The new issue of MungBeing, themed around secrets, includes the first chapter of the novel I have been taking stabs at since 2007. You can read it here.

My short story, “Partum,” is a part of MungBeing’s issue #28. There is some wonderful content in this issue, which is themed around “craft,” but not the sort that you can ride in. “Partum” barely fits into the theme, so I’m really glad Mark and Jody put it in.

I love lists with justifications. I love them.

• In Gattaca, the final swim in the ocean between Vincent and his brother. It ends with a bit of unnecessary dialog which sabotages the subtlety of the metaphor, but its the clearest example of the film’s heart. As a bit of optimistic futurism and as a statement against prejudice and discrimination it has stuck with me. I like it even more thanks to the melancholy given to it, retroactively, by the ending scenes, with toasty Jude Law.
• In Lady Vengeance, when Geum-ja Lee discharges her pistol into the deceased Mr. Baek’s head. At that point, the audience has just sat through what I think is one of the most harrowing moral dilemmas ever put on screen, and Lee has had to accept that her thirst for vengeance holds no candle to those of the people who actually end up killing Mr. Baek. Still, almost emotionlessly, she fires into his head, putting a period at the end of that part of her life, because she thinks she needs to. She’s the picture of an ego sinking, no matter how unwillingly.
• In Spirited Away, the train ride through the flooded land. I haven’t yet been able to articulate why this scene moves me so much. Faceless shapes getting on and off the train. Little stations poking up in an endless expanse of shallow water. It’s both serene and apocalyptic at the same time. I think it sticks with me because it was the first thing I’d encountered that displayed that combination of qualities. The world is somehow over, and at peace.
• In Intacto, the race through the trees. This little film has a terrific weird-fiction vibe, with luck as a commodity capable of being bought and sold. Proving their luck, testing their luck, a group of men race blindfolded and with arms bound through a forest. If they’re lucky, they won’t run headlong into a tree. It could have been a comic moment, but the bonecrunching sound effects whenever an unlucky fellow kisses up to an oak make it much more tense than its description should allow. It’s one of those times when the temptation to laugh gets overruled by an urgent sympathy for the characters. Or it should, anyway.
• In Pulse, the original Japanese, when the human behavior simulation is explained. In one quick explanation, the source of the spirit-crushing horror of the film dovetails with the technological fable that serves as the story’s hook. The simulation shows that human beings can approach each other, but can never be truly one. When people become too close to each other, an error creeps into the simulation. They disappear. At once, you realize that not only is distance — imposed by technology — driving people to suicide, but closeness as well. True human connection is impossible in that world. Moments later, the big irony comes out: in death, you exist in ultimate loneliness, an equilibrium state that haunts you so much further than you could ever manage to haunt someone else.

I managed to take another pass at two different short stories over the course of the week last week, and have completely nullified my last post’s claim of order and structure during my periods of short story output. Neither of these two stories, finished and submitted, fall into the mold of The Great Wide World Gone Dark.

Partum is a miserable pile of masculinity, written from the point-of-view of a man who conceived a child with his wife, with whom he then made a joint decision to let the child gestate in an artificial chamber at the hospital so that both parents could continue their careers and lives. You’ve read stories about mothers dying in childbirth, right? Partum is about what might happen if the mother died before childbirth. Long before.

Incidentally, Lis and I are trying to conceive.

Stilts is a story about horror stories, and it had two primary inspirations. One: I think horror is unfairly maligned as a genre lacking strong emotional resonance. Not primal resonance, but emotional. Two: I have learned, too many times, that I have unintentionally hurt someone — even in the smallest fashion — by including a part of their life or experience in my story and perverting it just this side of beyond recognition. So, Stilts is about a writer who perverts the lives around him into wicked stories, and about the people who are capable of recognizing that the soul of such horror is essentially romance.

Hopefully, they’ll both find a home before too long and then they’ll wind up posted here.

I’m kind of sad that I ran out of worthwhile, published work to post here. It has been awhile since I finished anything that felt publishable, but I recently sent out a couple of short stories to higher tier magazines, and am waiting on a response, now. 

There are three big writing projects occupying my interest at various times, right now:

1) CHUD.com. I love this place. I love how it has evolved over the past few years. I’m really happy that I have the time to contribute again. According to my DEVONthink database, I’ve done 21 DVD reviews since I started in early April. Criticism isn’t my best skill, but it’s a fun one to exercise. 

2) Fingerless. This is a novel without any trace of the speculative or fantastic, which, now that I think about it, is a natural sort of extension of my development as a writer. Fingerless is about a character I’ve had in mind for several years, now, so it’s unlike anything else I’ve ever attempted. I’m not sure if the things I’m putting in this character’s mouth are worth sharing, yet, but I’m trying to invest her with enough distinct experiences to make her at least interesting to read. Currently, I’m getting a couple thousand words done each week, sneaking off to a coffee shop with my laptop on Saturday and Sunday in the morning after my graveyard shift wife goes to sleep.

3) The stories of The Great Wide World Gone Dark. My short story output can be roughly divided into periods, based on the length of time and associated change of manner and voice in between spurts of creativity. The recent stories, the ones out to editors right now, have all be linked by being moody fantasies in which some element of the unreal challenges a character with solitude in some way, either imposing it or removing it. When this topic stops fascinating me, there will probably be another break for a while, and then I’ll get another raft of short stories with a different feel. I categorize these ones by the first story I wrote in this mode: The Great Wide World Gone Dark, which hasn’t been published yet.

So far, the stories I have finished under this heading are: The One-Way Cave, The Kid’s All Out of Time, The Parting of the Sea, and The Great Wide World Gone Dark. There are at least three more sketched out. 

And that’s what occupies my creative time, these days.

100 words. Originally published in The Drabbler.

“Our love is nothing but a mental exercise,” he said from behind his faceplate.

“Your air is poisonous to me,” she replied.

“We needn’t breathe together,” he said. “We only need to touch. I want
to feel your skin, to form a real memory.”

The other relented, loosened her glove. They touched. The chemical
reactions were numerous, thrills and surges of endorphins, but the
most obvious was the sudden flame that sprang between their searching
fingers and crisped their flesh.

When the girl’s father picked her up from sickbay, he cuffed her and
said, “We don’t mix with the others.”

Originally published in Lost in the Dark.

The girl had her eyes set high. The last apple was gripping stubbornly to the cloudmost branch of her Father’s scraggly tree. He had planted it the year she was born. It had grown to twice her height. The apple hung out of her tallest reach. She blew a lock of mousey hair out of her eyes. She was crowned with dirty leaves, as if the tree had been throwing its only ammunition at her, fighting for its last fruit.

The girl took a stone and threw it at the apple. She overshot. The stone sailed out of the yard and into the close, encroaching forest. Like all little girls, she hadn’t bothered to think of what would happen if she failed. 

“Ow!” came a voice from the forest. The girl’s ears perked at the sound of a horse, not the heavy stamp of a working horse but the light toss of a hoof that can afford to be shod and reshod in silver.

The second the horse’s head peered around a bend in the path, the girl darted into the house. The head was white, bled free of all the muddy browns and blacks that marked the peasant horses she knew.

She slammed the door. Her father grumbled a little from his room, where he lay pillowed on a foul-smelling earthen jug. She bent to a knot hole and spied greedily out.

The man on the horse was stained with expensive purples and skin-deep crimsons. His cloak stretched past his back into a blanket for his mount. It was lined with soft, unsullied white fur. He held a whip with a brushed copper handle. The girl couldn’t make it out at this distance, but she imagined the cord was soft brown skin, just enough to give a gentle prodding to a loyal marching steed or servant.

“Warrit, gel?” muttered her Father. She had heard him coming. Even on an earthen floor, his steps echoed.

“It’s the king, father! I hit him with a stone!”

“You did what?” roared her father, already throwing open the door, letting his face fall. “Your majesty!” The king dismounted, still holding the whip. He reached a ginger-colored hand to his forehead and tested the anger of a bright red bump.

