with her arms and rolled her chair into the back of Gregori’s knees. He stumbled, turned, and laughed. “Sorry. Nature hypnosis.” She peered around his arm and pointed at one of his terminals. 

In large print, so it would be easy to read from a coffee break in the kitchen, characters were spilling in black across a white field. 

@8|nmymotherisafis 

Mother, signed Watta, her eyes wide enough that Gregori could see his own grin in them. 

Something hit the window. Gregori leapt, banging his knee into the desk. The safety glass spidered and dented at the point of impact. Watta crawled under the desk to peer out the bottom of the window. 

“Bird?” asked Gregori. Watta scooted out, behind first. Brick, she signed. 

#

WSJ: Do you work alone? 

GE: You know I don’t. Didn’t. That’s an intentionally leading question. I’ll answer it anyway. 

WSJ: Mister Egorov, I wasn’t—

GE: Yes you were. Yes you were. It’s not like it’s a new question. I worked and I lived with Watta, my life partner. All right? She was a pygmy chimpanzee, one of the two dozen or so that were given citizenship thanks in part to the Animal riots in the twenties.

WSJ: Did you participate in those riots?

GE: I did not. I was too busy researching my dissertation. 

WSJ: Which you never delivered, correct? 

GE: Yeah. Didn’t seem to be much point. [Watta] and I got a modest subsidy because she’s a pre-human citizen. [laugh] She doesn’t like it when I call her that.

#

Gregori read the note again. 

“This isn’t even literate,” he said, letting the crumpled paper slip to the floor. “You’re sure you didn’t see who threw it?”

Watta nodded.

“Right in front of my desktop, too,” Gregori continued, squinting through the tangled mess of white lines. “Going to have to replace the whole window.”

Behind him, Watta was listening to scraps of nonsense. Most of it sounded like static to Gregori’s ears, but occasionally there were tones, the crash of a chandelier falling, or wind shoving past the house. It was like listening to a badly scratched sound effects record.

Letting his eyes blur, he noticed that the dense center of the impact looked a bit like a mouth wide open, if he inverted his perception and let white equal black. A thin band of cracks surrounding could have been lips. A bundle of wild hair, white being white again, shot straight up from where a forehead would be before circling around to frame the cheeks, two spots of unbroken glass. A round-faced wizard, it looked like, staring straight out of the pane, conjuring Gregori’s world ex nihilo.

From Watta’s workstation came the distinctive metallic twang of Tin Pan Alley guitar. He whirled in his chair. Watta was standing on her desk, dancing in front of the radio she kept at the end.

“Watta!” He scowled at her. She flipped him the bird and grinned widely. Tired, she signed.

Sighing, Gregori turned back to the window. He couldn’t pick out the wizard’s face again.

#

Glitch. Pop. 

WSJ: —were after the recipe for Guinness?

GE: I had already placed it in the public domain. It didn’t make much sense to steal it. No, I think they had a different agenda.

WSJ: What, then? Revenge?

GE: No, not revenge, though it’s not something I’d put past the Irish. No. I haven’t told this to anyone else, Jerry. But the bullet wound in Watta’s head was located directly between her eyes. It wasn’t a random shot, a shot in the literal dark.

WSJ: Why would anyone want to assassinate Watta?

GE: My partner was political. Not as a hobby, but just by virtue of her existence. She didn’t enjoy the polarization that surrounded our lives. She mostly wanted to sit around in the study with me, watching and listening; she lived for the adrenaline of discovery. Physiologically, chimpanzees are much easier to addict to the chemical. She knew she was, but she didn’t want to give it up. We went on a vacation, once, to the back yard. But the neighbor kids didn’t know how to sign to her, so I ended up turning her text displays around so she could read them from her lounge chair.

But political factions suffer from [a long pause] creative differences. There are some, it is plain to me, who, if given a One if by land, two if by sea sort of code, would promptly forget what it meant, as well as their battle cry and where the guns were buried. Countrymen to count on, they are. Now with night vision goggles.

WSJ: And what was the end result; to where did that tragedy bring you?

GE: Well, they made off with my computers, and a bunch of the archives. But big deal. I had backups, and the server is buried in a cooling system under the badminton court in the yard.

She killed at badminton. Always hit it over the fence. Don’t know why those neighbor kids never learned how to sign.

#

It was a bad day for concentration. Gregori was imagining things in the pages of text scrolling past him, now. He could see faces, hands, people in the gaps between blocks of characters, in the configuration of punctuation marks. These two periods close together made eyes, and from them poured a waterfall, pounded by slashes and capital Ls.

He gladly took a break when the workmen arrived to replace his window. They said, We won’t disturb you. We can do it all from outside. 

“I’m gonna get some coffee. You want any?” he asked Watta. She shook her head to one side, not meeting his eyes. She was sulking about having to turn the radio off.

It was getting on toward evening. Gregori stood by the kitchen window as the kettle rose to a boil. The sunset was beginning, but it wasn’t worth staying around for. Not a cloud was in the sky; the boring gradient shaded from navy in the East to dust in the West, and that was it. 

The kettle whistled. Gregori poured a mugful and stirred in a teaspoon of freeze-dried crystals, even though the caffeine would keep him up tonight.

Back in the living room, the workers had finished unrolling the new window and were tamping its corners into place. Gregori watched them as he tried to compose a short poem in his head. The warm coffee, his bare feet in the carpet, the workmen standing still and fading into the deepening night, it all fit somehow together. He couldn’t find how, not with his own words.

Watta screeched. Found something, she signed with flailing arms. Gregori coughed, spit coffee onto his bathrobe. 

#

WSJ: How many works have you forced into the public domain in this way? 

GE: Uh, only four have actually been ceded to the public. There was this novel published a few years back — Starve a Fever, by the Canadian author Bess Kashuba.  That was the most recent. Last year, I think, the publishing house’s lawyers relinquished it. The print version had a typo on page eighty-eight. Mine didn’t. That was pretty funny. 

WSJ: Only four? 

GE: Well, yeah. It’s slow going, the process of discovery. But that’s all there is now. There’s no such thing as creativity anymore; just discovery. 

#

Gregori stopped reading aloud. His tongue tasted funny to him. He made a sound through his nose that might have been a laugh if, halfway through, it hadn’t turned into a sneeze. 

“That’s the end,” he said. “It trails off into gibberish after that.”  From her perch in his lap, Watta gave a grunt of dismay.  She fumbled around so she was facing him. 

Not accurate, she signed. 

“Should I publish it?” he asked. 

She shook her head. Might happen, she signed small, between her folded feet. She turned to stare at the flickering images on another display. Gregori watched her fidget with the thin fur behind her ears. She heaved out a great sigh and turned again, resting her long arms on his thighs. 

You didn’t cry, she signed.

“No, I didn’t. It wasn’t me,” he said.

You somewhere, she signed.

Tired, she signed from her elbows down. 

Play, Gregori signed, smiling straight across his face, too tired to hold the corners up. “You pre-human citizen you.”

She leapt up onto the desk and waddled to the radio, her arms up for balance. Click. Ambient hiss. Cat Scratch Fever.

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Sycamore

stories

Originally published in Static Movement.

Eight: On the street, as our bewildered hero blinks in the sun, a roving reporter with a live feed:

“You’re an educated man, mister Set—”

“Set Zero was, at least, yes. I like to think that I am being a good steward of his talents.”

“That’s a good place to start. In the frequent interviews given in your ninth life, after your goal of eliminating your backups with inTrust was publicized, you made a clear distinction between yourself and the as-yet-inactive backups. Why is that?”

“You’ve caught me at a bad time, I’m afraid. I have just woken up and have a case of the cobwebs.”

“How do you react to the evidence that individuals who own at least five personal backups have on average a fifty percent higher life satisfaction rating than those with four or fewer?”

“May I have a moment to review my predecessor’s leavings? I’m afraid that I was given only the audio diary, and—”

“What did you leave for yourself, mister Set?”

“I would prefer to retain the rights to my predecessor’s intellectual property, for the time being.”

“Do you subscribe to the Original ideal?”

“I’m sorry, which?”

“How long can the public expect to wait for the completion of your quest?”

Set Eight, with a smile, “I’d quite like a cup of coffee.”

#

Seven: As a secondary, more idle curiosity Set wondered how many different ways he could die. So far he had suffocated himself inside a plastic bag and leapt from a moving train as it passed over a trestle. There were still a half-dozen dirt naps left to take before he satisfied his primary curiosity. If he could manage not to repeat his predecessors’ methods, then so much the better.

The only thing was, he might not know it if he did. Memories only flow in one direction and each backup could only remember up until the time of its creation. One could just as soon ask a river to gush uphill than expect Set to awaken each morning after death with any experience of life, or death, beyond the basic template, the state he had been in when he first backed up.

The backups were stored at various havens around the world, warehouses position so as to be optimally safe from flood, tsunami, eruption, and earthquake. Set Zero, an adjunct professor at a modest American college, had been able to afford eight such backups through his school’s insurance policy, with the option of stacking more if he so chose.

Set Seven could remember arriving at inTrust’s satellite office. He remembered checking in with the scowling young nurse who verified that he understood the risks and would not hold the company liable in the event of any disasters arising from his monumental vanity. He remembered the liquid diet they put him on for two days while the chips were inserted and the unique patterns of his brain were archived. After that, all he could remember was waking up that morning in a colorless apartment with a migraine, a craving for a cup of coffee, and a message from Set Zero playing like an unbroken daydream until he gave it his full attention.

Set Zero had had thirteen good years of life without dipping into his stock of selves, apparently. In the message, he attempted to justify, to himself, his decision to tear through his backups, to live once again on the cusp of death. Set Seven smiled; Zero had awkward phrasing and a familiar crack in his voice. He must have really meant it. It was evident that Eight had gone along with the idea and a few minutes on the news feeds told him how, but not exactly why. It seemed Set was a bit of a celebrity; there was even an informal game underway to try and find his next backup before he did away with himself again.

Set was in no special hurry to die. He got dressed and strolled outside. “London,” he said, taking a deep breath. “I’ve always wanted to visit London.”

It was a lot like Seattle, only people spoke faster.

#

Six: “I thought I’d find you here. When I heard that your next was in Seattle—”

Set looked up. The stranger had long hair, expertly cut, and a coat of stubble so thin it looked to have been painted on. 

“I’m sorry,” said Set. “I know you, don’t I?”

The stranger took a step forward, edging onto Set’s horizon of comfort. “I was Zero’s friend. My name is Gunter.”

“It’s nice to see you again, Gunter,” said Set with a smile. Gunter hesitated a moment — and Set thought he looked like a man trying to come up with way to explain to the neighbor children that he just ran over their cat — then he shoved out a hand to be shaken. Set took it and gestured for Gunter to join him on the bench, which he did.

“Did I come here a lot?” asked Set.

“This is where we did our guard stint,” said Gunter. 

“I was in the guard?” asked Set. He turned and tried to face Gunter but a park bench is not an ideal place for a conversation. Gunter was staring out at Puget Sound and answered with a nod. “That doesn’t sound like me at all,” said Set. 

“You might have been drunk,” said Gunter. Then, “I’ve been reading a lot about you. You never struck me as a wasteful guy.”

“Is that what I’m doing? being wasteful?”

Gunter nodded. A seagull hopped over and pecked at his shoes. “Did you leave yourself a message?” he asked, kicking the gull away. 

“I fail to see how it’s wasteful,” said Set. “I’m an organ- and tissue-donor, after all.”

“You jumped fifteen storeys, the first time. There were no organs left.”

“Granted, but the gun left everything below the neck just fine, and asphyxiation doesn’t harm a thing. Well,” he added, “Apart from the obvious.” Gunter ought to have at least smiled.

Instead, he said, “I never liked your sense of humor.” Here came the push off down a racing slope. “I hated the way you talked down to my brother when we were in the guard, and I hated that I laughed about it with you afterward. I couldn’t stand it that night you tried to get him drunk, and it pisses me off that you don’t have the scar anymore. Hell, I even think you’re ugly.” He scowled and let the words fly out to sea with nothing there to echo back against.

The gull had returned and was pecking at Gunter’s shoe laces. He jerked, like a patient having his reflexes tested, and sent the bird hop-skipping away. Then he almost smiled. 

“I’m sorry,” said Set. “None of this means much to me.”

Gunter shook his head. “It doesn’t matter. Why did you come back here?”

“This is where my body—”

“No, I mean right here.”

Set thought for a moment. “I don’t honestly know,” he said. 

Gunter stood up, showing Set his profile. He jammed his hands in his pockets and hunched as though expecting rain. “Why don’t you stop playing your life like a video game, yeah?” Then, “I know why you came back here. Your body wanted to go back to the scene of the crime. This is where you killed him. Remember?”

Set tried to protest as Gunter walked away, but “It’s a nice view,” was the strongest he could come up with.

“I’m notifying the police,” said Gunter over his shoulder. “Go to hell.”

#

Five: The librarian was an old man. His knuckles were large with arthritis; he smelled like pipe smoke and baby powder. Leaning close, he tapped the screen. “Right here’s the ones you want, son,” he said.

Set thanked him and apologized again for not knowing his way around the new reference system. The librarian shrugged and smiled and shuffled off to finish the morning chores that Set had interrupted.

The particulars may have changed, but the basics were the same. Set did a search on his name and sat back to read. Hours passed. His eyes started crawling with concentration spots. There had been plenty of mundane events in his life, citations by his employer, that sort of thing, but there was one article of more interest. It was dated two years previous and told of a murder on the quay for which there had been no arrest. The victim had been named Halt, and he had been active in Seattle’s gay community. He was survived by one brother. Set was quoted with a vague witness statement, saying he was close to the victim.

“When did I realize I was gay?” Set wondered aloud. The librarian ambled back over holding a hard-copy newspaper. Set looked him up and down, tried to find him attractive. Probably not my type, he thought.

“You made page three,” said the librarian, offering the paper. Set took it and read. One of his bodies had been found in a Peruvian drainage ditch, missing its head and liver.

“How many you got left, then?” asked the librarian. 

“Zero didn’t make a backup in Peru,” said Set.

#

Four: “Would you like anything?”

“Thank you, mister Set, but no. May I record your opinion of the Originals?”

“The original who? Isn’t there a band—”

“The phrase is used to denote individuals who claim an ideological stance in line with the One Life manifesto, published three years before your first death.”

Passing up the chance to make a snide remark. “I love a good manifesto. How does it read?”

“I don’t have permission to quote verbatim, mister Set, but I can inform you of the basics. The author desired to preserve original life. Many of the author’s philosophies originated in eighteenth-century aristocratic sensibilities, though such criticisms have gone unmet. Each human, the author argued, is allowed one life, and one life only. The merits of medical transplant procedures are espoused in an addendum.”