“I demand to know the meaning of this. Speak quickly, or it’s the stocks.”

“My liege!” The girl’s father bowed and scraped at the dry soil beneath his face. “It was my daughter!”

“Your daughter, whom you are responsible for. Where is she?”

The girl’s father pointed back to the house and the king flexes the hand holding his whip. “Tell her to come out this instant.”

The girl came without being called, close enough to hear for herself. “I’m sorry, your majesty,” she murmured.

“Sorry is an excellent way to be, girl.”

The girl stared curiously up at the king. He was only a head taller than she. The strand of his whip was hard, black. His eyes were pale enough to be called white. There was no hint of amusement beneath his mustache.

“Will you curtsey to your king, girl?” She did. “How old are you?”

“If it please your majesty, she is at her sixteenth since being named.”

“You are in no position to question what would please his majesty, even were you sober.” The girl laughed. The king turned back to her and brought a hand up to his nose, across the nostrils. He smelled of horse, rich and huge. “You are an impertinent girl.”

“Majesty. I don’t know that word.”

“I would not expect you to. Tell me, what words do you know?”

“I know how to name each thing in this yard, and in the house. I know words to name you, and your horse. I know myself.”

“You would name my horse for me?” There was no amusement blushing the King’s face, but something similar brushed against his voice. “Do so.”

“He looks a Thruppence to me, your majesty.”

“She cost a good deal more than thruppence, girl. What is your name?”

“Esmerelda,” blurted her Father. He felt lost, hung-over, and he clutched at this tiny contribution as though it could save his life. The king stared down at the back of his head. A corner of his lip rose, pulling away from the grime and lice.

“Where is your mother, Esmerelda?”

The girl shrugged. Her father dared to roll back onto his heels. His eyes were level with his daughter’s tiny breasts. 

“Your majesty. She passed away last year. In winter.”

“I’ve done all her work since then, lord. Plus his, when he’s in his cups and bottles.”

“Esme!”

Now the king laughed.

“A daring girl. You shall lose your right arm for the stone. Your left, though, you will keep, as I trow the burden you are made to carry, here. What is it you do?”

The girl was speechless. How, she wondered, could he put, in a single sentence, the words to wound her straight next to a pleasant question? She opened her dirty mouth to retort.

“She is wool-spinner, lord. But lord!” The king lifted both eyebrows up into his tousled hair.

“Yes?”

“Don’t punish her haughtiness, lord. She is a stubborn girl—” a belch interrupted the plea. The king’s nostrils flared, and the girl’s father fought against the blood threatening to abandon his face.

“Stubborn is a word. Haughty. She thinks herself above her station. I shall have her executed.”

Desperate instinct framed the father’s next words. “She can spin straw into gold, my lord! She is only haughty, as you say, because her talent makes her so.”

“Straw into gold? Is this true, girl?” He fixes his eyes on the girl. She is silent. He slides his gaze down, over her small swelling. There is her Father’s pleading face, peeping around her body like a groundhog testing the air to see if it’s really Spring.

“Of course it is true, my lord. I told her to never tell. Can you imagine what would happen? Why, she would be drowned as a witch.”

“At least.” The king turned away and leaned an arm on his horse. He paused, and both the girl and her father balanced on the pressing of a knife’s edge. The King swung up into his saddle.

“Come, girl. With me. We shall see this magic of yours tonight. Afterward, if I am not pleased, you shall lose not one, but both of your arms. And you—” the king extended a hand to the girl and a glare to the father “—you shall speak nothing of this. Not now, not ever. I shall send men to ensure you are properly stewarding this land tomorrow.”

The king pulled the girl up into the saddle. She felt his manhood grow into the small of her back as they clattered down the path on light, ringing hooves. She didn’t cry.

A pair of eyes watched the forest. They blinked and creased as a grin pressed against them.

#

The castle smelled of piss and poor man’s air. The girl said as much and the king exploded with laughter.

“Perhaps your tongue as well, lass.”

They had left the horse in the stables near the keep. Piles of dung clogged their steps to the double oaken doors. Some of the stench clung to the girl’s shoes. She asked for leave to take a bath. The king responded with a heavy hand on her shoulder and a step closer.

He took her down worn stone steps. She went a pace in front, his hand not so much guiding as adding impetus. She slipped once or twice. His grip followed her down. The first time, he tried to offer his other palm, open in aid, but she brushed it away, knowing as she did that she had invited another chop on the block.

He halted her at the bottom of the steps. She blinked in the gloom. They were beneath the ground, surrounded by dark mouths that must have been doors. She opened her mouth to ask where they were. A sharp squeak halted the words at the tip of her tongue. The king hauled on an old, rusty door. It looked as though the rust was holding it together; given a good cleaning, it would be nothing more than an iron skeleton.

The king stepped aside, brushed the burnt red dust off his hands, and mocked her in a low bow.

“Your chambers, great sorceress.”

She slipped in like a mouse in short hurried steps measured with long pauses. The cell was a cylinder, several stories tall. A single high window shone dirty light and stink in a gray column, picking out the center of the floor and hiding everything else in black contrast. She moved into the light and shivers.

“What am I to do?” She paused long, received no answer. “If I am to spin, give me the wool.”

“Yes,” said the king. “Your wool.” He smirked.

How could her father do this? she thought. If only he had been sober— but no, her father’s sobriety was no different from his drunkenness, merely interrupted by fewer belches and bawdy, repetitive stories.

“The straw, then.” She drew herself just out of the light, letting it fall between her and the king.

“I shall have my steward bring you a small pile. I expect to be pleased by the morning. If I am not, you lose your arms.”

“And perhaps a leg and tongue,” the girl shot back.

“Which would all be a shame, lass. You are quite beautiful, in your woodsy way. No matter. If your magic carries you through the night, however, you can be sure that I shall give you a bath, a few nice clothes and trinkets, and a warmer, fuller bed to sleep in.”

“Yours?”

He crossed the room and slapped her. The weight behind the blow drove her to her knees, scabbed from the forest, now scraped on the cold stone. The king turned and left. The door squealed shut and a bar shot through a lock like a thunderclap.

“God’s wounds!” screamed the girl. She pounded a shuddering fist against the floor. She imagined her curse battering against the walls of her cell like a bat in a cage, finally finding the small window, blistering across the sky and into the Lord’s magnificent eye. 

“Give me strength.” These words dripped out of her mouth and into a cold puddle on the stones.

The steward arrived some hours later with a bemused expression, a small cart of straw, and a spinning wheel. He warned the girl against accidentally pricking herself on the spindle and she glared. The steward gave her an amiable shrug, halted an habitual bow, and slipped out the door.

The girl lifted a piece of straw and twirled it in her fingers. The light was deepening in color, heading toward pure black. She kicked at the spinning wheel. It was old, cracked, and mostly useless. She didn’t think she could even spin wool on such a machine; that is, if she knew how to spin wool.

She cried small tears. They dripped out of her open eyes, off her chin, onto the floor, into the cracks between the flagstones.

“Hsst!”

Startled, the girl looked around. It had sounded like a cat. It was nearly full dark now; the window hung in the sky like a malformed moon. A squat silhouette leapt at the hole and whuffled like an ancient dog.

“I say! Hsst!”

“Who is there?”

“A charming little beggar boy? No! Not such! I am a helper, a creature, a tinker and thinker, and transfigurator — specializing in the plain and the ordinary.” During the speech, the silhouette crawled down the wall of the cell, now speaking into its own chest as it flipped easily over a handhold, now grinning its words up into the girl’s shadowed face. “I heard from the birds and the wind of your plight and would offer my humble services to you, if you would take me.”

“You would help me spin this straw to gold?”

“I would spin this straw to gold, meadow lark. You would sleep. You look as though you need it.”

“But why would you help me?”

She peered at the man. He was squat and nimble, wide-mouthed, deep-chested, and musical in tone. He was a contrast walking, and the girl would not have been surprised if, in daylight, his face was Moorish on one half and Norse on the other.