“Fascinating,” said Set.

“Thank you for your time, mister Set. I have won the tee-shirt.”

#

Three: A sunrise in Saskatchewan is instant, like a switch being thrown. There are no valleys or crevices for stalwart bands of night to hide in. Set had to shield his eyes. He had woken up at three in the morning, which seemed like an odd time for his predecessor to die. Periodically, he checked the news, but his death notice hadn’t hit, yet.

He was waiting for businesses to open so he could get a cup of coffee. It seemed like a very long wait. The small cell he had awoken in belonged to inTrust, and they would evict him after he felt he had full control of his functions. He had been furnished with feed access, a cot, in case he felt weak, and a window to help him remember where he was.

“So, I’m number three,” he said to himself. He let Zero’s daydream message play again and felt a shiver run up his back. There was something Zero hadn’t said, Set was certain, something he had hidden from his descendents. Set remembered back in grade school when his father hadn’t let him come home after classes, had him play in the yard while he and Set’s mother zipped back and forth in front of the living room window like ducks in shooting gallery. When they finally let him come inside, the air smelled like Lysol and there was something that looked like blood on the carpet.

And when he asked about his dog, Bones, they said he ran away.

Set wondered what had really happened, and if Zero had ever learned. On an impulse, he checked the feeds; his father had died four years ago. “Dropping like fruit out of season,” said Set. 

There was a knock at the door. When set didn’t immediately rise to answer it, there was a second, and then someone on the outside coughed and said, “It’s the police, mister Set. Open up.”

Faintly bemused, like when a student asks a tough question, Set opened the door. There were two officers, one with his gun drawn, and a detective. The detective looked as if he were a couple weeks past retirement. His badge was pinned on his lapel, identifying him as detective Hyssop. He saw Set read his badge, so he didn’t bother introducing himself.

“May we come in, mister Set?”

“Oh, well, it’s not my property, exactly, but please.” Set stepped aside. As they stepped in, the other officer holstered his gun, but didn’t snap the clasp. “I’m sorry I can’t offer you coffee,” said Set. 

Detective Hyssop smiled like lightning and coughed like distant thunder. “I have to ask if you are aware, through natural or artificial means, of the warrant issued for your arrest. Just in case,” he added to the officers. 

It sounded as if it needed a strong reply, but all Set came up with was, “No,” and a widening of the eyes. 

Detective Hyssop sighed and gestured to one of the officers. The officer removed a length of zip-tie from his pocket and stepped up to Set. “Put your wrists together, out in front, please.” Set did so. The sound the tie made was like corduroy pants.

“You’re under arrest,” said Hyssop, but he was cut off by his violent cough. He drew a misfolded handkerchief from his pocket and spit dark phlegm into it.

“That’s a nasty cough,” said Set.

“Call it habit,” said Hyssop. “You’re under arrest, and have been charged with the murder of Halt Greenaway of Seattle, Washington.”

“I didn’t do it,” said Set.

“There is significant evidence to the contrary, mister Set.”

“I didn’t do it, detective Hyssop—” he pronounced it incorrectly “—because I was just born. I’ve never set foot out of this room.”

Detective Hyssop sighed and leaned back against the wall. He rubbed his eyes as though tired and tried to suppress another cough. “Jonathan Set is charged with the murder of Halt Greenaway. Are you Jonathan Set?”

“That is my name.” Set wasn’t the type to stand up to authority, but he was feeling petulant as a newborn. He stiffened his back and tried to stare detective Hyssop down.

“You’re under arrest, mister Set. Do you understand?”

“What if my name were Lee Harvey Oswald, detective?”

The officers were settling into a stance that suggested they would be here for a while. They folded their arms over their chests and bent their knees slightly.

“Are you a religious man?” asked Hyssop. 

“No,” said Set.

“No, you wouldn’t be,” said Hyssop. “Got to tell you, I don’t think I’d be here if you were. You people are filling the earth right up with your carbon copies, and each copy means what? means that there’s that much more room for the soul to spread around in. Just my personal theory. But you keep dying, and you keep living, and you’re making heaven too fucking crowded.”

Set felt as if he had been called in front of the principal. “I didn’t do it,” he said.

They took him out to the car and stuck him in the back seat. Hyssop and one of the officers rode with him, the other officer following in an unmarked car. Set tried to order his thoughts, tried to uncover some hint within himself about what his predecessor’s may have done. It was hard to concentrate, because Hyssop kept coughing.

The officer turned and asked, “When you goin’ in?”

“Tomorrow,” said Hyssop, spitting. “Tomorrow. Lungs of a thirty year-old.”

“Nice,” said the officer. 

“Yeah.” Hyssop twisted around in his seat to peer at Set. “What do you think about that, son?”

“Congratulations,” said Set. 

Hyssop made a crooked grin and nodded as though he had scored a victory. “You know what you remind me of?” he asked. “My son had a cat when he was a boy. Stupidest damn thing I ever saw. Chewed on mouse traps. Stuck its claw in a wall socket. It was dumber’n the kid, I swear. Last straw was when it climbed up the tree out front. Tried for ten minutes to get it down, then I said, Screw it and left it up there. Made a noise like you wouldn’t believe. Too damn curious for its own good.”

They were driving into the sun. Even squinting, Set couldn’t see a thing. “I have faith,” he said, just because he knew that word would summon up a cough in Hyssop. “No idea what I’m going to see when I get to the top,” he went on. “But it has to be something worth seeing. I’m a very trustworthy man, and I’ve known some.” The sun disappeared behind a warehouse that looked as if it might house a space shuttle. Set could see inTrust’s logo, the daisy-chained stick figures holding hands, plastered on the side. “What are we doing here?” he asked.

The car stopped and Hyssop got out. “Welcome to your new home.” He chuckled. The officer opened Set’s door and helped him get out. As Set stood, he saw the officer’s holster, still unbuttoned. He didn’t say, You’re not the police; he guessed they knew already. He felt a flash of anger at his predecessors and seized onto it. The heat in his brain was quickly transformed into the warm gun in his hands. He broke away from the officer and tried to run. He tripped over his own feet and ended up on his back in the dust. The officer was running at him and Hyssop had turned to watch. 

Set fumbled the gun around, barrel toward his head, and put his thumb on the trigger. “Someone else’s problem,” he said. Let the cat get down on its own. One step at a time. That’s how you move mountains. As much as you can lift, one load at a time.

#

Two: Set listened to Zero’s message and then opened his eyes. He was lying down and there was a bare fluorescent tube crackling above him. He tried to raise a hand to shield his brow, by found he could not move either of his arms. His legs were similarly restrained. He craned his neck, felt the vertebrae pop, and looked down at himself. He was spread-eagled on a bed, nylon straps looped around his wrists and ankles. There was an indistinct shape near the door of the tiny room. Set could feel his pupils contract against the light.

“Welcome to earth, mister Set,” came a voice from the shape. Set blinked to bring the shape into focus. It was a middle-aged woman, slightly overweight, wire glasses on her nose, the pencil-pushing type. She was carrying a clipboard.

“Why am I tied down?” asked Set. 

“You’ve been belligerent,” said the woman. “I’m sorry.”

“I apologize,” said Set. “Did I hurt anyone?”

“No,” said the woman. She took a step forward and clutched the clipboard like a weapon. “I work for inTrust Corporation, and I wondered if you would be willing to take a look at a couple of forms.”

Set fumbled his tongue around in his mouth. It felt thick and fuzzy and in desperate need of coffee. “Is this the first time you have asked me?”

“No, sir,” said the woman with a rueful smile.

“What are they?” asked Set. The woman brought her clipboard over and positioned it in front of Set’s face. 

“How’s that?” she asked.

“Back a little,” said Set. The forms came into focus. Set read quickly. “Cloning authorization,” he said. Then, “This is backdated. Two years?” The woman said nothing. “What am I doing here?” asked Set.

“You’re a difficult man to get a hold of,” said the woman. “Like a greased pig.” She pulled the clipboard out of reach. “I’ve listened to your message,” she said. “It’s nothing; it’s not poetic or religious. I can’t understand why you’ve put seven bodies in the morgues, nor can my superiors.” She took off her classes and cleaned them, scowling at the grime. Her countenance lifted when she slid the frame back over her ears. “Now, I’m afraid, you’re going to have to be patient.”

“For what am I waiting?”

The woman looked as though she were about to leave without answering, but she paused on the threshold and said, “To be born again,” and Set could tell she had to cut the laughter out.

She left the lights on. Set tried tugging at his restraints, but there was no give to them. He listened to Zero’s message again, to the compelling conviction that he didn’t know his vocal chords could muster. 

One more left, he thought. They’ll probably have him under guard as well. I wish I could record a message for him. I’d say, Sorry I dumped this in your lap. Nothing I could do. Seemed the most appropriate action at the time. 

He debated trying to choke himself to death, trying to swallow his tongue, but it wouldn’t pull far enough back. He wondered if he could make himself vomit, but after a few minutes of flexing his stomach muscles all he had was heartburn.

He kind of wanted to laugh. They wanted his permission to make additional clones, to be farmed off as organ donors for those who didn’t want to spring on a backup, or who didn’t want to lose a few minor years of experience. 

A few minor years. He was reminded of the time he spent three years in college hot on the heels of a girl named Lace. He signed up for the classes she attended; he tried so hard to make her laugh that she actually did. She hated smoking, so he quit for a while. She liked going to church on Wednesday evenings, so he gave it a shot and quite liked the music. He knew, just knew, that a little perseverance would go a long way, and it ended up going five miles to the bar to pick her up one night after her ride bailed, and then six miles back to her apartment, twenty-three steps up to her room, and ten feet to her bed.

Set realized he was smiling. He pulled the corners of his mouth down; they were sore with effort. That wasn’t me, he said. That’s just context. I am Set Two, newborn. There was a convergence in the past, but it was like a myth, a story to enlighten purpose in the present.

He remembered Lace once saying, Faith is being sure of what is hoped for and certain of what remains unseen. That did the trick. He felt his throat clench and bile crept into his mouth. A flex and twist of the body and a whole wave sloshed up. He coughed and choked and some of it came out his nose. 

He held his breath as long as he could. 

#

One: The body had been shipped, upon receipt of payment, to an aluminum building in Peru where two surgeons with identical accents removed its unconscious brain, just in case, and then took his liver for an elderly economist who was too much in love with vodka. The surgeons had no outstanding requests for the other organs, so they dumped the body in an irrigation ditch where it floated into a field of hops and was spotted by the farmer’s son.

#

Zero: It was an explosion, a burst ill-aimed and wide. Seven bullets, four went into the bushes, three punched an Orion’s belt across Halt’s chest. He fell, twisting on his knees, his weight jerking front-to-back. He landed face-down on the cement and coughed. The gunman — he had a wispy mustache and couldn’t have been more than eighteen — took two running steps down the path, then stopped, slipped, came back for Halt’s wallet. He ripped out the twenty bucks in cash that was supposed to be for dinner and then ran off, not looking back, just like a coward.

Like a coward, thought Set, and crawled out of his hiding place. He had spotted Halt from a distance and had slowed, just because he liked to look at him. He had thin German features, and was trying to grow out his hair. Just as Set was about to raise an arm and holler, the young gun had slouched up to Halt, hand out, asking for a light. Halt had shaken his head. The kid’s hand came out again, this time with a folded twenty in it. Halt had smiled — wide German mouth could carry a smile a hundred yards — and again shaken his head. The kid’s hand disappeared and came out with the gun and Set had leapt into the bushes.

Like a coward, though Set, along the path of least resistance. He rushed to Halt’s side and wasn’t the first one there. “I’m a doctor,” he said, which had never quite been true. He got down on his knees and looked into Halt’s eyes. One was open, one was fluttering like a butterfly shot down by a child’s water toy.

The police came and took his statement and then he tried to sleep. Almost fifteen years in the same job, same city, same bed. It had never been comfortable. Apathy had left him tired and depressed, a parasite emotion. Set had realized this; he was a smart guy. Joining the guard for a couple weekends a month had been good for him. There, he had met Gunter and Halt and their beer nights became Set’s best memories for a time.

One night, after Gunter had passed out, Set and Halt sat on the bar’s front steps and talked about the goals of their lives. Halt wanted to be a painter, and Set wanted to stop being a teacher. Halt said, You can do anything you want, because your brain is so damn big. Set said, Oh yeah? Halt said, Absolutely. You have to trust a brain that big and beautiful. Set grinned and let his head fall under all that weight. Halt leaned in and kissed him on the cheek.

There was a memorial service for Halt back in Spokane, where his folks lived. He had had no backups; he blew all his money on paint and canvas. Before boarding the train over the Cascades, Set went to inTrust’s Seattle offices and recorded the message for his descendents; they provided the service, but it wasn’t in high demand, since most of the deaths they dealt in were sudden.

“Aren’t you curious?” he said into the microphone. “I am. I have to do this, and I hope you’ll do it with me. There is no tang in this life without the risk of loss. I can not communicate in words what I hope you will understand. I have faith you will understand. Who knows?” He bit off a laugh. “It could be fun.” It wasn’t quite what he wanted to say. The recorder clicked off. “I’m sorry,” he added.

On the train, he had a beer in the dining car and then went back to one of the sleeping cars as they passed over the mountains. He forced the door open; the wheels threw up steam and locked. A bubble of questions and mild screams grew and burst and forced Set right on out. 

They were on a bridge. The chasm was deep and dark, like hell, but cold and fresh, like heaven.

It seemed poetic. It seemed fair.

It seemed easy.

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Shard Candy

stories

Originally published in Technoccult.

Difficulty: no giving up.

Hard to write, feet not dextrous, ha. Five senses, five simultaneous inputs. Synthesize three for single output.

Public radio address — pen in hand, now, foot delicate enough for Braille —through the aural inputs. Twelve stranded atop house in flood. Restate. Twelve stranded atop house in flood.

Unfaithful translation of Feynmann to bump-grids now playing underfoot — odd, can spool faster across arch of sole than could under fingers. Inaccurate biographical information; was samba, not bossa nova. Synthesize: Twelve stranded atop samba club in Brazillian flood. Strict accuracy. Twelve stranded atop bossa nova club.

Optical dissociation shunted in favor of rapid focus swap. Looped video (35mm archive, poor condition, no blues, missing audio) of child crying in backseat as imposing figure in black pea-coat recedes to vanishing point through rear window. Twelve stranded atop bossa nova club, abandoned by rescuers. Offset on repeat. Mode same. Twelve abandoned, would-be rescuers fleeing.

Second focus: novel, thriller, yellow paper, pocket-sized, inappropriate ellipses signifying difficult drama. Cheapens the situation. Twelve stranded atop bossa nova club; rescue attempts called off; all the world holds its breath.