His head tilted and she hears what must be dry skin creaking as his mouth gapes even further.

“You are beautiful, my woodsy girl. I would help you just for this chance to look on you again. Now take you to that corner and lay down your worries as your pillow. Come morning, I shall be gone, and this straw shall be gold.”

The girl did as she was bidden. As she slid into a dream of white horses and small, wet sounds, she heard the frantic squeaking of the wheel, whirling around its unusual task.

The little man smiled as she slept and let a word fall off his tongue, honey and magic, over and over again. Each time the word found straw it spread, thick and sticky, softening the fibers and staining them gold. The bobbin spun, collecting thick, rich strands that would echo the sun come the morning.

#

The girl was awake before light. Her dreams had been troubled and the floor too cold for a comfortable sleep. She let her eyes slit open, fearful of seeing a pile of straw, and berating herself for having fallen asleep. The little man could have done anything he pleased to her, but it had seemed like the right thing to do at the time, to curl up and forget, to be haunted by strange dreams instead of hideous reality.

The pile of straw was gone. Seven bobbins absolutely full of spun gold stood in a neat row beneath the wheel. The small tendons in her feet started to spasm uncontrollably as  she stood. She picked up one of the bobbins. The thread was almost warm; it at least carried the memory of warmth, as though all gold were descended from sunlight.

She dropped the bobbin and whirled around, certain she had felt eyes on her neck. There was no one else in the room. She looked up; no one was at the window. The little smiling man was gone, and might not ever have been there if it weren’t for the riches flanking the old wooden wheel. She bent down to right the spilled bobbin and tucked a lock of hair behind her ear.

The sun was climbing higher, but the light in the cell was still cold and gray.

The door wailed and the king strode in. His eyes fumbled about in the dimness, came to rest on the seven bobbins. He was surprised, yes, and shocked, but mostly pleased, having gotten to be king by delighting in surprising fortune.

“Well, well, girl! You have been busy, haven’t you?”

The girl bobbed a curtsey, peering past his cape while her eyes were down. The steward stood in the doorway, mouth like a fish’s.

“Stand up, girl. Esmerelda. And tell me: how is it that you were able to do all this?”

The girl bobbed again. She bubbled small words that meant nothing and the king grumbled, reminding her of the previous day.

“Answer me plain, girl. You do not, after all, need your tongue to spin.”

“Please, your majesty, it was so hard,” she begged, hoping to draw some sympathy like a veil across his face. For a moment, there was something in the way his eyes were set, but it tore from ceiling to floor as the sun spiked onto the wheel and the gold shimmered anew with faerie promise.

The king’s mouth opened, stuck between a word and a sound of glory. He swallowed, settled on a word.

“I shall be that much more pleased to see my wealth increased on the morrow, then. Steward: I am satisfied. Tell Rickard that he may go back to the kitchens.” The steward turned and muttered. A pair of heavy boots scraped up the stairs. The girl didn’t see to whom they belonged. 

The king smoothed his mustache. “Bring her bread and water. And another batch of straw. Larger this time.”

The king himself bent and stacked the bobbins in his arms, letting his thick gloves brush against the grime of the floor and trail through the small stagnant puddles. He almost dropped one of the spools. He chuckled to himself, adjusted his armload, and swept out of the cell without another word.

Around mid-day, as the girl judged by the slant of the sun, the steward returned with two cartfuls of straw and a bit of a smirk. 

“My privacy, sir.”

She sat in front of the spindle, enclosed by the dirty yellow piles. Her thoughts blurred across the whole spectrum from fear to outrage. Would the little man return? The empty light started to spill out of the cell. It was getting darker by the second. Her eyes were getting emptier. 

As the last bit of sun faded, she picked up a single spear of straw. She placed it on the wheel and pumped the pedal. The straw just sat there, unwound and untouched. She trawled her dreams, trying to dig up the words the little man had spoken as he spun. They had sounded like: Truth-in-broken-cousin. She let the sounds elbow their own way off her tongue, and got a mush of muddled tongue and meaning. Nothing happened.

She sobbed, just once.

“Hsst!”

The sharp whisper lanced down into her prison and she looked up with a shining, invisible smile.

“You’ve returned!”

A little, echoing laugh made its scampering descent from the window. 

“Never before have I heard such a pretty phrase to greet me. Never before. I am a happy little man, and helper, too. The birds and wind—” he was in front of her, now, and a little closer than she might like. She could smell him; he smelled as though he had never bathed. “—they told me of your second task. Don’t worry, my little woody wench! These things always come in threes. Nearly finished now, nearly done.”

“You will help me again?”

“I may.”

“Oh, but sir—” her words were cracked by his laugh, but she stumbled ahead like a young aristocrat anyway. “—you must help me!”

“Must I? I helped you once, and where’s your gratitude? Naught but a smile for the little tinkering, thinkering man.”

“What could I give you? I have nothing!”

“You have your berry lips, little help-lass. If I could taste of them, then I would feel the strength to spin the whole of the night, every star from its silver light into soft silk. Just a kiss, little gel.”

“Just a kiss?” The girl’s lips peeled back of their own. She pursed them, purposefully. The man stank, but surely a little taste of bad breath would be worth the freedom it would buy her. She nodded. The little man didn’t dance or clap his hands. He just tilted his head up, opened his eyes wide and pushed out his distended lips.

The girl closed her eyes and shuddered down until their lips met. He tasted of wood-smoke and old potatoes; she, the mold of captivity. When she pulled away, she saw a sadness in his eyes, suspended by his bushy arching eyebrows.

“There,” she managed. “Is it to my lord’s pleasure?”

The little man laughed again, transforming his eyes into thin slits of humor.

“Your lord, lass, will never kiss you. Now get you again to sleep, and dream of the future. When you wake, your king’s treasury shall be deeper, and you that much closer to breathing back the open air of your happy forest home.”

She obeyed, gratefully. She chewed on her lips, but couldn’t dislodge the taste of him. Nor could she shake the thought of her happy home, reeking of alcohol, floored in dirt, and sparsely draped in small, wrinkled fruits and last month’s vegetables.

#

Morning came with a fanfare. The door burst open while the girl was still blinking the night away. She had slept in this morning. Already the sun was making brilliant fourteen bobbins full of gold. The king shoulders his way past the heralds as they are lowering their trumpets. There were other men clustered in the hall outside the cell, all robed in finery and identical in their gaping expression.

“Stay out of the way, girl,” his majesty hissed. Then, louder, “See, good men? Pure gold! You may test it if you like. I have been very thorough, of course, but there is no need for me to be fearful of your happening upon a clever trick or jest. The girl is far too bovine, and I am far too blessed!”

The king underhanded one bobbin to the gathered men. They conferred among themselves in voices too low for the girl to make out. Before long, one man cleared his throat.

“We can find no fault in the alchemy, your majesty,” he said. The king beamed.

“Esmerelda—” tossed the King over his shoulder as he loaded his arms with the riches “—if tonight you can turn all the stables’ bedding to gold, you shall have golden bedding of your own. I swear on my family name.”

The door shut. The girl was again alone and cold. She stood still, a rod of cold iron seeming to splint her spine. Hours passed. Daylight waned. She didn’t bother to capture her thoughts and wrap language around them. They washed around her in red waves, chilling her and warming her in their ill-timed turns. Monsters, or ghosts of monsters, or voices of ghosts, or the taste of voices. Nothing made sense. Freedom comes when you don’t have to think— but she halted that thought before it fully formed, narrowing her eyes at the cracking mortar of her cell.

Freedom was the forest and the monolithic stones she used to play were castles before they were quarried, hewn down, made into gravestones and dungeon bricks, the bricks that blocked her sight and smell.

One more night. The moon rose.

The girl stretched her shoulder blades apart, letting the iron holding them straight dissolve. She hunched her back and took a good look around the cell. The steward hadn’t come by during the day with a new load of old straw. Did the king expect her to perform out in the stables, where he could watch her and her deception.

“Hsst!”

No, not yet, thought the girl. She clenched her fists and closed her eyes. She smelled the smoke and sweat of the little man, getting stronger and stronger.

“I heard another rumor, woodsy girl.”

Her teeth were clenched as fists. She pummeled out her words.

“There is naught here for you.”

“Naught and nothing? Oh, but hear how wrong you are!”

The door squeaked and the steward backed into the room. He was tugging on a huge mat, spilling over with dirty straw. His back was straining, and his white hands were covered in dung. He dropped the mat, turned, and glared at the girl, huffing loudly so she would take notice. Gradually his eyes trickled off her cold, unresponsive stare and down to the wide-eyed, grinning face of the little man.

“Who is—”

The little man opened his mouth and spoke one word. It entered the girl’s ears, she was certain, but she couldn’t remember what it sounded like, or how it felt, or tasted. It had had a smell, she knew, but it had only touched the tip of her nose, like a sweet kiss, then giggled away.

The Steward’s eyes rolled up into the high corners, then clicked back down. He scowled, grumbled, “There are eight more matfuls,” and never looked at the little man again.

The girl did. She was met with the widest grin yet, and a shrug.

“What’s your name, my girl?” the little man asked.

“Mother called me Esmerelda.”

The little man hummed her name without opening his mouth, just letting the sounds drift around his tongue and teeth. He swallowed and spoke.

“You have quite a job to do tonight.”

“Me? But I thought—”

“Of course I’ll help you. But this time not for your beauty, and not for your kiss.”

The steward backed into the room, grumbling, hauling another mat. The little man didn’t speak until he had left for the next.

“This will be the largest favor I have done for you. And what have you given me?”

“My beauty. My kiss,” stammered the girl, missing his oddly twisted and musical words.

“Not enough. Not much, and not enough. I need much more from you, tonight, in exchange for this. My fingers will bleed, and my tongue will be bruised and thick in the morning”

“Then what? What do you want for this?”

The little man walked in a small circle, blowing air between his teeth, half-whistling. The tune wriggled through the girl’s ears and made her want to go swimming.

“If the king returns tomorrow and finds you sleeping amid a pile of horseshit and hay, you will lose your fingers, your hands, your arms, your legs, your pretty breasts and nose. He won’t speak to you. He will be cold, silent, but right there in front of you, watching Toothless Rickard at his work. You will plead for a morsel of pity, at least until your tongue comes out. He will take your house as the crown’s and kill your father; a swifter punishment than yours, for certain, but no less hideous. And when you are gone and thrown into the pit, I will swing past, drop my pants, and take a shit on your ungrateful grave.”

“But sir—” a sharp laugh “—please! I haven’t . . . I mean, I don’t even know what you want me to do.” She saw herself underground, covered over with soil, and his hairy arse adding derision to death. She is sure that soft jade grass would cover her everywhere but that one spot, which would be brown, cracked, and fever hot.

He stopped whistling. “Your maidenhead,” he said.

“No!” She backed up. He matched her steps. She flattened herself against the freezing wall. The steward entered, gave her a funny look, dusted off his hands, and left again. “Help!” she cried and he doesn’t care.

The little man stared into her belly. “Give me your maidenhead,” he said. “A child will come of it. The child will be mine, without question or care.”

The girl lost control of her tongue. She babbled, was silent, screamed; it made no difference to the little man. The steward came and went, finally bringing in the last haul of straw. The piles ringed the doorway, blocking it from sight. In a moment of silence, the girl heard the door shut, a delayed echo of her hysteria. The bolt pierced the lock.

A sob— she realized it was hers. She brought herself up straight and focused on the little man. He hadn’t moved an inch or whisker.

“Well?”

“You shall have my firstborn child.”

“And your first time, whore.”

The dark words scrambled up her legs and dug dirty hands into her stomach. “And my maidenhead,” she said.

“Good. Then I can help you! Bring the wheel.”

She tugged the old machine in fits and starts, filling her palms with splinters. The little man wandered among the piles of filthy straw, muttering under his breath and poking at the odd lump of dung.

“Lie here.” He pointed at a pile much cleaner than the rest. Cold, she stretched on the straw. “Lift up your skirts.” She tried to let her eyes anchor on a point on the ceiling, but it was far too dark, the ceiling invisible. Her eyes wandered, loose and frightened by the freedom.

She felt a stab of warmth. She didn’t dare look. It felt like a beetle crawling between her legs with small warm feet. She closed her eyes the first time he groaned, squeezed them tighter the second time, and sobbed the third.

“All done, princess, all done. Now, you must go to sleep and remember what you’ve promised. Golden dreams, my little woodsy girl. Golden dreams.”

She didn’t open her eyes. Her skirts were bunched about her waist. Her sex was held in the palm of the hot, stagnant air. The wheel started to spin, squeaking each revolution, rhythmic, a songbird. She couldn’t think of anything but the in and out, her mind producing dreamlike images of things she hadn’t seen, of his thing, of him bending over her, and he squeaked like a wheel every time he pressed into her. 

The little man watched the girl fall asleep while his tongue and fingers pulled the straw through the dyeing magic. “Don’t forget, child.”

#

He was gone when she woke halfway through the night. The wheel was silent. The straw was gone; even the smell of dung had drifted away, replaced by that summer apples and cut bark. She shivered through a short chain of half-formed thoughts. She fell asleep again, to dreams of giving birth.

Her child bawled into the world. It was a dwarf with a hook nose and long beard. Its teeth were yellow and it wouldn’t stop grinning. The twisted mouth gaped wider and wider, giving its own birth to a mirror lodged in the short stump of a throat. The mirror cracked, and each shard reflected a new ray of light, brighter and brighter and then morning was on her.

“I told you to get on your feet, girl.” The king was standing in front of her. She hadn’t heard the door, his boots, his first order. She pushed herself up off the floor, leaving her head bowed. Even the straw she had slept on had been taken. Turned to gold? She wanted desperately to look around, to make sure the payment the little man had taken had been worth the product. She pulled her curiosity down under the hoods of her eyes and curtseyed.

The king was wearing his soft skin gloves. He stroked her cheek with one and pulled a lock of hair behind her ear.

“Do you know how rich I am?” She shook her head. “Enough that I could start a crusade of my own into the Holy Lands, and may well do just that, if the mood takes me. I can pay off all the debts the realm incurred before my kingship.” He laughed. “I could buy France.” He started to walk around behind her. The king sighed deeply; she could hear the way his cynical smile shaped the sound. “I can not, however, allow this wealth to spread. If every peasant father had even a spoonful of gold for his dirt-grubbing family, then my own treasury would be that much less valuable —not to mention that much poorer.

“So, my girl—” he was in front of her again “—I can’t, you see, allow you to go home. You would bring the news of my wealth to your father, and he would tell it to his ale, and be overheard by every filthy little thing that sweats beside you folk in the fields. You must stay with me.”

“Yes, your majesty.” At least there would be food.

“As simple as that, girl?”

“My father is a bastard, your majesty.”

“That I don’t doubt. Not even coming from you.” The king breathed gold deep into his lungs and exhaled hesitantly. “You will be cleaned up and looked after. I will allow you run of the keep and castle, with this one condition: you may not speak. If I learn that you have opened your mouth even once save to stuff your face, then you will spend the rest of your years here. Right here.” The king’s hand stabbed down to the floor. The girl almost laughed to see how the soft leather wobbled and waved, like a turkey’s wattle, like a little clown gamboling in his motley. “Do you understand me, girl?”

She looked up and nodded.

“Good. I will get you a bath, after you help me carry this to my treasury.”

#

Before long, the girl had learned the ways of the keep. She spent a good deal of her time in the kitchens, because it was warm there and smelled as she always thought summers should smell. Once she was reaching for a pasty and, burning her callused fingertips, let out a yelp of pain. The kitchen maids all craned their necks to stare at this child they had been told was a mute. The girl was mortified. She would be damned by any words of explanation, and silence offered suspicion. Thinking quickly, she made a few sounds like a fool, tongue glued firmly to the top of her mouth. The head cook shook her dimpled head, dislodging flakes of pity. She handed the girl a cooler pasty and shooed her out of the kitchen. 