The hard two, now. Burnt diesel scent from open vent. Raw seafood from restaurant kitchens two floors down. Nothing discrete, but context fills the role here of isolation. Twelve stranded atop bossa nova club; rescue attempts called off; all the world holds its breath. A fishing vessel, chugging powerfully against the flow, making its way to the survivors against the command of—

Collect and synthesize. I shall bend — not break — the scientific methods. A fishing boat is coming [inappropriate ellipsis].

Been up too long and my sinuses are draining down the back of my throat in a hot sheet that tastes of metal, of the tin lip of cheap beer. Twelve stranded atop bossa nova club; rescue attempts called off; all the world holds its breath. The survivors have exhausted their fresh water supply, and are now rationing tins of beer.

Extrapolate, for the threads of story are like shavings of gold, and to procure a true representative sample there must be much to enter in the crucible: We have seen close ups of the faces of the children, and their fear is solid through the wires and waves. All those housewives between their television sets and ironing boards catch the news flash; students have their classroom monitors switched on; the names of the children are more memorable than those of the old man drinking beer, of the mistress of the club in her simple red dress. Weather conditions prohibit airlift. Cameraman with optical zoom unsteady, drops camera when twisted by sobs.

Hop one: sobbing.

Hop two: That time I took a lungful of asbestos dust and lost the will to stand and faced the wall and coughed until my eyes hurt and the poison particles had turned to mud against my cheeks.

Two hops only. Not good.

In an infinite universe, there must be an infinite number of stories that haven’t got a thing to do with me. In a possibly finite universe, there must be a story, a star somewhere the light of which will never touch me, and never come around again.

The thing is, the problem is, I’m shut up in memories. The real sixth sense, used to navigate a house moved out of twenty years before, used to evaluate the vibrancy of a color, to add the relativity, without which we are seeing new things every day, smelling, tasting, hearing, feeling new things every second of the day.

I want to leave this place. I want to be alone, but here there is no alone. Downstairs, the cook shatters a pan of boiled sugar and his children scramble for the flakes. Upstairs, two women scream. On either side of me are people breathing, breathing heavy, phlegmy gulps. I can not be alone. I can not find the story that has none of me. I can make these successive approximations, Riemann sums for solitude, diminishing myself. But not with two hops. That doesn’t even get close to nothing.

I could write myself a story of escape; even I wouldn’t believe it. Null hop.

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Hard Wonder

stories

Originally published in the Goodbye, Darwin anthology.

It was not a night to spare expense. The firm had successfully defended against their twenty-fifth anti-trust suit earlier that afternoon and, to celebrate, the senior partners had brought out all the silver, and had sprung for the champagne. The party went through the natural life cycle of this sort of office get-together, starting with the tentative first introductions and flirtations, growing into the comfortable din of a dozen concurrent conversations, lapsing into silence as guests individually realized they had nothing more to say, and then dissipating as the elderly and the far too young slouched out under heavy felt coats and identical flat-brimmed hats. By three in the morning, the only ones left in the offices were the middle-aged, those not yet over the hill but right at the summit, and one young lawyer who wanted to ingratiate himself.

The brandy came out, as did the cigars, and soon, by the alcohol heat and Havana exhales, the men were pimpled with sweat over their laser-shaven cheeks. Their ties already were loosened, so they began unbuttoning their shirts and pumping the fabric over their chests like bellows, laughing and snorting and desperate not to fall asleep, for to sleep would be a waste of time.

When it got too hot to move, they started burning money. Everybody chipped in, emptying their pockets of chits until there was a pile the size of a pumpkin on the table between them. They took turns, as a family might take turns opening presents on Christmas morning, not out of a desire to see joy flash across their coworker’s face, but to build up suspense, to revel in the fascination.

The young lawyer was last in the circle. He had never burned with these men before. He stayed quiet, some small part of him fearing that the only reason he was still there was that they hadn’t noticed him yet. He laughed at the right times, though never too loudly, but didn’t say much of anything that he came up with on his own. He stared with the others as each man in the circle placed a chit against his temple and pressed, sending recorded electronic signatures through his brain, which scrambled to adapt to the new information and, quick as you can tell your lips to smile, copied wave for wave the emotion held inside the chit.

These were mostly wonders, joys, a few lusts, which were declining in value as the market realized that lust was not necessary to fabricate. It was almost the young lawyer’s turn. He watched the features of the man to his right settle and soften until the skin was no good for holding back tears. The man had grabbed the lone nostalgia. 

“Here Johnny,” said the man on the young lawyer’s left, passing him a chit. Johnny grinned to show willing, took it, and pressed it to his temple, his sweat sealing the connection. He didn’t see the fist-shielded chuckles of the few men whose artificial emotions had already wound down, and, though he heard the humor, it didn’t sound out of place. He shot the chit, using up its charge, rendering it worthless. 

Johnny Cousin wasn’t stupid. He was going places. He was a capable lawyer; he spoke to juries with a confidence he couldn’t find tonight. He had risen from assistantship to associate to trial lawyer in just a few years, and his first solo case was this coming Tuesday. He wasn’t stupid. There are plenty of gullible people who aren’t stupid.

The emotion hit him like a bullet — that is to say so quickly that he could neither identify nor examine it. He pitched forward and vomited. His spine crawled with the glares, the hunting focus of some invisible creature. He scrambled to his feet, slipping on the puke, and tried to run. He tripped over the armchair of a laughing attorney and fell into a crouch. His hands smelled like acid and alcohol.

“What’d you give him?” someone asked. “Oh shit, that’s hilarious. You’ve got one of those? It’s like a food stamp, brother.”

“I found it in the gutter,” someone else said.

Johnny sobbed into his hands and twisted up against a wall. There was a window. He slithered away from it, settling into a corner, his fingers laced over his eyes, too afraid to either open or close them.

“Should get this on camera. You got a camera?”

The dramatics were over, though. Johnny’s terrified mind calmed like an ocean, a small derivative, the waves still present just less forceful. He pulled his hands away from his eyes and focused on the other men and their tucked-up playground leers.

Johnny wiped his chin on his sleeve; the shirt was ruined anyhow. “You bastards,” he said, lightly, as though he were in on the joke. “You royal bastards.” And, far removed from his grudging laugh, he was thinking, And that’s what he feels? My god. My god. What have I done?

#

“You receive a pension for your son’s service, do you not?”

“For when he is released, ma’am, yes,” said Johnny. Throughout the last couple of days he had been unable to stop thinking about how he had felt that night. Memory stands apart from pain, the same as a noun stands apart from the thing it represents. Still, the memory was potent and made his sinuses hurt. He hadn’t been focused on his job, on the preparations for his trial on Tuesday. Some of his coworkers, the ones who had been there that night, had come up to him and nudged him in his ribs, joked about the look on his face, pulled their own faces into rude caricatures. Johnny’s reserve of humor ran out in mere hours, and after that he just replied with, Yeah, that was great.

“And why do you want to terminate his employment prematurely?” Johnny was standing in front of the desk of a secretary to one of the senior partners; several steps removed from power, but he could feel it, the ability to effect a change, pulsing in the conditioned air.

The secretary was leaning forward on her desk, elbows on the blotter, her thin glasses centered on her eyes. She was young, or looked it; no more than a couple years older than Johnny. Her expression invited him to fill the silence; he chose to fill it with excuses.

“I didn’t realize what I was doing. The tests said he gave strong reactions and would be ideal for the mint, but—”

“So you signed him over. Terror, you said?”

“Yes,” said Johnny. The secretary nodded as if hearing from him a condemnation in that one syllable and agreeing with it, though not without sympathy. She pressed a finger into her right ear, the better to hear from the microspeaker embedded there.

“Excuse me for just one moment, mister Cousin.” The secretary left through a door behind her desk. The door clicked shut. Johnny thought of shutting doors, of putting the past in its place and locking it there, of dark impenetrable wood behind which is hidden whatever you please, of the room in the corner of a house, out of sight so the mind can gradually flush its memories away.

The door opened; the secretary breezed back to her desk. She swiveled in her chair, settling it in the right position, then smiled.

“Did you know that they now manipulate their dreams, as well? So, in essence, they are working twenty-four hours a day. That must be . . . terrible.” The secretary smiled again. “Or terrific, depending on who you are, I suppose.”

“Yes.”

Where Johnny would have rustled a sheet of paper or glanced at his watch, she fixed him on the two points of her eyes and waited for her next thought to form into words. “And your wife?” she said.

“We’re no longer together,” said Johnny. “I have full legal custody.”

“Good. That will make this less complicated.”

“You can do something?”

“We can do something, mister Cousin. But it will require an effort on your part, as well. You like your work, don’t you?”

“Yes,” said Johnny, and it was partly true. He liked what the job allowed him to do; that is, he liked attending parties, and he liked being a part of the winning team, and he liked coming home way too late to a bottle of bourbon and a house, built large so as to enclose the maximum amount of silence, and with silence, comfort.

The work itself was a tool, a commodity, something for him to sell in exchange for every docile fantasy he had.

“You have done a satisfactory job in the past few months. It hasn’t escaped the notice of the senior partners.”

“Thank you,” said Johnny.

“Your first solo is on Tuesday, is it not?”

“That’s correct,” said Johnny.

“Good. The senior partners would like you to throw it.”

“What? Why?”

“I hardly think I need tell you, mister Cousin, that in some instances there can come profit from loss.” The secretary was smiling; her eyes said, I know you really are smart enough to know that, and Johnny almost believed her. An expression like that could have sold cars; it was so full of camaraderie, of earnest kinship born of shared experience.

“No,” replied Johnny.

“Good. Do not turn it into a mistrial. Weaken your case, discredit your own witnesses, hem and haw to the jury. Make a few bad jokes.” Her voice had taken on the mad Mosaic timbre of someone dispensing commandments from on high. Behind her words, Johnny could hear the low whine of the speaker in her ear. One of the senior partners telling her what to say; this woman existed only to keep supplicants at arm’s length from the power. Johnny was not a praying man, but right then he wondered how frustrating it must have been to accompany each prayer with a sacrifice, an extra wing of potency, without which the prayer would flutter helplessly in the mezzanine, easy prey for circling doubts, far removed from the shrouded presence of an Old Testament god.

Johnny almost bowed as he left. On the way out, he passed a platinum reproduction of Winged Victory of Thrace. He reflected on the meeting — his knees shaking as they had his first time addressing a judge — and what it would cost him, which was, to his estimation, fairly large. A handful of terrors made a plastic chatter in his jacket pocket. He reflected, misshapen, in winged victory.

#

The guys in the office gave Johnny pats on the back and buck up pep talks. Everyone stopped by to congratulate him on a job well done, too bad the twelve went in for the other guy, but sometimes that can’t be helped. Johnny was tired and gracious and said, Just gotta get back up on the horse, he couldn’t guess how many times. The distractions came at fifteen minute intervals, sometimes the same guys more than once. No hard feelings, said the guy who had slipped him the terror that night, and it wasn’t a question. No hard feelings, said Johnny, patting the chits in his pocket.

He was annoyed at the distractions, but he didn’t know what he would have done without them. He couldn’t concentrate on the work; his monitor kept deforming every time he blinked, waves of misguided electrons sheeting to the bottom. Somewhere in the office was a crying baby, and the susurrus of its client mother hushing it up, her sibilance matching the disturbed frequency of Johnny’s screen. 

His phone rang, throwing off the baby’s howl, the mother’s whisper. He answered it.

“Mister Cousin,” said the secretary on the other end. “Have you been keeping up with the news?”

He hadn’t been. Preparing for his case had been more important in the way that circumvents any method of prioritizing; but even without the thrown case, he wasn’t much of a news hound. The things he needed to know filtered through other people to his ears, and at the end of the day he went home to a quiet house with no TV. He said as much, aware that outside of his head it sounded like rambling.

“Nine days ago, a vigilante group raided the Pac-Nor mint in Bellingham. The group’s apparent aim was to liberate the staff. Your son was one of those liberated.”

“Where is he, now?”

“Local police conducted an area search. You should read it for yourself. They turned up Contentment—” referring to the kid by the emotion she was tapped for “—huddled in an alleyway trying to wrap a sheet of rotten drywall around herself. The others didn’t turn up in the county.”

After a compliment on a job well done — which felt to Johnny no more or less than the pats on the back — the secretary hung up, saying she would leave him to it, whatever it was. His son was nine days gone from the mint. How far can a kid run in nine days? How far can a kid — who has been stuck in his own mind for fifteen years and whose only experience with running has come from escaping the monsters that visited inside injected fever dreams — go in nine days?

If it had been me, Johnny realized, I would have gone until my lungs caved in.

Rubbing his temples, he caught up on the news. As it turned out, some of the kids had gone home, authorities assuming the vigilantes had told them where to go. Anger burned a tree house down and was in custody. The mints didn’t want the kids back, now; they were spoiled goods, once earthbound and now released into the great wide unknown. The air they had known would never taste the same again.

Johnny cut out early and sped home. He pulled onto his street with the sun in his eyes and saw the silhouette of his house undamaged and was relieved.

#

Grady pulled up out front in his near-silent car; Johnny wouldn’t have noticed had he not been waiting for the man. It was a couple of weeks later, and Johnny still hadn’t decided what to do about his son, whom he had taken to calling Trey, thanks to the circling strange abstraction of the brain which turns a word around until its syllables overlap and its meaning takes second seat to the sounds themselves.

He strolled down the front walk to greet Grady. Grady wasn’t from around here; he wasn’t an American. He spoke English haltingly and with a grammar all his own. He made you feel as though every gap in communication was your fault for not speaking clearly, while your brain protested that it was his fault for fouling up the language in his head. Still, he was the best private investigator in the area and he had worked with Johnny’s firm on a number of occasions, so Johnny at least knew him by sight, as well as by his reputation.

He told himself he was collecting information, in order to make an informed decision, and couldn’t help feeling as though he were betraying someone, or, more accurately, some thing, some wordless ideal. By not upping stakes and running to Bellingham? he asked himself. Unreasonable, misguided, emotional. Came the response: how better to find your son, who has lived his whole life unreasonably, without guidance, submerged in an emotion much more powerful — therefore more valuable — than the paternal instinct.

“Nice car,” said Johnny as he extended his hand to Grady. Grady took it, then released it as though he had decided not to shake after all. He turned and examined his car from hood to trunk, then returned his attention to Johnny.

“Yes,” he said. “I enjoy a good car.”

“What is it? A Freya roadster, right? Love the color.”

“Good running,” said Grady. “Take me inside.” He was holding a black leather briefcase in one hand. He used it to gesture at Johnny’s house. 

“Right. Please, come in,” said Johnny.

Grady went immediately to the dining room table and sat, opening his briefcase and laying out a series of contracts and forms for Johnny to sign. Johnny, meanwhile, got himself a drink.

“Want a drink?” he asked.

Grady waved his negative. “For the driving,” he said. “Sign your life,” he said, tapping his finger on the nearest sheet of paper, then pulling a pen from his breast pocket and repeating the gesture.

“Excuse me?” Johnny took a sip of his drink and sat down opposite Grady.

“Sign your life,” said the PI. “For payment.”

Johnny couldn’t quite place Grady’s accent. There were the rolled Rs, the swallowed vowels of Russia; but he also tended to emphasize the second syllable, as Germans or Scotsmen do. The man’s looks didn’t clear anything up. His hair was gray, but looked as though it could have been artificially so. His eyebrows were triangular, pointing upwards, shadowing his eyes. His face was smooth and square and carried the sort of contemplative neutral expression that once upon a time may have caused swoons in the girls of his native land, wherever that was. 

“Sign my life?” said Johnny. Grady stared at him, licked his lips, blinked, returned to staring. Johnny bent and started reading the contracts. When he was halfway through, Grady spoke.

“I am going from America,” he said. “Tell the word around. After your money. I am going.” Johnny kept reading. “Stupid America,” Grady went on. “Sensitive to light, to shadow, to food. Babies that cry. And worthless money.”

“Worthless,” said Johnny, glancing meaningfully around his sleek unsullied rooms. 

“Gold is worthless,” said Grady. “No bullets to be made, no walls will stand. Too soft. So is your new money. Worthless.”

“Is that why you ask for so much of it?” Johnny had finished reading the contracts. Grady grinned, boxy teeth shoving his lips apart. He replied something about moving that Johnny didn’t understand and let disappear without response. He began inking his initials and names over the sheets of the contract.

When he was finished, Grady collected his copies and snapped them into the briefcase. Johnny wrote up a bank authorization, asking, “What do you want it in?”

“Wonder,” said Grady. Johnny made it so and handed over the note.

“Remember,” he said. “I don’t want him to know that his dad is looking for him. I mean, I don’t know what he’d do. I don’t want him to run. Just tell me where— just tell me if he’s all right and where he is.”

Grady nodded. “It’s in the contract.” He let himself out.

Johnny sat hunched forward on his couch, elbows on his knees. He listened to Grady’s car purr off. After a while, he got up and, shoving the loose contract aside, opened his own briefcase and caught up on a little work, scribbling notes with one hand while the other made plastic chirps with the terror in his pocket.

#

Three weeks later, Grady was sitting on Johnny’s couch, sipping a water. Johnny was sitting across from him on the corner of the coffee table, flipping through the pages of notes and photographs that Grady had brought with him.

“Oliver Kyle Cousin,” said Johnny.

“He names himself O.K.,” said Grady.

“He kept the surname.”

Johnny looked at the face of his son and recognized nothing in its features. It was wholly unique — a stranger’s face, smiling, holding a milkshake in one hand. A girl was sitting next to him with her chin in her netted fingers, dimly reflecting O.K.’s smile.

“Who is the girl?” asked Johnny.

Grady had a mouthful of water. He spit it back into the glass. After a length of silence, Johnny looked up from the picture to see what was taking so long. Grady was rubbing two wonders together between his thumb and middle finger. He nodded significantly at the chits. Johnny got the hint. Grady slipped the chits back into his pocket.

“Her house,” he said. “He eats next to her and sleeps in her window.”

“In her window?”

Grady took another drink of water. He made a face of disgust and spit this mouthful out, too.

“I am done,” he said. “Yes. Tell the word around. No more days of your independence. No more of your wives, daughters, husbands, and sons. I hate. You are the last I hate. I am tired of this hate. I need new hate, far from here.” He stood up, placing his glass on the table next to Johnny. Johnny didn’t move. “Look at you,” said Grady. “You are sitting. This is why I will leave America. Your son is in your hand and you sit down.”

Johnny picked up the water glass and set it on a coaster. Then he looked up. “You don’t understand. A decision can’t be rushed; time has to pass.”

“No. An idiot would say so. Decisions, such as decisions in a court, yes, are made long before time. Guilty, yes?”

“What are you saying?”

Grady smiled thinly, in that instant so like a grandfather, dying, prepared to leave behind a legacy of righteous fury if nothing else would stick.

“I say you should have no secrets from your son.”

Then Grady left, taking his echoes with him. Johnny moved to the couch. He thought, for quite some time, in two minds: one was a scale weighing the choices that were in front of him; the other sat in judgment on the first, growing ever more blood-fired and angry that he could even consider there to be a choice in the matter at all.

#

Wonder — the kid’s name was Delicate Jones — and her folks lived a bit north of Ashland, Oregon. According to Grady’s report, she and O.K. had jumped freight trains down from Bellingham. A conductor had spotted them in Portland, recognized them from their photos on the news, but hadn’t told the authorities; turned out he was a disgruntled citizen and had taken some pride at telling Grady of his naughty deed. The kids had thanked him. He said that the girl looked tired and was huddled into the guy. She may have been sick. The guy seemed all right. Both of them were bald.

Johnny spent the plane ride reading the report and, once the words began the give him a concentration headache, gazing at the pictures. There was one of O.K. and Delicate seen from a distance; they were sitting on the green hill of some park. It was taken on a sunny day, but they were pressed together, sealing all space between them like two hands clenched together, as though a blizzard were falling around them.

On the ground, Johnny checked into a hotel in Ashland. He ate a quick dinner in the hum of a Shakespeare-themed restaurant. He had Steak-upon-Onions. He left the waitress, who had had bad comedic timing, a joy, though he thought she’d probably burn it with her friends later that night. It was dark by the time he returned to his hotel and lay on the room’s thin bed. 

The street ran close to his first-floor window. The sound of passing cars didn’t so much bother him as the vibrations that they transmitted from street to earth to wall to bed. He found himself unable to sleep. More than once he was close, but each time came a youth with a perversely loud bottom end, or a diesel hauler, and startled him so that he felt his eyes yanked back to him from dreamland as if they were attached to his sockets by rubber bands.

He turned on the TV to distract himself. He found a movie that, after a few lines, he recognized as being one that his co-workers frequently quoted to each other around the office. It was awful. There was a laugh track.

Johnny got out of bed. When he wasn’t lying down, he didn’t feel the vibrations so strongly. They passed through his feet, up his tibia and then, though he didn’t realize it, were obliterated by the quaking in his knees.

In the end, he just went ahead and did it. He waited around a frozen yogurt shop Grady had observed the kids frequenting and got a coffee. He was there when the shop opened at ten in the morning; he kept ordering coffees until O.K. and Delicate slouched in at two. Johnny tried not to look at O.K. as his son waited in a short line to order for the both of them. Delicate sat down at a table in the corner and leaned her head against the wall. She had eyes as round and dead as two pennies. Her hair was coming in, a light blonde fuzz. She was staring right at Johnny. After a few moments, he tried giving her a wink, but it wasn’t something he had practiced and it felt slow and weak.

O.K. slid into the seat across from her, back to his father. He talked quickly, barreling over the cracks in his pubescent voice. He had stories to tell — dreams to be remembered in the sugared cool air, to be exposed for the absurdities they were. He had a phrase that Johnny had never heard before: Cut the rope, man. He said it over and over. The whole shop heard them; Johnny caught the cashier grinning once. He went up to get another coffee.

“That kid come in a lot?” he asked.

“O.K.? Yeah. He’s new around here. Kid has the strangest dreams. My brother owns a bookshop on seventh; I keep trying to get O.K. to show up for the open mic nights. He’d be a treat.”

When Johnny sat down, he chose a table closer to the kids. Now he could hear Delicate, too, with her soft interjections. Her laugh came through her nose in soft chuffs like a dog sighing. O.K. had a laugh that filled the room with descending cadences. Sometimes he slapped the table, setting their spoons to vibrating.

“Let’s go to the park,” O.K. suggested when their dishes were empty. Delicate nodded. She moved as though through gauze, and her slow eyes seemed clouded by the same. O.K. took her hand and escorted her out the door. Johnny followed.

The kids walked, O.K.’s right hand entwined with Delicate’s left. With his free hand, O.K. gestured and pointed, as though conducting a symphony of his own words. The park was nearby, not much more than a small hill on a triangular lot bordered by traffic. The kids sidestepped a pair of frolicking dogs and a sunbather on her stomach with her top undone. Johnny leaned against a tree just off the sidewalk.

O.K.’s hand came unbound from Delicate’s and signaled a crescendo of his laughter. Delicate shook her head, mock dismayed at whatever joke O.K. had just told. Her eyes settled on Johnny. He tried to turn away, but his own traitor eyes kept flicking back to the top of the hill to see if it was safe, if she had let her gaze drift. She hadn’t. 

So Johnny took a walk. Three blocks to the south, six blocks north, three blocks south again. He ended up at the same tree. The kids were still there, but lying on their backs, looking up at the few wispy clouds that were too faint and too high to be images of anything. Nevertheless, O.K. was pointing, tracing designs.

Johnny went halfway up the hill, past the sunbather, who looked up at him and smiled, and sat within earshot of the kids. They were silent. In that moment, Johnny was nearly content. The silence of the sun light and the silence of the children and the silence of the woman on her stomach were heavy like a drowsy lover’s body. Even the noise of traffic almost faded into background, but then the profane honking of a horn made his heart beat arrhythmic and he coughed to set the pumping right again. 

A swish of fabric came from behind. He turned in time to catch Delicate, in her flowered summer skirt, approaching. He leaned back onto his elbows, feigning comfort. She sat down beside him, cross-legged.

“I know what you want,” she said. She didn’t look up. “You want him.” The conviction in her voice was like an order. Johnny took a breath to tell her what a crazy kid she was, but she turned her face away as though expecting his protest and refusing to accept it. She stared at O.K. She spoke haltingly, and she slurred as though her tongue were too slow for the thoughts that propelled it. She said, “Please. I love him,” and, “I need him.” She turned back to Johnny, who had lost all thoughts now of anything but silence, and squeezed her eyes shut, working the muscles to force saline onto her eyelashes, staining them dark brown. She said, “I wake up,” and, “In the morning and all I have to do is roll over,” and, “I can see him through my window, on the grass,” and “You don’t know me,” and, “I used to be an angel. Yeah, I used to be an angel,” and, “Now I’m not. I need to roll over and see him. I feel so lost in the morning. It’s like heaven pulls back in the night,” and, ‘This boring world— I need him. Please. I need him. You adults can change things. You can change people. I think I understand. Please don’t change him,” and, “Please please don’t look at him again.”

She smelled of hospital air, thick with uncertainty, sickness, and skin. For her sake, Johnny resisted an urge to glance over his shoulder.

“I just wanted to apologize. Will you tell him—”

“No, please, no I won’t,” said Delicate. Then she stood up and her dress played a hush over the grass and Johnny heard her say, Hey wake up sleepy head.

That was that, then. Johnny stood up. He dug in his trouser pocket for a pair of wonders. He tossed them lightly on the grass where they’d find them if they returned the way they came.

Again, he didn’t sleep that night. He paced, thinking of writing a letter to O.K., imagining the thousands of expressions that could cross his son’s face upon reading it, and about how only one would. He went for a walk and wound up at the late night mall. Shaved heads were in this year. He saw versions of O.K. in every shop, all hunch-shouldered and loud and leaning in towards a girl’s affections.

At the arcade he dumped his pocketfuls of terror on a little boy and his friend, saying, He doesn’t need this anymore. The kids’ faces lit up for a moment before they realized how worthless all that plastic was to them. Johnny watched them lug it to the counter and trade it into a couple tokens for the games; then he watched them spend the tokens on pops of color and gunfire.

In the morning, he took a cab to the airport and bought a ticket home. While he waited for his plane to board, he leaned against the observation windows, watching the jets coast back and forth across the tarmac. Their swept-back wings summoned the constant illusion of movement, of speed, of victory. 

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We Are Toys

stories

Originally published in Wanderings.

I met Emma when I was nine and she was older. I was in the park playing snakes in the grass while mother was in getting her hair done. I crawled belly-down around trees and over paths while dog-walkers and baby-strollers clicked and rolled around me. I didn’t have any friends to play with — not in our city, where the people kept to themselves and smelled gray, like steel wool. There was nobody at my school I knew who could lie in the grass with me and not play guns.

I slithered around the park until my shirt was soaked clear through and I started to shiver. That’s when Emma said, “What a funny game.” She was sitting cross-legged on top of a picnic table nearby, leaning back on her arms like bridge struts to support herself. I didn’t say anything back. She had green eyes and she used them, always moving, always blinking. I remember her skin was green, too, and I remember that the sun came down through the trees and so everything was green. “I know a good game,” she said. She slipped off the table and landed awkwardly on her feet. She almost lost her balance and grinned. “Follow me,” she said.

I stood up and followed her like any other kid. She led me back into the trees, where all the other people’s sounds turned into antsteps and rain. She pushed deep into a band of bushes, letting the branches snap back into my face, showering me with dew. Then she stopped and faced me. She smiled like a girl and reached her hands above my head. She shook the branches she could reach and drenched me with morning drops. I didn’t complain much — I could have gotten any wetter — but I think I scowled. Emma answered it by withdrawing her hands. Clenched between them was a riot of green leaves, their angles and veins all in tangles and misunderstood shapes. She rolled the leaves in her fingers, making them dance until I almost believed that her fingers were the dead things and the leaves the living. Then se closed both hands as if she were praying, catching all the green behind her skin. She didn’t pray, though. She let her eyes go back and forth all over me. When I was about to chatter my teeth on purpose, she opened her hands like a butterfly’s wings. 

Standing on her palm was a tiny bird, a green sparrow with twigs for legs and the spear of a birch leaf for a beak. It was as perfect and delicate as an origami animal, and, at first, that’s what I thought it was.

“Teach me how to do that,” I said.

Emma blew a kiss over the bird and its feathers ruffled. Its head turned and I turned to stone, as if my next breath would frighten the creature away — of, if not the creature, then the quiet birthday feeling that had filled me up.

The bird picked at its plumage and cocked its head to one side. “Have you ever seen anything like it?” asked Emma. I didn’t answer, still afraid to move. “Well?” she prompted.

“No,” I said.

“Good,” said Emma. She sounded satisfied. She sent a ripple down her arms; when it reached her fingers, the bird took flight, leaving behind a small cloud of downy leaves. I tried to keep it in view, but I lost sight of it in the branches, or maybe it had turned into just leaves again. I didn’t think so, because I could still hear the small desperate flutter of its wings.

My neck went still from staring up. Emma tucked her fingers under my chin and pulled my gaze down into her. “I’ll see you tomorrow,” she said, and then slipped like a cat between two shrubs. Her passage let a wisp of light into our hiding place.

When mom finished getting her hair done she said I couldn’t take any leaves with me, and I had to drop two pocketfuls on the ground.