The girl threw the pasty to a dog. Then she kicked the dog in the ribs. It snarled at her. She kicked it again, then ran.

The king heard about the incident and beat her. It was not seemly for a king’s consort to behave so in the presence of servants. “I told them you were mute, not an imbecile,” he had said.

As the months went on,  became filled and round by the mystery child in her womb. She sat long in her chambers, just down the hall from the king’s, within hollering distance. He had cursed when the maids told him she was expecting. Then he came to her at night and explained the situation to her, and warned her again not to speak. 

The king took her when he liked. The girl wanted him to be sure that her child was his, as much as she detested his loves of gold and iron. If he suspected even the smallest amount that the child, the freak it would certainly be, were not his, he would kill her. That had been an unspoken part of their agreement. So, whenever he came to her, she wouldn’t make a move of protest, much less a sound. The first time, she prayed his strong seed would clean her, clear the field planted by the little man. She only felt dirtier.

And now, her husband gone to France to fight a battle that he excitedly called a war, she fidgeted with her skirts and waited for happy news. To distract herself, she watched the sun crawl across the floor.

#

There was a clearing, far from castle and town, floored with deep moss and roofed with ancient branches woven into each other like lovers only wish they could be.

At its center sat the little man, humming to himself with his eyes closed. He listened to the wind buffeting the leaves, the leaves speaking like cicadas. His legs were crossed and his gnarled fingers danced over them. He smiled as though coming to a decision.

He creaked to his knees and then to his feet. He turned in a slow circle. He spied an old tree, twice struck by lightning and nearly outweighing its own roots. He padded over to it.

Masked behind a mass of thick brush, three men in black watched as the little man stroked the bark of the tree and murmured words they couldn’t hear. One man held a tiny crossbow, its string wound so tight it almost hummed. The other two held daggers, blackened so as not to glint in the filtered sunlight.

The little man took a step back, sucked in a great breath and screamed. His tongue moved as though it were shaping words, but all the assassins could hear was one long wail, the sound of a lone wolf, of a whole pack’s answer, of the moon tearing in half and dripping her pain on the oceans. They covered their ears and squinted shut their eyes.

With their eyes closed, they didn’t see the ancient tree topple, they couldn’t see the trunk suddenly hollow, sprouting a doorway here, a small window frame there. They couldn’t see the tiny bluebird flung from its nest or hear it chattering angrily into the netted branches.

The little man closed his mouth. Through it all, the air never moved beyond a breeze; but now it felt cooler, emptier. The assassins opened their eyes.

They saw the little man rap on the front door, putting his ear against it, testing its resonance. He poked a finger into the window frame, scratching at the smooth wood. He rocked onto his heels and clasped his hands behind his back. He whistled a tune, light and twisting as a curl of wood smoke.

The crossbow bolt stuck into his back. His groan of pain was visible, but silent. He reached one fluttering hand to finger the shaft, curled his fist around it, and yanked. He fell to his knees.

Daggers out, the other two assassins rushed him. The little man held the bolt in his right hand. He muttered a word and the blood vanished from its metal head, from the stained shirt on his back. He turned to face the assassins. His eyes were wild, angry, dark and getting darker.

He opened his mouth. One word slithered out and brought the world to a halt. Something blurred. A head fell into the moss, painting the green with red. The thick ground swallowed it up. Then there was nothing but the peaceful clearing and the twitter of the homeless bluebird as it flew away.

The little man didn’t smile. He heard the thrashing of the third assassin as he fought through the trees, blind with horror. The little man started to run. He dodged branches and melted through underbrush, shaded out of sight and silent. He stopped, breathing steadily. He was ahead of his quarry, the crunching of the assassin coming toward him, now.

The assassin nearly stumbled past the little man, hollow eyes grasping at the path ahead. A small, strong hand whipped out, grabbed him under the ribcage, and pulled. There was a crack and a scream. The assassin fell to the ground and looked up at the little man, who opened his mouth.

There was fire, this time. A soft rain put it out.

#

The girl had never taken up stitching as the king’s other maids and consorts had. They had tried to teach her, at the king’s insistence, but the needles had hurt her fingers, and the other girls had been too jealous of her to keep up the lessons. Not having much for distraction, she sat in front of her highest window and brooded on her plan. She looked down on the rows of apple trees of the king’s orchard. It was near to spring, but the trailing ends of cold and snow still clung to the mud and draped over the trees and fields like the train of a cape. The girl watched snow melt and considered spitting on one of the guards stationed at the foot of the keep.

A bird, desperately beating the air, grabbed her idle attention. It flew the way the king moved when he was drunk, listing mad back and forth, but somehow moving steady to his goal. The bird started to circle, gaining altitude. The girl stepped back from the window, puzzlement claiming the color of her cheeks.

The bird flew to her sill and stopped, folding its wings and shrugging like an old man testing the warmth of his coat.

“My lady? Have I news for you?”

“Have you?”

“You haven’t heard the news?”

“I haven’t heard anything, little bird. Tell me your news.”

“Did I live in the clearing, near to the little man? Did I overhear him singing about the lady and her baby— and did he call the child his own?”

The bird kept leaping back and forth on the sill, its head taking in all the room and world in fast movements, like wet lightning. The girl sat down and cupped her hands around her belly.

“You know where the little man lives. What of my assassins?”

“My lady? They were men dressed all in shadows?”

“Yes. The finest assassins in my lord’s flock.”

“Did you hear the word the little man spoke? Why did he make the men so apart? Did you see the blood?”

“He . . . killed them.”

“Did you see him break my nest? Why did he do that? Why did he sing about my lady’s baby?” The bird hopped a couple times. Its talons were so small as to be invisible, but the girl could hear the small click every time it moved. She hugged her stomach tighter. The little man was still alive. He had killed the finest murderers in the land.

“He spoke a word to do this?”

“Yes, yes, yes.”

The girl closed her eyes, heard the squeak of the spinning wheel, and something softer and more magical beneath.

“Did you hear what he said?” The bird was silent. It dug its beak into its breast. “Speak,” said the girl.

“My lady? If I speak, will it hurt?”

The girl hadn’t considered that. She thought for a moment, then she raised herself and crossed to an expensive writing desk. She had insisted the king teach her to read and write, as an alternative to needlepoint. She had written a letter to her father. The king had come to her while she was writing it. He had thrown it in the fire and was rough to her that night.

She took a sheet of rough paper and placed it in the center of the desk. The inkwell was half-filled. She took it and spilled a small puddle next to the paper. A beckon, and the bird perched on her shoulder.

“Make the sounds, here.”

The bird bobbed between staring into the girl’s ear and at the spreading pool of ink.

“My lady? What does a sound look like?”

She took the bird to her bed and taught it in the voice of a patient wind. Some time later, she watched its forked black feet hop across the page, spelling a word. Then she wrung the bird’s neck.

#

After she had given birth, she held her baby and traced the line of its mouth over and over. She was glad to have it out of her, and glad that it slept beside her in her bed.

But when the king came home, he would know. He would know it wasn’t his, or suspect her magic somehow twisted his firstborn. 

He wouldn’t know. The girl stretched, letting her muscles scream themselves hoarse. The baby pulled a breath into its small, sunken chest and stretched its horrible wide mouth into a yawn.

One of the maids knocked and opened the door.

“My lady. A visitor to see you.” The maid’s eyes were glazed. The new mother sank a shudder under the warmth of her quilts and nodded. The maid backed out and the little man waddled in. He hopped up onto the foot of her bed.

“Well, well, my little woodsy girl. What have we here?”

He tried to peer at the baby, but the girl blocked his view.

“This child is not yours.”

“Now, now, we had an agreement. You have paid for but half the price of your gold. I’m here for my other half.”

“Why not go father your bastard on some peasant girl?”