#

The next day, I didn’t feel like getting out of bed, but mother made me anyway. She took me to church, where I didn’t talk much to the other kids and she sang way louder than I did on the hymns. I told her a couple of times that I felt like throwing up, so she let me pass the sermon in the bathroom.

On the drive home, I listened to the rain and asked mother what miracles mean. She didn’t understand me, though, and said, “Something wonderful that you can’t explain.” That made me think of maths, which isn’t what she meant. 

I didn’t make it back to the park for almost two weeks. I missed three days of school during that time because I was sick. Mother took me to the doctor on a Friday, and after the checkup she had to go to the drug store, so I asked if I could go to the park while she shopped. “Don’t you want to look at the toys?” she asked. I told her I didn’t want to and she dropped me off next to the monkey bars.

Emma was sitting at the bottom of the little kids’ slide, kicking gravel with her bare feet. I didn’t say, Hi, and she didn’t look up. 

“What took you so long?” she asked.

“I’m supposed to be in school,” I said. She nodded and drew a plus sign with her big toe. “Aren’t you supposed to be in school?” I asked. Instead of answering, she patted the slide beside her. I sat down. She smelled a bit like burning insulation, so I asked her if she was feeling all right. 

“I am,” she said. “What are you learning about in school?”

I squinted, trying to remember anything that might be more important than Emma. “We learned about Cortez last week,” I said.

“Tell me about Cortez,” said Emma.

I shrugged. “He killed a lot of people he shouldn’t have. He brought diseases from the old world and he wiped them out without his soldiers.”

“I like that story,” said Emma. “It’s sad.”

“I could tell you others,” I offered.

“I would appreciate that,” said Emma. “You don’t know how much.”

I wanted so badly to ask her how she had made the bird out of leaves, but I was afraid that if I opened my mouth she would disappear, as she had from the bushes. 

She looked up from the equations in the sand toward the sound of a barking dog. I watched her eyes trace shapes around the figures of the dog and his owner, around the old couple reading on a blanket, around everyone else but me — she seemed to be using her stare to cut holes in the world, to section off the people she could see like cookies on a sheet.

Mother came and found me and said, “Come on.” Emma gave me a wave with the tips of her fingers. “Who’s your girlfriend?” mother asked after she closed the car door.

“Mom,” I said, and I rolled my eyes.

#

It was summer the first time I tried to kiss Emma. Mother had told me to stay in bed that night, to save my strength. She said I had mono, the kissing sickness, but I figured if I had a kissing sickness I ought to at least have my first kiss.

Mother was right that I didn’t have much strength, but I had enough to make it to the bus stop before service ended, and the only thing I felt wrong was a vibration in my legs every time I took a step, as though my bones were humming.

Somehow I knew she’d be waiting for me, and she was, waiting at least. She didn’t notice me, even when I coughed — I couldn’t help the coughing. She was standing out from under the canopy of trees, hands loosely at her sides, staring up at whichever stars she could see.

“There aren’t very many,” she said when I turned me head to follow her stare. With something as wide as the sky to focus on, her eyes were just about rolling from their sockets. Mine weren’t; I just locked onto the brightest I could see, called it Mars, and tried to catch it moving. 

“There are plenty,” I said. 

Emma nodded and made a smile I was sure was for me, though it was aimed toward infinity. “Would you like to see them?” she asked.

“They look just like the sun,” I said.

Her hand caught mine, fingers locking into fingers. “Don’t hold your breath,” she said. My bones stopped humming. The weight left my body; my blood seemed to run faster and freer. I looked down. The shadowed park was gaining a shape, like the horizon accepting a curve at the right distance. I could see the slide and the monkey bars and the bike path and they all drew closer together. I couldn’t help asking, “How do you do this?” Her answer was a grin.

We floated up through the grimy air, the buzz of artificial light below us, driving us further away. When we crossed out of the bed of smog it was as if a curtain had been torn away. The sky grew even larger. It was cold inside of me. Stars exploded into view like ants from a crumbling hill. My breathing slowed; it felt as if my lungs were freezing. Emma smiled and pointed with her free hand. Her lips moved, but I don’t remember any of what she said. I could tell that there was heat out there in the universe; I could practically see it, but I couldn’t feel the barest blush of it on my skin.

Emma took me down. I coughed when we re-entered the hanging exhalations of the city. When I could see the park and feel my lungs expanding, I tried to lean over and kiss her. She caught my face in her hand and turned both away. “Please don’t spend your innocence on me,” she said, and we fell the rest of the way.

#

While I was sick in bed I couldn’t visit her, not because mother told me not to, but because I could barely get my legs to hold my body up and balanced.

A new doctor told me new things, and mother said we could afford it, whatever it was. She heard a story on the news about asbestos being blamed for an outbreak of sickness in the area of the park, and she told me I couldn’t play there anymore. To make up for it, she bought me toys and books and video games. It was nice of her to do it, but I ran out of interest in them all. My bed became a swamp of plastic and paper. I wanted Emma to visit me, but she didn’t know where I lived, or even that I missed her. She must think I didn’t want to see her anymore, I thought. I wondered if she cared, or if her eyes just kept on slicing fractions off the world.

Then one day I almost didn’t wake up, mother told me, and I when I finally did it was in the hospital. It smelled of paint and varnish and gave me a headache. I figured I’d be able to go home that night — being so close to so many doctors should have done something to me. After dark, while the nurse turned my arm numb with her needles, mother asked me if I wanted her to stay the night. I told her I didn’t want to stay the night. She promised she’d come back first thing in the morning.

I didn’t sleep at all that night. The nurses clipped back and forth in the hallway, and every couple of hours they returned to put medicine in my IV and cold hands on my face and chest. I tried watching TV. A game show almost put me to sleep —almost, but not quite. I was just beginning to see dreams in the drab colors of the screen when the show went all to static and a shadow fell over my bed.

It was Emma. She padded into the room so silently that I thought she might be floating. She put her finger to her lips and made my smile stay quiet. She sat on the bed next to my shoulder and looked down at me. Even in the dark, I could see that her eyes were still, her pupils at rest on my face. I hoped I looked as strong as mother had taken to telling me I was.

“I’m sorry,” Emma whispered. “I still like the sad stories.”

“What are you doing here?” I whispered.

“I came to apologize,” she said. “Do you remember when I took you to see the stars?” She asked it as though I could forget, as though it had been nothing more than an idle conversation on a drearily normal day. I told her that, of course, I remembered. “I spent my innocence on worlds you can’t believe — neither could I, when I came to them, but I learned to. I learned everything about them. I have to apologize because I’m grateful to you for your open eyes. Your innocence is gone, and now you have no excuse for ignorance, but you have given me surprise. I have hoped for ages that I could find something that would build an unfamiliar expression on my face, a disquieting, perfect sensation in my nerves. I don’t think I ever will.” She was smiling as she said this and there were two tears on her face in symmetry. “But I do not discount the pleasure, and the envy, of seeing that wonderment on another person’s face.”

I opened my mouth to ask her things I didn’t need answers for. I think I mostly just wanted her to hear my voice. She put a warm hand over my mouth and went on. “I’m sorry for what I stole from you.” She withdrew her hand.

“It’s all right,” I said. My head was throbbing from the hospital smell and my gut had gone cold as a fist in winter. Emma smiled at me and got up to leave. I reached out a hand to stop her and, though I only brushed the fabric of her jeans, I succeeded. “Will you kiss me?” I asked, and two more perfect tears spilled over her lashes. She leaned over my body. Her dark hair fell in light waves over my face. She whispered something that I didn’t catch  — it sounded like a name from a history book — and then she touched my lips with hers. She tasted like ozone, hot and important. She smelled like a tree, like the breeze of a bird’s passing. She felt like fire, so hot I can barely write it, and it stayed with me long after she had slipped out of my room. I don’t think I’ll feel anything like that again.

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That Old Silk Hat

stories

Originally published in Speculative.ca.

In old Nippon, in the city of Edo, there was a lonely daimyo. He was a minor lord, arbitrator and administrator for a modest section of the city, wherein lived simple artisans and rough tradesmen. His wooden house was only slightly larger than those of his subjects, but it felt to him like a palace, because of how empty it was. He lived there by himself, with only a single servant to aide him besides. In the mornings, as he sat facing the spectacle of the slopes of the great mountain, he could hear the footsteps of his servant echoing out and back against the walls. There was no laughter, no rustle of silk clothing or clinking of tea service to interrupt the hollow noise. The daimyo was lonely, and felt as if the echoes would last forever, and be his only legacy.

He was not a relative of the shogun, but his rank afforded him the occasional visit to the palace. On each of these visits, the daimyo lusted for the shogun’s wives and consorts, not just for their bodies, but also for their grace, the shushing of their slippers on lacquer, the pleasure of their dance. It would have been a sentence of shame to have said anything, so the daimyo pretended to look away from the women, involved himself in minor business whenever they performed for the shogun.

One winter, upon waking in a cold bed, the daimyo felt his loneliness grow to its sharpest, bitterest point, like a sliver that had worked its way to the surface of the skin and then must be plucked out. He fell into a depression, convinced he lacked the tools for the necessary surgery. At a gathering of other minor daimyo, he let slip his jealousy of the emperor and, though his peers made no direct condemnation, he knew, as his servant carried him home, that he would not survive as daimyo for another season, that his time was over.

His depression deepened. Though his professional life had brought him shame, his focus was more than ever on his lack of companionship. His servant, fearful of being tossed to the streets, set out to remedy his master’s problem. He spoke to magicians, who told him there was nothing they could do. He spoke to spirits, who said that love of any kind is impossible to force a spirit into. He spoke with the creatures of the forest, the tanuki, who are practical and wise and the masters of transformation. They told him that the spirit need not be bent to love, but that a vessel for love might be created. They were pleased to have bested the magicians of the servant’s own race. They instructed him to travel to the slopes of the great mountain, there to fetch a cartful of ice, and then to find kimura-gumo, the spinning spiders, and to capture a score of them in mid-dance. The servant would then need to sculpt the ice into the form of a human, and to harvest the silk of the kimura-gumo to create a garment. If this garment were to be laid on the sculpture, the sculpture would come to life, with the purity of new snow and the dance of the spiders.

The servant thanked the tanuki and set out to collect the ingredients. First he hunted the kimura-gumo, and from their silk he fashioned a black kimono. Then he traveled to the slopes of the great mountain and fetched a cartload of new snow and ice. These he brought to his master, and explained what the tanuki had told him. 

The daimyo seized upon the opportunity, but he thought to himself: I am already shamed; I could not bear to risk further scorn by letting it be known that I fashioned a companion for myself. He decided that, instead of using the pure snow to form his consort, he would mix the melted water with dirt from his own garden, so that the creature would be tied to the land, unable to set foot beyond the walls of his house and risk embarrassing him.

With his plan thus crystallized, the daimyo set to crafting his companion. He had his servant do the work, but he watched carefully the shaping of the arms, the legs, the neck, the face, and made suggestions where necessary. There were rumors in the air of the shogun forcing the daimyo to relinquish his post when the sculpture was finally finished. 

With trembling hands, the daimyo draped the kimono around the clay body. Immediately, a light shone from within the creature’s head, and its delicate mouth cracked wide. A thin laugh pealed through the room and the creature seized the daimyo by the arms. Together they circled the room in a clumsy peasant’s dance. The creature stamped heavily on the wooden floors, shaking the walls and stumbling. It wasn’t sure on its feet, but it continued to laugh and, before long, began to sing. 

The daimyo was concerned. This creature of awkward motion possessed nothing of the graceful beauty of the shogun’s wives. As he was spun through the air, a clarity came upon him, and he realized that the creature was no better than an apprentice effort, suitable for nothing but scrap and slip. He ordered the creature to stop, but it would not. It gave a joyous shout and stumbled out of the room, onto the house’s small balcony. The daimyo heard a sound like the tapping of chopsticks and looked down. The creature’s legs were forming web-thin cracks where the clay had dried improperly.

All at once, a peal of answering laughter came from below. The peasants had gathered in the street to watch the daimyo be carried about by his foolish creation. Again, the daimyo ordered the creature to stop, but it gave no indication of having heard him. The daimyo tried to struggle out of the creature’s grip, but could not. As they spun near the railing, the daimyo kicked out with both feet, unbalancing the creature and himself. The creature swept its laughter into one long, thin wail and overbalanced, falling to the street and taking the daimyo with it. As they hit the packed dirt, they upset a charcoal brazier that stood in front of the daimyo’s house. The brazier tipped against the door, and the lacquered wood exploded into flame. 

The creature had been utterly destroyed by the fall, its pieces scattered for yards around. The daimyo struggled to his feet. With the heat of the fire on his backside, he stared at the half-circle of peasants that were staring on. Not one among them could hold back a smile, though several had darted away to fetch buckets of water. 

Without a word, the daimyo turned on his heel and entered his burning home. 

The fire spread quickly, from wooden house to wooden house, and soon the whole street was ablaze, the paths choked with peasants with their carts of possessions and invalid family. The daimyo’s servant had collected such a cart as soon as he saw the fire, and then waited in front of the door to his master’s house. When it became apparent his master was not coming, the servant did as selfish men are wont to do: he gave his past a single glance over the shoulder and pressed forward. He stooped once to the ground to retrieve the kimono, now torn and stuck with clay dust.

#

In 1863, a Basque man came to Tokyo, speaking very little of the language. The children of the street marked him and followed him, giggling to themselves as he entered one boarding house after another, unable to make the simple request for a room. When the day had nearly waned, the Basque found an establishment which was run by a polyglot. As he stood in the receiving hall, waiting for the innkeeper to light the fire in his room, the bravest of the children snuck up behind him and picked his pocket, relieving him of a slightly-tarnished silver watch. The Basque turned, having felt the lift, and tried to snatch at the child, but the child danced back and ran for the door.

Just as the child reached the threshold, the innkeeper slipped out of the shadows and caught him around the neck. The child struggled, but the innkeeper’s grip was firm. “Do you have children?” he asked the Basque in Spanish.

“No,” replied the Basque.

“They are surely the purest of joys.” With that, the innkeeper yanked the child off his feet and retrieved the Basque’s watch. Singing a string of high-pitched syllables, the child regained his balance and ducked away from the innkeeper, sketched a mock bow, and darted out the door. 

“The police will deal with him?” the Basque wondered aloud. 

The innkeeper shook his head and handed the watch back to its owner. “It is not a very good watch,” he said. 

“There is certain sentimental value,” said the Basque. 

The Basque found good company in the innkeeper, and that night they sat together in the common room, drinking sake talking. The Basque was interested in stories of local history, and the innkeeper seemed to have a wealth of such stories that had been building pressure on his tongue as water presses on a dam. Of all the stories, there was one that stole all of the Basque’s attention, so that after hearing of it, he quite missed the rest of what the innkeeper had to say. 

“Tell me again about the mad daimyo and his black kimono,” said the Basque. 

The innkeeper smiled. “Yes, that is one of my favorites, as well.” Then he stood and beckoned. “Come. I have something you would like to see.” The Basque followed the innkeeper back through the kitchen to a basement cellar. The innkeeper fetched a kerosene lamp and led the Basque down. The cellar smelled of mildew and tubers; it was cold enough that the Basque could see the mist of his breath. The earthen walls were lined with sacks of vegetables, pots of honey, and casks of fruits. “Look here,” said the innkeeper, dragging a small wooden chest out from the shadows. It was fastened shut with bamboo pegs, which the innkeeper knocked loose with the sole of his shoe. “Try not to breathe,” he said, and lifted the lid. 

The stench of rotten sulfur billowed out into the room. The Basque coughed and gagged while the innkeeper, his face passive and smiling, leaned into the chest and withdrew a sheet of linen, covered in the sulfur dust. “The moths do not eat through the sulfur,” he explained. He set the linen on the ground and reached into the chest again. This time, he came out holding a thin garment of black silk, barely a whisper of a shadow. “My honored ancestor once served the mad daimyo,” he said. “And we, his children, have kept this as a mark of our modest origin.”

The Basque let his hand drop away from his nose and gaped. “Does it work?” he stammered. 

The innkeeper shook it out. Large triangles of fabric hung loose from the body, like flaps of dead skin, but yards of whole cloth remained undamaged. “I have never tried to use it,” he said. “I have no need for companionship, and lack the skills to craft a suitable figure, besides. It is an heirloom, nothing more.”

The Basque took a step forward. “I will buy it from you,” he said. There was a catch in his voice, a force that suggested he could not have made the offer any quicker, or said the words more hopefully.

The innkeeper smiled faintly and turned what was left of the kimono into the light, to better appraise it. “What message do you take from the story of the mad daimyo?” he asked.

“I don’t know,” said the Basque. He hadn’t let his eyes wander from the silk.

“I believe that the story is a warning against selfishness, and against mistaking such an impulse for love. The daimyo was not destroyed by the creation of the surrogate lover. He had aimed himself toward doom long before that, when he allowed that his jealousy of the shogun’s wives might be deflected to another vessel rather than purged from his thoughts. My ancestor’s role in the story was as catalyst, as it is with we who serve unselfishly.” The innkeeper glanced over to see if the Basque had caught the slight witticism, but received no response in word or gesture. “It would be most expensive,” the innkeeper concluded. “I could not part with it for anything less than a minor fortune, you understand.”

“I have little of value,” said the Basque, now breaking his stare and shifting his gaze to his feet. “My home was destroyed by rioters, and my possessions were taken by looters. The money I had in the banca I’m sure would not begin to pay for such a prize.”

“Your watch, then,” said the innkeeper.

“It is but silver,” he said. “A wedding gift from my wife.”

“She would be upset to learn you had traded it for a bundle of tatters, would she?” asked the innkeeper. 

The Basque held the watch in the palm of his hand, spidery shadows from his fingers masking the reflections from the lantern. “No,” he said. “She is dead.” The innkeeper stood in respectful silence as a decision worked its way to the fore of the other man’s tongue. “I shall make the trade,” said the Basque, extending the hand that held the watch. 

The innkeeper first pressed the fabric into the Basque’s hand, then retrieved the watch. There was an inscription on the back in flowery Spanish, which, out of respect, the innkeeper did not try to read. The Basque rubbed the silk between his fingers, his attention absorbed in consideration of its strength, color, and texture. “Thank you,” he said. 

The innkeeper shrugged it off and mounted the stairs. “What value has a story?” he asked. “None, if the audience gives it none.”

The Basque left Tokyo the following day, riding for Kyoto, whence he could hire passage back to Spain. Throughout the long journey, he kept the silk close at hand. When he had the privacy, he engaged in the sewing necessary to fashion a proper garment from the remainder. Having little skill and only an old fishing hook as a needle, his work was necessarily crude, but functional. When his feet hit the familiar dust of the paths that surrounded his home, he had a woman’s shawl in black silk tucked under his arm.

The village was no longer his, though he had grown up there. Rioters had swept through like a plague of locusts. The Basque was still unsure of the motivation — whether it was religious, political, or something less defensible — but he had experienced the effect first-hand. In the night, the rioters had come upon his modest house while he worked late at his job assisting the village lawyer. Perhaps as premonition, the Basque had been discomfited throughout the whole day and requested at last that he might be able to return home to take a tonic and calm his mind. He had arrived at his house as the last of the rioters whooped and crowed over the flames they had built to consume it. With a thought for his wife, the Basque had leapt toward the flames, giving the rioters a wide birth. As he ducked into the house, he glanced over his shoulder and recognized the face of one of the rioters. It was his son, a young man who had never known his father. In that instant, with the flames searing his left side and a wash of shame boiling his right, the Basque felt as if he had lost everything. 

He had gone straight to the bedroom he shared with his wife, covering his nose and mouth with his sleeve. He found her unconscious in bed. He carried her out the back door, unwilling to face the young men again. He tried in vain to awaken his wife as the house and all his possessions burned behind him. All were hot coals and ash by the time he finally gave up and wept over her body. They had grown distant in the recent months, because of her desire for a child, and his unwillingness to give her one. As he thought about all the things he ought to have said to her, the air went cold and the last of the fire was smothered in a shroud of light rain.

That had been nearly a year previous; the Basque had spent the intervening time wandering the world in search of distraction, an explorer of low means.

He didn’t know who now ruled in the village, so he waited until nightfall and then crept with his package to the church yard. He found his wife’s marker, already decaying as though it were made of soapstone. Working with no light but for the half moon, the Basque dug with sticks and hands until he heard them strike pine. He had prepared a paste of sulfur, which he applied under his nose before opening the coffin. 

His wife’s body was dark, like wet clay. Her burial shroud had been eaten back from her body, exposing crossed, desiccated arms and a nakedness that held no secrets. The Basque lifted her gently, as though she were a cake about the crumble, and set her against her gravestone. 

He knew that there was a disappointment lurking just under his skin, and that it was seconds away from bursting through. He bent down to his wife’s body and said: “You must be cold.” Then he wrapped the black silk shawl around her shoulders.

Immediately, her body began to shake as though taken by a heavy fever. The Basque took her shoulders and stared into the pits of her eyes. “My love,” he said. “There is something I should have told you years ago.”

A dry hiss came from deep within her lungs and the smell of her rotten air nearly overwhelmed him, even through the sulfur. She struggled against his hands, shaking this way and that, and he realized that she was trying to stand.

“No, listen,” he said. “I have wandered far in search of the means to forget my contributions to the failure between us, but I have not been able to do so. I wasn’t meant to forget, so let me speak.” Her hips bucked under him and the hiss became a stuttering laugh which sounded, by necessity, cruel. The Basque tried to continue. “Years ago, when we were first married, I did not love you. You were cold and distant, a young girl from her father’s house and not the wife of mine. I found comfort in another woman, the wife of a merchant. I got her with child, though we were careful to avoid the possibility. For both our sakes, we never saw each other again, though I did see her from time to time around the market, walking with her son.

“I watched the son. He grew up mean and naughty, chasing girls, drowning frogs, and seeming to resist all urges to grow out of the mood. My lover, she was not a rough person, nor was her husband. I had thought that neither was I, but seeing my son, the child of my brutish seed, forced me to look inward to my soul.

“If my offspring could overcome the fairer nature of its mother and instead turn to the animalistic, a side I did not even know I had, then there was no hope between you and me of having children, for I could not bear to chain you to such an unfulfilling life. As we grew closer together, you and I, our balance shifted. I became colder and more distant, because I could not provide you with that which you most wanted.”

The dead body could not take the waiting any longer. The Basque finally let it go, and it struggled to its feet, unbalanced as a newborn fawn. It began a slow twirl, and the dry wheezes that must have been laughter began again in earnest. The Basque felt tears prick the corners of his eyes and cold trails slicked his cheeks. 

Suddenly, a pair of rotten hands grabbed him by arms and, though they had no strength, helped him to his feet. His dead wife spun him round and round, her head thrown back, bones clacking, laughing like a snake. The wind dried the Basque’s tears and stung his eyes and, when he could not bear the dreadful dance any longer, he reached up to the body’s neck and cast away the shawl. 

At once, the body went inert. Its momentum carried it over the edge of the exhumed grave and back into the coffin, where its joints popped and broke. The Basque, on hands and knees, peered down into the dark, but from six feet he could not make out her ruined face, and his memory refused to supply one for him. He leaned against the tombstone and wept because he had nothing left of his wife.

#

The Mckinleys had emigrated from a coal-mining village in Scotland just south of Glasgow, and ended up in almost the same coal-mining village in Colorado. The miners were mostly Scottish immigrants, the schoolmarm taught Gaelic alongside arithmetic, and even the working hours were the same.  

In 1945, Mrs Mckinley had a daughter while her husband was underground. She named the child Asha, which means “hope.” Asha grew up going to the one-room schoolhouse three days of the week, and helping her mother with housework on the other four, except during the heavy Colorado winters, during which the school was closed and all the children spent hours trying to escape their chores to go dig tunnels in the snow with their friends. 

One summer, when Asha was twelve, Mr Mckinley was killed in a mining accident, and the two women were forced to make ends meet by serving as tailors for the whole village. Asha stopped going to school so she could keep up with the stitching that had drifted on their kitchen table. She attracted a new nickname: Asha Shutup, because she always had too much work to come outside and play. 

The Christmas after Mr Mckinley’s accident, Mrs Mckinley’s brother came to visit. He had done well for himself in the coal prospecting business, and had spent the better part of the year touring Europe. When he arrived at their doorstep, he was wearing a black pea-coat so thick he seemed to be a globe; his boots were buckled with silver and brass, and a black top-hat perched like a snide joke on his head. Asha had never seen him before, so she was cautiously polite, but after only a few moments of his booming voice and welcome, warm breath, she was giggling like mad at his jokes and even returning a few of her own. 

Mrs Mckinley was not so pleased, and referred to her brother as “His Highness” all throughout the evening, complaining that they wouldn’t get any work done that night. Asha was grateful for the respite, and His Highness could tell. He suggested that the women needn’t do any more work that night, that he would gladly treat them to a Christmas turkey, with as many trimmings as could be mustered in the isolated village. Mrs Mckinley reluctantly agreed. The dinner was magnificent; the oven labored for so long that the whole house took on a rosy glow. After dinner, His Highness told stories of his adventures in restored Berlin, in Moscow, in Madrid while Asha listened in rapt attention, her eyes steady on her uncle, her imagination far away and getting further by the second.

Asha slept fitfully that night. Two things kept waking her up: the spark of wanderlust that His Highness had instilled, and the rustling of her mother as she fussed with the work that had been ignored. In the morning, it was clear to Asha that her mother hadn’t slept a wink. She was about to apologize when His Highness announced himself with a tremendous yawn and a morning wink for his niece. 

“There’s coffee on the stove,” said Asha’s mother.

“You needn’t have done that, sister,” said His Highness. “I brought a packet of the most exquisite French roast.”

“We got what we got,” said Asha’s mother.

“Well, at least let me give you some,” said His Highness. “It can’t be easy to get coffee way up here.”

“Don’t mind it,” said Asha’s mother. “We do all right.”

His Highness gave Asha an exaggerated shrug and collapsed at the table. “What is on the agenda for this fine day, my dears?” he asked. “Shall we go for a stroll on the green? How about an auction. Are there any going on today?”

Asha’s mother gave no answer but a snort that lacked the force of humor. “I’d like to go to school,” said Asha.

“Absolutely not,” said her mother. “Do you see how much we have to do today?”

Asha knew better than to answer the rhetorical, so she sat back in her chair. His Highness broke the silence. “Do you mean to imply that this dull effort has been preventing my niece from attending to her schooling?”

“Things are rough,” said Asha’s mother, winding a bobbin. 

“Outrageous!” said His Highness. “Things could never be so rough as to distract a young mind from education. They mustn’t be. If it weren’t for simple knowledge, we would be no better than the peasants of the Dark Ages, picking at burlap with bone needles and tearing coal from the mountain with forks of wood.”

“Please, mother,” Asha interjected.

The whir and click of the sewing machine stood as an answer. Asha sighed and leaned forward to retrieve her thimble, but His Highness slapped his hand over it before she could. He stood and beckoned her to her feet with a wag of his eyebrows. “We are going out,” he announced. 

Asha’s mother sighed and bent tighter over her sewing. “This house is not yours to govern, brother,” she said. 

“Nor is this life yours, dear sister.” His Highness fetched Asha her coat and, as she fumbled into her mittens, he plopped his old silk hat on her head and adjusted its angle. He stepped back and appraised her with a finger aside his nose. “It doesn’t match your coat,” he decreed. Despite herself, Asha giggled.

Her mother glanced up once more to say: “You look ridiculous.”

“And you’re nearsighted,” said His Highness. “I will bring her home straight after the lesson,” he added.

“I expect so.”

The temperature was kissing right up to freezing, so the snow was wet and sticky: perfect for snowballs. His Highness delighted in their creation almost as much as he did in their qualities as weapons. He coaxed Asha into playing one-ups with him, where the victor gets to name the next target. Neither of them could hit the steeple. 

His Highness sat in the back of the classroom as Asha sat in her lessons. The bit of chalk and lap-slate felt good in her hands again, and the teacher was kind enough to ignore, just this once, the whispered conversations that the girls passed around. 

After lessons were over, His Highness walked Asha home. “I would rather stay with my friends,” said Asha. Behind them, in the town’s single street, the boys had taken note of the snow’s exceptional qualities, as well, and had declared a war on the fairer sex. Asha felt as though she were caught between abandonments: on the one side were her friends and gender, on the other her work and mother. In the space between, she felt cold, and realized she would much rather flee and help bring ruin to the boys than huddle near the stove, darning other people’s socks. She said as much to His Highness.

“Have we encroached enough upon you r mother’s good graces, do you think?” he asked. Asha didn’t answer. She trudged forward with guilt taking over as motivation. “I’ll tell you what,” said His Highness. “I’ll stand lookout, if you will promise to peg that brat who was sniffling all through lessons.” 

Asha grinned and beat her arms as if she were a bird cut loose from a trap. She made to remove the top hat, but His Highness stopped her. “It’s an old, and seen worse than a bit of wet weather, if you believe the stories. Do you like it?”

“Very much so, uncle,” said Asha, fluttering her eyelashes just to test out the effect. It made His Highness smile.