“That is what I did. Give me the child.”

The girl scooped her baby to her breast. Its head snapped forward and back before she remembered to place her hand beneath its neck. As she died, she bit down on another shudder of revulsion. The little man was crawling towards her, his eyes going black.

“You don’t dare harm me. Not while I hold your child. Reason with me.”

“You are a half-wit, and a girl beneath that. You have seen what I can do.” He grinned, empty. “And you may not have heard, but I took care of those men you sent to bargain with me.”

The girl took a deep breath and clutched the baby tighter, feeling its skull dig into the flesh over her heart.

“I heard. I heard more than you think.”

He paused and leaned back on his haunches, narrowing his eyes. “What?”

“I know the word.”

“What!” he exploded and leapt back. He somersaulted off the bed and out of sight. The girl could hear him, pacing, frantic and muttering.

“It’s true. I know your secret.”

His head flew over the baseboard, framed by two gnarled, angry hands.

“You know nothing. You are less than the cows in the field. You are just the field.”

She opened her mouth and the first syllable crawled off her tongue. It tasted like the searing heat of vomit. Her ears refused to let it into her head. She felt as though she were silent, mute. The little man screamed to cut her off and she covered the baby’s ears.

“No! No, you can not use that word. That word is my name! It is not yours to use.” He gave her names of her own, again and again, never repeating himself. She bit her lip, drawing blood.

He whirled and yelled a word she had never heard. She felt suddenly strange, as though dreaming. Beaten by strangers and left on the roadside. Nursed and raped by a wild boar. Sold into slavery by her brother but she doesn’t have a brother and she isn’t a hard worker.

She looked down and screamed. Her legs were gone. The little man stood where they used to be, smirking.

“I have more words, brazen bitch.”

Her heart stopped and sank to her stomach. She felt it throbbing, empty. She had vomited everything when the contractions started.

She opened her mouth and forgot everything except a fear that burnt her hair black and a plea that brought her heart back to her chest. 

Minutes passed. She looked down at her baby. It wasn’t breathing. She pulled her hand away from its neck. Its head flopped into her blankets.

The little man was gone. There was blood on the walls.

The king stormed in, some time later. He demanded to see his child. The girl’s ears were ringing. She couldn’t hear him. He leaned over her, shook her, slapped her hard across an already red cheek.

The word came to her again, and this time everything went black.

#

She called herself the queen, and, with urging, the extended royal family took it up. She ruled a fearful kingdom. Those who hadn’t seen her had heard. She became barren, would never produce an heir. No one had the manhood to urge her from the throne.

She visited her father twice. The first time, she gave him the corpse of her baby and told him to bury it. A week later, she returned, found him drunk and the baby rotting in a corner. She told her honored guard to plug their ears. She spoke, briefly, and then returned to the castle. It took her two baths in water and one in milk to wash the stench of smoke away.

She chose Wednesdays for court days, presenting herself before her subjects. It wouldn’t do for their queen to be disfigured, though, so she sent for a local artifax. He crafted her a pair of wooden legs, wrapped in soft deer skin. Her maids help her into the throne before any of the courtiers arrive.

She judges harshly. She only knows so much.

When she is bored listening to small complaints of land and marriage, she wriggles the stumps of her legs together, watching the stilts of rumpled skin flap like fool’s motley. They make a sound like a timid grasshopper. The queen laughs to herself. No one else dares understand the joke.

Originally published in Full-Unit Hookup.

Click. Ambient hiss. 

World Science Journal: There. That’s better. So, the question on the table— 

Gregori Egorov: No, I’m not worried— 

WSJ: Hang on a sec, Mister Egorov. I’ll repeat the question for the recording. With all the litigation being brought against proponents of free information, are you concerned about the legality of your project? 

GE: I’m not worried. When I first set [the project] up, in my fourth year of university, I was using a random number generator. My earliest published successes, the first near- or exact-copies, were attacked by owners of the originals, the templates, as violations of copyright. And, in a sense, the copyright holders were right. I had created the numbers artificially, which, in the courts, looked very much like an analogue to me just sitting down and tracing a cartoon, say, or copying, word for word, a short story. 

Then, during my post-graduate studies, a mentor suggested to me that I use pi as the basis for the project, rather than a random number generator. I would yield similar results and be legally unassailable. 

WSJ: Why is that? Why use pi? 

GE: Because it is theoretically an infinite, non-repeating series of digits. All possible combinations of numbers are contained with it. And I can’t be accused of creating the content I publish, since pi itself cannot be owned under the world copyright code. 

WSJ: All the information is there? 

GE: It’s all there. In the public domain. You just have to find it. 

#

Gregori Egorov, in a black bathrobe worn to threadbare transparency, tripped down the last four steps, righted himself on the landing, and blinked in the sunlight. It was very much like coming down a flight of clammy concrete stairs and into the belly of a mad scientist’s underground lab, if you discounted the wide open curtains, children playing in a sprinkler outside, and the smell of bread in the oven. Not to mention that the only madness evident was a tendency toward anal-retentive cleanliness. 

Watta was in the kitchen, cross-legged on the counter, fiddling with one of the dials on the oven. She turned and spread her arms for Gregori. 

He signed, Burn, and raised his eyebrows to show it was a question. 

She heaved a sigh, signed, I’m not child, and opened wide her arms again, demanding to be held. 

Gregori lifted her by her armpits, blowing out a thick lungful of air. “You need to lose a few, honey,” he said. She wrapped her furry arms around his neck and craned her own to plant a wet kiss on his cheek. 

“Aww, thanks, stinky,” he said. Her palms dangled down to his butt. She squeezed. “I’m sorry. You need to learn to be more gentle, my love. I haven’t recovered from last week, much less last night.” The warm saliva from her sound of distaste spattered against his ear. “Let’s get to work, huh?”

She nodded and signed, Okay, as punctuation.

Two desks ran along each side of the living room, which jutted out from the side of the house like an arm or a neck. Floor-to-ceiling windows ran the whole length of the room, interrupted by wooden struts. Taped, tacked, and gum-stuck to these struts were hundreds of printouts, from legal-sized pages to slips the size of cookie fortunes. One desk faced the walkway out front, the other the back yard. Each desk had a series of flatscreen monitors, desk lamps, and small linked-paper printers at the end. It looked like the office of a team of private investigators who both struggled with seasonal affective disorder. 

“What did you say you lost, ma’am?” 

“My bestselling novel. The one I haven’t written yet.” 

“Hang on. Let me open the blinds.” 

A sheet of banner paper had been glued to the window, just above eye level, of the latter. Watta’s Desk, it read, and underneath: cat frown and a rough drawing of an eighth note. That had been relatively easy to find in the mess of pi. Watta had gone nuts over the random words that had followed the legend, and had refused to sign anything but, Cat Frown, for a week. 

She scrambled up into a thick black leather chair at her station and steepled her toes. She stared at Gregori, drumming her hands on her feet; he had stuck his hands in his pockets and was now breathing deeply the warm greenhouse air. He stared out at the street, at Doctor Jema from next door walking his dog, at the two teenage girls sunbathing in the front lawn of the next house over. 

Watta pushed away from the desk with her arms and rolled her chair into the back of Gregori’s knees. He stumbled, turned, and laughed. “Sorry. Nature hypnosis.” She peered around his arm and pointed at one of his terminals. 

In large print, so it would be easy to read from a coffee break in the kitchen, characters were spilling in black across a white field. 

@8|nmymotherisafis 

Mother, signed Watta, her eyes wide enough that Gregori could see his own grin in them. 

Something hit the window. Gregori leapt, banging his knee into the desk. The safety glass spidered and dented at the point of impact. Watta crawled under the desk to peer out the bottom of the window. 

“Bird?” asked Gregori. Watta scooted out, behind first. Brick, she signed. 

#

WSJ: Do you work alone? 

GE: You know I don’t. Didn’t. That’s an intentionally leading question. I’ll answer it anyway. 

WSJ: Mister Egorov, I wasn’t—

GE: Yes you were. Yes you were. It’s not like it’s a new question. I worked and I lived with Watta, my life partner. All right? She was a pygmy chimpanzee, one of the two dozen or so that were given citizenship thanks in part to the Animal riots in the twenties.

WSJ: Did you participate in those riots?

GE: I did not. I was too busy researching my dissertation. 

WSJ: Which you never delivered, correct? 

GE: Yeah. Didn’t seem to be much point. [Watta] and I got a modest subsidy because she’s a pre-human citizen. [laugh] She doesn’t like it when I call her that.

#

Gregori read the note again. 

“This isn’t even literate,” he said, letting the crumpled paper slip to the floor. “You’re sure you didn’t see who threw it?”

Watta nodded.

“Right in front of my desktop, too,” Gregori continued, squinting through the tangled mess of white lines. “Going to have to replace the whole window.”

Behind him, Watta was listening to scraps of nonsense. Most of it sounded like static to Gregori’s ears, but occasionally there were tones, the crash of a chandelier falling, or wind shoving past the house. It was like listening to a badly scratched sound effects record.

Letting his eyes blur, he noticed that the dense center of the impact looked a bit like a mouth wide open, if he inverted his perception and let white equal black. A thin band of cracks surrounding could have been lips. A bundle of wild hair, white being white again, shot straight up from where a forehead would be before circling around to frame the cheeks, two spots of unbroken glass. A round-faced wizard, it looked like, staring straight out of the pane, conjuring Gregori’s world ex nihilo.

From Watta’s workstation came the distinctive metallic twang of Tin Pan Alley guitar. He whirled in his chair. Watta was standing on her desk, dancing in front of the radio she kept at the end.

“Watta!” He scowled at her. She flipped him the bird and grinned widely. Tired, she signed.

Sighing, Gregori turned back to the window. He couldn’t pick out the wizard’s face again.

#

Glitch. Pop. 

WSJ: —were after the recipe for Guinness?

GE: I had already placed it in the public domain. It didn’t make much sense to steal it. No, I think they had a different agenda.

WSJ: What, then? Revenge?

GE: No, not revenge, though it’s not something I’d put past the Irish. No. I haven’t told this to anyone else, Jerry. But the bullet wound in Watta’s head was located directly between her eyes. It wasn’t a random shot, a shot in the literal dark.

WSJ: Why would anyone want to assassinate Watta?

GE: My partner was political. Not as a hobby, but just by virtue of her existence. She didn’t enjoy the polarization that surrounded our lives. She mostly wanted to sit around in the study with me, watching and listening; she lived for the adrenaline of discovery. Physiologically, chimpanzees are much easier to addict to the chemical. She knew she was, but she didn’t want to give it up. We went on a vacation, once, to the back yard. But the neighbor kids didn’t know how to sign to her, so I ended up turning her text displays around so she could read them from her lounge chair.

But political factions suffer from [a long pause] creative differences. There are some, it is plain to me, who, if given a One if by land, two if by sea sort of code, would promptly forget what it meant, as well as their battle cry and where the guns were buried. Countrymen to count on, they are. Now with night vision goggles.

WSJ: And what was the end result; to where did that tragedy bring you?

GE: Well, they made off with my computers, and a bunch of the archives. But big deal. I had backups, and the server is buried in a cooling system under the badminton court in the yard.

She killed at badminton. Always hit it over the fence. Don’t know why those neighbor kids never learned how to sign.

#

It was a bad day for concentration. Gregori was imagining things in the pages of text scrolling past him, now. He could see faces, hands, people in the gaps between blocks of characters, in the configuration of punctuation marks. These two periods close together made eyes, and from them poured a waterfall, pounded by slashes and capital Ls.

He gladly took a break when the workmen arrived to replace his window. They said, We won’t disturb you. We can do it all from outside. 

“I’m gonna get some coffee. You want any?” he asked Watta. She shook her head to one side, not meeting his eyes. She was sulking about having to turn the radio off.

It was getting on toward evening. Gregori stood by the kitchen window as the kettle rose to a boil. The sunset was beginning, but it wasn’t worth staying around for. Not a cloud was in the sky; the boring gradient shaded from navy in the East to dust in the West, and that was it. 

The kettle whistled. Gregori poured a mugful and stirred in a teaspoon of freeze-dried crystals, even though the caffeine would keep him up tonight.

Back in the living room, the workers had finished unrolling the new window and were tamping its corners into place. Gregori watched them as he tried to compose a short poem in his head. The warm coffee, his bare feet in the carpet, the workmen standing still and fading into the deepening night, it all fit somehow together. He couldn’t find how, not with his own words.

Watta screeched. Found something, she signed with flailing arms. Gregori coughed, spit coffee onto his bathrobe. 

#

WSJ: How many works have you forced into the public domain in this way? 

GE: Uh, only four have actually been ceded to the public. There was this novel published a few years back — Starve a Fever, by the Canadian author Bess Kashuba.  That was the most recent. Last year, I think, the publishing house’s lawyers relinquished it. The print version had a typo on page eighty-eight. Mine didn’t. That was pretty funny. 

WSJ: Only four? 

GE: Well, yeah. It’s slow going, the process of discovery. But that’s all there is now. There’s no such thing as creativity anymore; just discovery. 

#

Gregori stopped reading aloud. His tongue tasted funny to him. He made a sound through his nose that might have been a laugh if, halfway through, it hadn’t turned into a sneeze. 

“That’s the end,” he said. “It trails off into gibberish after that.”  From her perch in his lap, Watta gave a grunt of dismay.  She fumbled around so she was facing him. 

Not accurate, she signed. 

“Should I publish it?” he asked. 

She shook her head. Might happen, she signed small, between her folded feet. She turned to stare at the flickering images on another display. Gregori watched her fidget with the thin fur behind her ears. She heaved out a great sigh and turned again, resting her long arms on his thighs. 

You didn’t cry, she signed.

“No, I didn’t. It wasn’t me,” he said.

You somewhere, she signed.

Tired, she signed from her elbows down. 

Play, Gregori signed, smiling straight across his face, too tired to hold the corners up. “You pre-human citizen you.”

She leapt up onto the desk and waddled to the radio, her arms up for balance. Click. Ambient hiss. Cat Scratch Fever.

Originally published in Static Movement.

Eight: On the street, as our bewildered hero blinks in the sun, a roving reporter with a live feed:

“You’re an educated man, mister Set—”

“Set Zero was, at least, yes. I like to think that I am being a good steward of his talents.”

“That’s a good place to start. In the frequent interviews given in your ninth life, after your goal of eliminating your backups with inTrust was publicized, you made a clear distinction between yourself and the as-yet-inactive backups. Why is that?”

“You’ve caught me at a bad time, I’m afraid. I have just woken up and have a case of the cobwebs.”

“How do you react to the evidence that individuals who own at least five personal backups have on average a fifty percent higher life satisfaction rating than those with four or fewer?”

“May I have a moment to review my predecessor’s leavings? I’m afraid that I was given only the audio diary, and—”

“What did you leave for yourself, mister Set?”

“I would prefer to retain the rights to my predecessor’s intellectual property, for the time being.”

“Do you subscribe to the Original ideal?”

“I’m sorry, which?”

“How long can the public expect to wait for the completion of your quest?”

Set Eight, with a smile, “I’d quite like a cup of coffee.”

#

Seven: As a secondary, more idle curiosity Set wondered how many different ways he could die. So far he had suffocated himself inside a plastic bag and leapt from a moving train as it passed over a trestle. There were still a half-dozen dirt naps left to take before he satisfied his primary curiosity. If he could manage not to repeat his predecessors’ methods, then so much the better.

The only thing was, he might not know it if he did. Memories only flow in one direction and each backup could only remember up until the time of its creation. One could just as soon ask a river to gush uphill than expect Set to awaken each morning after death with any experience of life, or death, beyond the basic template, the state he had been in when he first backed up.