“Picked it up in the south of France,” he said. “Some curiosity shop, where the owner babbled on about vivre, life. Consider it a gift for my darling niece.”

“Oh, thank you!” said Asha, throwing her arms around his thick frame. Then, she slid headlong down the path to the main street, where she caught one of the boys in the ear with a handful of slush. His Highness leaned up against the side of the church, every so often aiming a snowball at the steeple.

The air filled with childish screams and giggles. The Carver boys hunted Asha through the thin alleys with double-handfuls of snow. They got her separated from the other girls and cornered her by the grocer’s. She kicked at them and screamed for help, but was cut off mid-laugh by the sound of her own name being hollered by her mother. She straightened up and turned in the direction of their house. Her mother was standing by the church, arms folded, trying to divide her icy stare between her brother and her daughter. His Highness seemed relaxed, his hands in his pockets, but Asha felt her spine tense up. Just then, the Carver boys yanked open the back of her coat, dumped their snow down, and ran away crowing like soldiers. The action had focused her mother’s gaze, but standing there in a growing puddle, Asha felt unreachable, as if the game had widened now to include both His Highness and her mother, and there was no way His Highness was on the boys’ team. 

“I’m already cold!” Asha yelled at her mother, then ducked behind a building to plan a counter strike on the Carver boys. 

From time to time, as the games wore on, Asha glanced up toward the church. The first time, she saw her mother and His Highness engaged in an animated argument, their arms stabbing at God, the ground, the mountains. The second time, they were turned away from each other, and each had their arms folded tightly. The third time, both had disappeared; and the last time, His Highness had reappeared, holding his suitcase in one hand. 

“Are you leaving, uncle?” Asha called out as he drew nearer. He didn’t answer until he was close enough to put a warm hand on her shoulder.

“I’m afraid so, my dear. Consider this yet another brief stop on my whirlwind passage across the globe. Why, I barely stayed this long in London, and there are loads more pretty girls, there, to coax me to stay.”

“Mother is making you leave,” said Asha.

His Highness sighed and sank one knee into the snow, the better to catch his niece’s eye. “Your mother wears a lot of pride on her back. What pride does, my dear, is kill you from the moment it enters your life. Now, dignity, that’s different, because the world gives you that, and respect, well, that’s a gift from outside, too. You can accept those. But watch out for pride.” His Highness winked. “Because once you have it, you can’t drop it or your whole life will shatter.”

“I don’t understand,” said Asha.

“Nor do I expect you to,” said His Highness. “But I fully intend to be a specter in your memory, and I shall be disappointed if my hauntings do not cause you to understand, some day. In the meantime, I urge you to take your best stab at it.” He grinned and stood, dusting snow off his trousers. He opened wide his arms and enveloped Asha wholly in his coat. As he released her, she felt something pressed into her hand. “Keep it out of sight,” said His Highness, and, with that, he was gone, waving at the children on his way to the train station.

Asha looked at her hand. Wadded in her fist was a bundle of bills that her scant knowledge of arithmetic couldn’t sum. She slid the money into the pocket of her coat and buttoned it down.

The snowball fight had slid into truce; all the children were sitting on the front steps of the school. Asha could almost feel the weight of chores undone, and added her own. The children sat, warming their hands in their armpits, and listened to the sound of snow melting. “I’m bored,” said one of the Carver boys. 

“So do something,” said Asha.

“Like what?”

“I don’t know,” said Asha. That wouldn’t do, the specter of His Highness admonished. “Let’s build a snowman,” she said. The Carver boys thought it was a great idea, and leapt into action. In order to make a snowman, large snowballs have to be created, and large snowballs have to begin life as small snowballs. Despite the minor fights that broke out, the dozen kids managed to roll three icy boulders from the main street, leaving criss-crossed dirt paths like worm trails behind them. They struggled to raise the man, and were streaked with freezing sweat by the time he stood upright.

While the girls relaxed on the steps, thinking about what to name their new friend, the boys fetched coal and sticks to form his eyes and arms. Together, they admired their creation. One small boy said: “Tell us a story!”

“He’s not quite finished,” said Asha. She took her uncle’s hat from her head and stretched on her tiptoes to set it on the snowman’s head. Before her heels had returned to the ground, a wild electric taste filled her mouth, and a wide, thunderous laughter boomed from somewhere deep in the snowman’s chest.

A mouth melted open beneath the eyes, which now were burning orange and releasing lazy curves of smoke. “Dance with me!” called the snowman. Its stick-arms came up and hooked into the folds of Asha’s coat. One of the girls screamed, but the snowman laughed all the louder. He began to bob and bounce as though on the water and then he leapt into a simple dance of circles. 

Asha’s tongue had frozen stiff but, as she was spun by the magical man, she felt a freedom overcome her fear; the sound of rushing air beat back everything but exhilaration. She spun with the man until she was so dizzy she couldn’t keep the world under her feet. By that time, the Carver boys had joined in and expanded the circle, and Asha’s girlfriends were close behind. One of the Carver boys helped her to her feet, and someone else put a hand under her arm to keep her upright, and the dance went on. 

Somewhere, beneath the snowman’s laughter, Asha could hear her mother yelling: “Come in from there! You look ridiculous!” The other children heard their parents, too, but none of them paid any mind. They danced until the hidden grass burned from the friction; they danced until the mountains with their hidden coal nearly tumbled down around their ears.

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A Year and a Day, part 2

stories

continued from part 1

It was two weeks before Pash got up the nerve to stage a proper escape. During that time, the old man had him pull weeds in a ratty garden, haul water from the nearby stream, and dig up rows and rows of potatoes, which he then had to clean and store in a damp, spider-crawled root cellar shoved into the side of a hill like a nose bone into a brain. Pash worked every day until his finger nails tore, knuckles cracked, and tongue thickened from lack of water. Then the old man would give him a drink and have him work some more. Pash felt his brain slowly falling behind his body, tired and listless in thought, which might explain why it took so long to come up with his first escape plan.

He was working in the garden, on his knees. Altoid sprawled at the theoretical boundary between garden and rough, panting through her nose, turning her head this way and that in the balmy sunlight. Pash’s plan was simple: run like hell as soon as the dog fell asleep. The garden was nestled some distance into the forest, close to the stream. The wide plain and the bluff were half a mile away, through thick unexplored brush.

Pash worked slowly, clearing the carrots from his reach, inching forward to a new section of the patch. He cast frequent glances at Altoid; the dog looked bored, blinking in the labored way that dogs have. Pash’s skin again was crawling with invisible filth; his hands were writhing under it. Perhaps it was the closeness of potential, but Pash felt that he could take no more of the work. Each time he plunged his hand into the soil, he froze a shudder of revulsion. Altoid watched.

Finally, she laid her head on her forepaws and closed her eyes completely, her nostrils flaring with each breath. Pash wiped his hands on his pants and waited to see if the dog would notice he had stopped his work. She sighed, her huge chest inflating to the width of Pash’s torso.

That was good enough for him. He set his eyes on his point of escape, on the city miles away through hills and trees and leaves. He scrambled to his feet and ran.

Altoid chuffed as dirt flung up by his shoes pelted her fur. She opened her eyes.

Pash reached the underbrush and flung up his hands to ward away branches, berating himself, as he did so, for not blazing a trail beforehand. Dew from the ground covering and devil’s clubs leapt into the air in front of his shoes. It wasn’t long before his lower legs were soaked. He tried to run as quietly as possible, pussy footing around brittle twigs and aiming to land on the balls of his feet. He was not a runner. He was a watcher, a guy who would go to cheer on Oasa at her track meets while cartoons unspooled across his eye. He tripped and fell head first into a trunk. He wrapped his arms around it, hugging it, shoving himself back to his feet with so much force that he feared either his spinal cord would slip and shatter or the tree would uproot. In this moment of scraping silence, he heard the three soft repetitive taps of a running four-legged beast. He shoved away from the tree, leaving a finger nail in a sap-filled crack.

He ran. His body dissolved into points of pain. One just right of the stomach, pulsing on each breath — it was better when he didn’t breathe so hard. One at the end of his torn finger; he couldn’t slow his blood to ease the throbbing. A constellation across each foot, the hundreds of bones unused to what he asked of them. One large nova from his sinuses, a bright flare that threatened to engulf his whole head. I have paid enough, he thought. This is debt free, right here, and then it was easier just to curse god with each breath in, the old man with each breath out.

He stumbled again, this time on a sudden clearing, as when you expect there to be another step on the ladder and there is not. He whipped his head left and right; he was standing in the middle of a road. It was old, the ruts paved over with a layer of dry pine needles. The road lay parallel to freedom, but Pash could hear Altoid’s never-gone bark closing behind him, so he picked a direction and tore away.

Altoid howled, which wasn’t the bad part — the bad part was that Edge returned the howl, and she sounded no more than a hundred yards away. Pash beat his feet against the road, cursing in and out. 

He rounded a bend and slid to a halt. It was a dead end, and blocked with a dump, a barricade of rusty metal. There were three red hulks, machinery that looked completely foreign to Pash, all boxy angles and heavy gauge iron that wouldn’t fly in a million years. They looked like nothing more than prisons to Pash; but, he though, prisons not only keep prisoners in, they keep other people out.

He ran to the nearest one. There was something that looked like a door. He gripped the handle with the tips of his fingers and tugged. Something creaked in the metal, and something snapped in his elbow, but the door popped open, not swinging, but rushing between closed and open without passing through the intervening points.

Altoid hit him in the back, then. He flung out his arms to stop his fall. One hit the top of the door and the jagged remains of the window that used to be housed within. Blood painted a diagonal across his hand and over his wrist. He fell beneath the weight of the albino bitch.

Goodbye, Oasa, he thought. No, goodbye everyone.

“Git, Altoid. Edge, stay.” The weight on Pash’s back rose, leaving behind one rotten breath. “You owe me, boy,” the old man said.

“I hurt— I—” Pash panted. Every point of pain expanded, consuming him in a ball that he pretended kept growing until it devoured the old man, the dogs, the swine, the frozen magic wilderness.

#

“Ten minutes. I’m impressed.” Pash opened his eyes. He tried to move them, but it hurt, and a simple shift in focus left a trail of blurred images behind, as though his eyes were frantic to send their signals, had been afraid they never would be able to again and now never wanted to stop their work. He pulled in a long breath. He was cold, and lying in a shaft of sunlight.

“What’d they breed out of you, boy,” said the old man. “You faint at a little blood and you stay fainted. My god. You keep an eye on that hand. It’s clean, but you start seein red trails, you tell me. Don’t want you dropping dead before you done paid your debt. So, you start seein red—”

Pash nodded. His eyes felt coated in heat, like early tears, but no wetness. They took in how brittle the old man was, inflated with his shirts and hide coat, and how easy to break.

Edge and Altoid were there, licking themselves with that complacent air that comes from the confidence that the spirit of the hunt can be summoned any moment, and will take no more than a moment to arrive. 

The old man nodded at his dogs. “I’d like to stop em sometimes, but I can’t. You understand that, boy? I want to, but I can’t. Not when they really want it. So don’t test em. They like you, but don’t test em.” The old man slouched down the road, shaking his head at uneven intervals, and, once, laughing abruptly.

Pash lay in the sun, pillowed on his right hand, the fingers of which crawled to his ear lobe and gave it an habitual tug with no result. It took almost an hour, and a centipede’s tickling walk across his thigh, to get him on his feet.

#

The passage of time was marked for Pash by escape attempts. He had no way of keeping time equidistant between them, so it became a sort of calendar of significance. He could assign vague notions of time to each interval — it was quite a while between the rusty car and the long day spent hiding in the root cellar. It was not very long between the root cellar and the cold mad dash down the stream. 

He didn’t make so many as the weather turned bad, not because he was getting tired, but because he couldn’t run very far in the snow. Pash had never seen snow before. He had seen ash, from time to time during school cookouts and such, and more recently when he had to clean it from the old man’s stove every third day, so his first impression of the change in the weather was that the end of the world had come, that pure ash and cinders were raining from sky.

The old man laughed when he heard this.

Winter was hard; Pash had never known such cold in his life. He spent the majority of his daylight hours chopping wood, which kept him almost warm, so that he could burn it at night, which kept both him and the old man warm, though Pash had to wake up every hour to refuel the stove. They ate venison the old man had shot with his rifle. It didn’t take long to become sick of salt venison.

When the days reached their briefest, the old man had a surprise. He took a bucket packed hard with snow and disappeared into the cabin while Pash split and stacked rounds on a tarpaulin. In an hour or so, the old man beckoned Pash inside for a break. There, he gave Pash a bowl of the snow and a spoon, and said, “Dig in.” Pash stared at his reflection in the concave face of the spoon. “Well, come on,” said the old man. Pash dug a trench in the snow and took a bite.

The stuff tasted like old sugar, a little dusty, but cool on his throat. He smiled. The old man grinned back and dove into his own bowl. 

Pash finished what he had been given and set the bowl on the floor. He got up and went to the door, turning back to look at the old man. The old man was chewing slowly, staring at the wall. “Never tasted anything like it, I’ll bet,” he said. “No sir. It’s my own concoction,” taking another bite. “Won’t find this in your city.”

Pash opened the door and went out.

#

Spring followed. If Pash could have looked at himself, he would have seen a profound change since the previous summer. His arms were thicker and he could hold them still if he wanted to. His hair had grown down to his shoulders; he dipped it in the stream when it felt too greasy, but even so it lay on his neck in loose filthy curls. His clothes had been torn and left unmended and didn’t fit right anymore.

He had long since ceased trying to talk to the old man, and he didn’t think the old man minded.

With spring came time to plant the garden. Pash, using his hands for a trowel, dug clean rows for the carrots and potatoes. Altoid watched, grinning. Pash grabbed a handful of seeds from a plastic bag the old man had given him and squat-walked down the trench, sifting the seeds through his fingers and into the soil. By the end of the row, his knees were wailing for a break, so he stood and stretched them. Altoid grumbled.

“It’s okay, girl,” said the old man’s voice. Pash turned in the middle of a yawn, met the old man’s eyes, then finished it. “You’re puttin too many in,” said the old man. “You’ll just have to thin em out again.”

“Gives me something to do, yeh,” said Pash.

The old man shrugged weakly, his shoulders compressed by the weight of his two shirts and his long coat. He strolled over to a rotten stump and sat, letting his legs loll apart, bracing his hands on his knees as though he intended to hold the position for a while. When he didn’t offer any more criticism, Pash returned to the bag of seeds, dipped another handful, and started his squat-walk down another row.

“Beautiful day, ain’t it,” said the old man. “Sun shinin, trees doin their thing.” Altoid yawned. Pash waddled down the row. “Smell that air,” said the old man. Pash couldn’t help it. He could smell the air, the soil, the sweat from his arm pits, the stink of human grease built up over weeks, which was a smell he could not get used to, could not accept and let fade into the background of the senses.

“Yeh,” he said. He worked in silence; he could sense the old man’s discomfort, a pressure of unspoken words.

Finally, the old man said, “Doin good. Keep it up.”

“Yeh,” said Pash.

#

“It’s time,” the old man said. The first buzz of summer was in the air. Pash no longer had to keep the stove burning through the night and had taken to sleeping rather heavily. The old man repeated himself a couple of times, and then kicked Pash lightly in the head. “Hey,” he said. “Let’s do it right this time, yeh?”

The old man waited with his hands in his coat pockets while Pash levered himself to his feet. 

“What are you gonna do after,” said Pash. 

The old man shrugged. “Get the tools,” he said. Pash went to the cubby hole behind the stairs and retrieved the felt roll of butcher blades. 

The old man led the way to the pen. There was a new feature, an inverted wooden L, like the arm of a gallows. A chain dangled from its end over the pen. The hog was sniffing at the end as it shifted in the light wind.

“Do it right,” said the old man. He had Pash unroll the tools and selected a long thin knife. He climbed over the fence and beckoned Pash to follow. “Quiet, now,” said the old man. “Adrenaline makes em taste like shit.” Together they approached the hog, sticking in the mud and scraping over clumps of tough inedible grass. Pash hadn’t yet crossed completely into wakefulness. He felt the breeze, as though in a dream, lifting his skin and cooling him off underneath. He watched the sun’s reflection on the old man’s knife as it bobbed and traced illegible words on his retina. 

“Where are the dogs,” he said.

“Tied em up,” said the old man. “They spook the hog.”

Pash nodded and watched the knife, burned heart shapes in bright green which he saw during every blink. 

The old man stopped and held the knife out to him. “Reckon you could do it.”

Pash looked to the hog and beyond to the bluff. A hawk circled in the sky a decreasing spiral centered on a lone tree. It landed, shaking a branch, too gently for a killer.

Pash shook his head. “I’m a pacifist.”

“Yeah?”

“I’ll pass a fist right through ya.”

The old man laughed and spit and nothing more needed saying.

#

When the hog was butchered, Pash went down to the stream to wash off what he could of the blood. He didn’t notice the old man come up behind him.

“Know what day it is,” the old man said.

“No,” Pash replied, digging at his finger nails.

“You done quite a bit of good, boy. Kept us alive.”

“No,” said Pash.

“It’s been a year and a day since you and your friend killed my sow, vandalized my property.” The old man leaned back on his heels and sighed outward. Pash stood up and faced him. 

“So,” said Pash.

“So you paid your debt. I won’t stop you leaving.”

“The dogs—”

“Still tied up.”

Pash wiped droplets of water from his chin. He stuck a finger in his ear and wiggled it to dislodge a bung of wax. He tugged his ear lobe. He was singing a song in his head, a song he hadn’t heard for a year and a day; it was popular during the last days of school. The teachers didn’t like it. Oasa had the DJ play it at prom. She and Damper had danced, and cemented the banal lyrics into Pash’s mind. He couldn’t stop repeating them, couldn’t stop seeing their rhythm reflected in the sparkling chaos surface of the stream, in the melancholy waving of the trees, in the listless hums of winged insects.

His breath came on the downbeat. He brushed past the old man, who said, I’m sorry, as he did, and didn’t follow.

Pash found his feet walking automatically to the old man’s cabin, but he had nothing to take with him from there, so he lifted himself from the rutted path and stamped through the grass, past the pen, past the grave the old man had, grumbling, dug for Oasa’s body, to the bluff, to the hawk’s own tree, to the long hills, to the city.

#

It looked different. The skyline had changed, and, as Pash drew nearer, he saw that the wall had changed as well. It was twice as tall as he remembered it, and the outer surface was a different color. With his hands in his pockets, fingers playing in the holes, he approached the gate. The ground was dusty, the grass perimeter had receded a few feet. Pash kicked at the foot prints surrounding the gate, looking for his, for Oasa’s. They had long since blown away.

“Let me in,” he said. He knocked on the gate, the sound swallowed deep within the wall’s body. “Hey, you burks, let me in.” No answering activity came. He sat down in the dust, grateful for the solid wall behind his back, and closed his eyes.

A wash of cold air made him choke and cough. He opened his eyes. Four armed men stood in a semi-circle in front of him. A man in a white suit and jacket was kneeling next to him, probing his body. 

“Get off,” said Pash, slapping his hands away. “Where did you—”

“His pace was off,” said the man in white, whose face was turning the sick gray of old meat. “My god, how long— Get him inside. Right away.”

The four armed men picked Pash up, one on each limb, and carried him through the gate, which now stood open, though Pash hadn’t heard it. He thought about struggling, about going limp fish on the officers, just to make it hard on them, but figured being carried wasn’t so bad after all. He felt tired, a deep tiredness that makes everything comfortable as long as it smells like home. He took a deep breath and fell asleep.

He woke up in a small room; muted light came from a heavily shaded floor lamp. He was lying on a long soft bed, facing the wall. Experimentally, he pressed his head into the mattress and then raised it again. The mattress took a few seconds to return to its former shape. A real bed, he thought. His back hurt.

There was a knock at his door, closely followed by the squeak of disused hinges folding open. 

“Hello, Terrence,” said a feminine voice. “I’m glad to see you’re awake.”

“Ain’t my name,” said Pash, rolling over. The voice belonged to a young blonde woman in a nurse’s uniform that probably was meant to convey cheerfulness, but looked to Pash like a frozen fever dream. She was smiling.

“What is your name?”

“Pash,” said Pash, and realized he hadn’t heard it, except in memories, for three hundred sixty-six days. It sounded foreign, as a word does when you repeat it too often, but in reverse.

“I’m glad to see you’re awake, Pash. Welcome to the Scott Variety Children’s Home. I’m Monica, and I have the pleasant duty of reacquainting you to the city.”

“Let me go home,” said Pash.

“I also have the unpleasant duty of informing you that you no longer have a home, except for this one.” Monica moved closer to him. Her shirt billowed around a hidden body. She got down on her knees, her head blocking the lamp.

“You might think this is pretty damn special, Pash,” she said. “But you’re the oldest man in the city.”

Pash sat up and rubbed hard granules out of the corners of his eyes. “How long was I out,” he said.

“You were out there for eighty years,” said Monica, smiling. Her lips were black in the occluded light. “The news thought you were dead. You were a cautionary tale when I was growing up, a boogey-man. How does it feel to be back?”

#

She wasn’t joking. Pash escaped that night, after a string of doctors and nurses and smiles and Monica standing next to him with an occasional possessive hand on his shoulder. It wasn’t hard. The windows weren’t even locked. He sat on a slidewalk and let it take him from one end of town to the distant other. He was drenched in advertisements for products he had never heard of. The Callow haunts were gone. The school was still there. Pash threw a handful of sod at the library. Then he went back to the children’s home.

He slept with Monica that night, and a few nights later he moved out of the home. He got an apartment near the wall and a job caddying at a nearby golf course. Monica called him every other night, for a while, and then every third night, then once a week. He spent his time away from work sleeping and reading the news —not what he had missed while he was gone, but what he was missing right now. It was an exciting time to be alive, to hear of it.

One day, at the golf course, he was hauling irons for two old men and idly listening to their conversation. His eyes climbed up and rolled down the lay of the fairway, touching on the paper-thin grass, the bunkers that wouldn’t grow a cactus. One of the old men was complaining about all this walking, and joked that Pash ought to carry him from tee to tee. His friend laughed like a car horn and said, Scott, you sorry weak sack.

Pash got a good look at the sack’s face on the seventh hole. It was Damper’s, brought low by gravity. Pash laughed at his jokes. The sun traced arcs on all their eyes as it clattered for a hold down the length of each swinging club.

Soon after, Pash started taking kendo classes. He liked the challenge and the long minutes of meditation while his hands twirled a rattan sword through the differentkata. He stopped reading the news and slept more. He caddied every Thursday afternoon for Damper and a rotating cast of pals. He started to joke with them, told them his name was Emilio. Damper’s attention always came accompanied by a faint puzzlement at one corner of his mouth. 

After a year or so, Pash quit the job. Monica called to ask him out to dinner, to ask why. They agreed on spaghetti at seven. Instead, he went to a weapons shop and bought a sword, a wakizashi. He was ready to test for the rank of nidan at the dojo, but hadn’t yet. He walked to the edge of town, each step amplified by the speed of the slide. He made good time. There was a guard on duty, asleep. Pash hit him over the heat with the hilt of his sword, opened the gate, and left with the sound of sirens boiling slowly in his ears. They wouldn’t follow as far as he planned on going.

It didn’t take long to retrace his steps to the old man’s cabin. Even a year out, the hills seemed familiar, like a childhood memory revisited, and had the same ethereal white hot quality of memory. Pash reached the bluff, looking over his shoulder for following city folk. As far as he could tell he was alone, except for the hawk in the tree, airing its wings. Its eyes were on him but couldn’t follow. He knelt for a stone and found only dirt. He packed a fist-sized clod and threw it at the bird. The clod exploded as it left his hand, and its particles sank into a dull cloud a few yards off, slowing, nearly stopping.

The implants that the doctors had rewired him with were pulsing in his head and neck. He reached a hand around to the hidden panel near his spine, the power center of his internal webwork system. One more look over his shoulder revealed nothing. He turned off the power.

The cloud of dust exploded into motion, drifting to a fine coating on the grass. The hawk flapped twice and took off, crying once.

Pash slid down the bluff; at the bottom, he drew his sword. The pen stood empty, dominated by the gallows swing that had held the hog, back feet in the air, while he and the old man worked it. Pash flexed his fingers around the sword’s hilt. He thought he saw a face at the cabin’s one window, but it may have been a cloud in swift pursuit of the sun.

On the watch for Altoid and Edge, Pash crept around the cabin to the front door. He waited, but heard nothing from inside except for the nail-wrenching sound of the old man’s rocker. Pash opened the door, closed it behind himself, and dropped the latch.

The old man was sitting in his chair. On a table next to his elbow stood a half-empty jar of amber liquid. The old man picked this up and took a swig from it.

“Been drinkin off my hangover,” he said.

“Where are the dogs,” said Pash.

“Still tied up.”

“How long has it been.”

“A day or so for me. I keep passing out, though; ain’t too reliable.”

“Okay. Okay. Last one,” said Pash. “How did you do it.”

“Electromagnetic pulse in the grass. Someone gets to close, no matter what time they livin in, it goes off Shorted your pacemaker, and everything else.”

“That’s not what I asked.” Pash took a step closer, falling into stance and shifting the blade around so it would be ready to fall across the old man’s belly.

“You should thank me, boy,” said the old man. “I took you that much closer to utopia.” He laughed and spat right onto the floor. Pash could smell tobacco and alcohol, mixing together in a forbidden perfume. “You want a drink?” The old man offered the jar, drew it back and took another drink. “You’re looking good, strong,” he continued. “How long was it for you?” Pash didn’t answer, but the old man didn’t seem to want him to. His eyes had rolled  back in his head and his lips were moving as though praying to a god that listens. “Little over a year, huh,” he said, finally. “Yeh, not bad.” A sob burst from between his lips, forcing them open like flapping tent leaves, once, twice. “Not bad.” He leaned back in the chair, stopped its rocking. “Old men reminisce amongst themselves,” he said. “And I’m the oldest man in the world. So you’re going to listen to me; you’re going to listen to me bitch and moan and, damn it, you’re going to bitch and moan back so I don’t feel so alone. You owe me that, don’t you, don’t you.” The old man trailed off. Pash’s calves were complaining; he held them still. “No,” the old man went on. “You don’t owe me nothin. Less you killed those dogs. Didn’t, did you. No. No. My wife gave them to me, as puppies, as a joke. She was a woman of irony, and of little forethought. You woulda liked her. She worked sixteen hour days in the code shops; I worked tens at the fish and game. She thought the pacemakers were a great idea — she thought they were Christ come again. I didn’t like em. She said we’d be able to eat dinner together again. Split us up, damn things did.”

“Nobody told me,” said Pash.

“What’d be the point,” said the old man. Then, “I’ve seen cities rise and fall in an afternoon. It’s fun to watch; you should do it some time. But the cities don’t move. You notice that? Got no need to. Less power drain on the individual when your pacemaker fields can overlap. Get more done in a day.” The old man took a long swallow and the sun wrapped itself in a cumulus cloak.

“You knew,” said Pash.

“I knew,” said the old man. “And I’m sorry. I’m so sorry, kid.” A silence stretched out, drawn by the tip of Pash’s blade in the air. He lowered the sword. It was getting heavy. “But I didn’t do it just to punish you. I never had kids of my own. I didn’t do it just to punish you. I needed your help, with the sow gone. Hard winter, you know. It was. It’s gonna be again, but we got time.”

Pash pulled himself from the waking dream he had entered and crossed to the old man, who stared up at him wit  dumb animal eyes. Pash slipped the jar from his grip and raised it to his lips. The liquid tasted like honey and bird meat, but mostly like alcohol. He gave it back.

“Damn you,” he said, and didn’t even remember opening the door.

The dogs were tied to two saplings down toward the creek which bent and bowed against the beasts’ lunges. Pash felled Edge with two clumsy strokes, and got a heavy bite across the wrist. He cried, sloppily. Altoid near ripped her lungs with barking, but the old man remained in his chair. Pash could hear its squeak, wrenching at his nails, as he passed one last time on his way to the bluff.

He walked back to the city with his pacemaker off, abrading his slow thoughts against the southern breeze. At the top of a hill, in view of the city, he watched the sun set, and the flickering artificial days and nights within the walls. Something sparkled like a jewel; something sang like a dove.

#

Damper had died. Heart attack, or a string of them. Pash found himself on the cemetery green, in silence. He had turned on all his systems, again, but one by one had shut them down — his cartoons, his music, his cameras and palm viewer —until just his phone and the pacemaker were live.

He could hear kids across the street, laughing in their secret way. He stood beneath the leaves of a great dying oak and watched a group of three climb a porch. One carried a brown paper sack. She set it in front of the house’s door. Another, sidestepping the sack, rang the doorbell. The three took off at a dead sprint down the slidewalks. 

The door opened and an old man stuck his head out. He saw the bag, scowled, and then shot a glance either way down the street. He spotted the kids; he disappeared, then emerged a moment later with a camera.

Pash tore the sod as he shot off in pursuit. It didn’t take him long to catch the kids up, though they tried their best to dodge him.

When he got close enough, he panted, “Don’t stop.”

“Bain’t gonna,” said the girl who had had the bag.

Pash grinned. “Don’t stop. The old man tagged you. Don’t stop. Keep running. Keep—”

He breathed a full breath.

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