The backups were stored at various havens around the world, warehouses position so as to be optimally safe from flood, tsunami, eruption, and earthquake. Set Zero, an adjunct professor at a modest American college, had been able to afford eight such backups through his school’s insurance policy, with the option of stacking more if he so chose.

Set Seven could remember arriving at inTrust’s satellite office. He remembered checking in with the scowling young nurse who verified that he understood the risks and would not hold the company liable in the event of any disasters arising from his monumental vanity. He remembered the liquid diet they put him on for two days while the chips were inserted and the unique patterns of his brain were archived. After that, all he could remember was waking up that morning in a colorless apartment with a migraine, a craving for a cup of coffee, and a message from Set Zero playing like an unbroken daydream until he gave it his full attention.

Set Zero had had thirteen good years of life without dipping into his stock of selves, apparently. In the message, he attempted to justify, to himself, his decision to tear through his backups, to live once again on the cusp of death. Set Seven smiled; Zero had awkward phrasing and a familiar crack in his voice. He must have really meant it. It was evident that Eight had gone along with the idea and a few minutes on the news feeds told him how, but not exactly why. It seemed Set was a bit of a celebrity; there was even an informal game underway to try and find his next backup before he did away with himself again.

Set was in no special hurry to die. He got dressed and strolled outside. “London,” he said, taking a deep breath. “I’ve always wanted to visit London.”

It was a lot like Seattle, only people spoke faster.

#

Six: “I thought I’d find you here. When I heard that your next was in Seattle—”

Set looked up. The stranger had long hair, expertly cut, and a coat of stubble so thin it looked to have been painted on. 

“I’m sorry,” said Set. “I know you, don’t I?”

The stranger took a step forward, edging onto Set’s horizon of comfort. “I was Zero’s friend. My name is Gunter.”

“It’s nice to see you again, Gunter,” said Set with a smile. Gunter hesitated a moment — and Set thought he looked like a man trying to come up with way to explain to the neighbor children that he just ran over their cat — then he shoved out a hand to be shaken. Set took it and gestured for Gunter to join him on the bench, which he did.

“Did I come here a lot?” asked Set.

“This is where we did our guard stint,” said Gunter. 

“I was in the guard?” asked Set. He turned and tried to face Gunter but a park bench is not an ideal place for a conversation. Gunter was staring out at Puget Sound and answered with a nod. “That doesn’t sound like me at all,” said Set. 

“You might have been drunk,” said Gunter. Then, “I’ve been reading a lot about you. You never struck me as a wasteful guy.”

“Is that what I’m doing? being wasteful?”

Gunter nodded. A seagull hopped over and pecked at his shoes. “Did you leave yourself a message?” he asked, kicking the gull away. 

“I fail to see how it’s wasteful,” said Set. “I’m an organ- and tissue-donor, after all.”

“You jumped fifteen storeys, the first time. There were no organs left.”

“Granted, but the gun left everything below the neck just fine, and asphyxiation doesn’t harm a thing. Well,” he added, “Apart from the obvious.” Gunter ought to have at least smiled.

Instead, he said, “I never liked your sense of humor.” Here came the push off down a racing slope. “I hated the way you talked down to my brother when we were in the guard, and I hated that I laughed about it with you afterward. I couldn’t stand it that night you tried to get him drunk, and it pisses me off that you don’t have the scar anymore. Hell, I even think you’re ugly.” He scowled and let the words fly out to sea with nothing there to echo back against.

The gull had returned and was pecking at Gunter’s shoe laces. He jerked, like a patient having his reflexes tested, and sent the bird hop-skipping away. Then he almost smiled. 

“I’m sorry,” said Set. “None of this means much to me.”

Gunter shook his head. “It doesn’t matter. Why did you come back here?”

“This is where my body—”

“No, I mean right here.”

Set thought for a moment. “I don’t honestly know,” he said. 

Gunter stood up, showing Set his profile. He jammed his hands in his pockets and hunched as though expecting rain. “Why don’t you stop playing your life like a video game, yeah?” Then, “I know why you came back here. Your body wanted to go back to the scene of the crime. This is where you killed him. Remember?”

Set tried to protest as Gunter walked away, but “It’s a nice view,” was the strongest he could come up with.

“I’m notifying the police,” said Gunter over his shoulder. “Go to hell.”

#

Five: The librarian was an old man. His knuckles were large with arthritis; he smelled like pipe smoke and baby powder. Leaning close, he tapped the screen. “Right here’s the ones you want, son,” he said.

Set thanked him and apologized again for not knowing his way around the new reference system. The librarian shrugged and smiled and shuffled off to finish the morning chores that Set had interrupted.

The particulars may have changed, but the basics were the same. Set did a search on his name and sat back to read. Hours passed. His eyes started crawling with concentration spots. There had been plenty of mundane events in his life, citations by his employer, that sort of thing, but there was one article of more interest. It was dated two years previous and told of a murder on the quay for which there had been no arrest. The victim had been named Halt, and he had been active in Seattle’s gay community. He was survived by one brother. Set was quoted with a vague witness statement, saying he was close to the victim.

“When did I realize I was gay?” Set wondered aloud. The librarian ambled back over holding a hard-copy newspaper. Set looked him up and down, tried to find him attractive. Probably not my type, he thought.

“You made page three,” said the librarian, offering the paper. Set took it and read. One of his bodies had been found in a Peruvian drainage ditch, missing its head and liver.

“How many you got left, then?” asked the librarian. 

“Zero didn’t make a backup in Peru,” said Set.

#

Four: “Would you like anything?”

“Thank you, mister Set, but no. May I record your opinion of the Originals?”

“The original who? Isn’t there a band—”

“The phrase is used to denote individuals who claim an ideological stance in line with the One Life manifesto, published three years before your first death.”

Passing up the chance to make a snide remark. “I love a good manifesto. How does it read?”

“I don’t have permission to quote verbatim, mister Set, but I can inform you of the basics. The author desired to preserve original life. Many of the author’s philosophies originated in eighteenth-century aristocratic sensibilities, though such criticisms have gone unmet. Each human, the author argued, is allowed one life, and one life only. The merits of medical transplant procedures are espoused in an addendum.”

“Fascinating,” said Set.

“Thank you for your time, mister Set. I have won the tee-shirt.”

#

Three: A sunrise in Saskatchewan is instant, like a switch being thrown. There are no valleys or crevices for stalwart bands of night to hide in. Set had to shield his eyes. He had woken up at three in the morning, which seemed like an odd time for his predecessor to die. Periodically, he checked the news, but his death notice hadn’t hit, yet.

He was waiting for businesses to open so he could get a cup of coffee. It seemed like a very long wait. The small cell he had awoken in belonged to inTrust, and they would evict him after he felt he had full control of his functions. He had been furnished with feed access, a cot, in case he felt weak, and a window to help him remember where he was.

“So, I’m number three,” he said to himself. He let Zero’s daydream message play again and felt a shiver run up his back. There was something Zero hadn’t said, Set was certain, something he had hidden from his descendents. Set remembered back in grade school when his father hadn’t let him come home after classes, had him play in the yard while he and Set’s mother zipped back and forth in front of the living room window like ducks in shooting gallery. When they finally let him come inside, the air smelled like Lysol and there was something that looked like blood on the carpet.

And when he asked about his dog, Bones, they said he ran away.

Set wondered what had really happened, and if Zero had ever learned. On an impulse, he checked the feeds; his father had died four years ago. “Dropping like fruit out of season,” said Set. 

There was a knock at the door. When set didn’t immediately rise to answer it, there was a second, and then someone on the outside coughed and said, “It’s the police, mister Set. Open up.”

Faintly bemused, like when a student asks a tough question, Set opened the door. There were two officers, one with his gun drawn, and a detective. The detective looked as if he were a couple weeks past retirement. His badge was pinned on his lapel, identifying him as detective Hyssop. He saw Set read his badge, so he didn’t bother introducing himself.

“May we come in, mister Set?”

“Oh, well, it’s not my property, exactly, but please.” Set stepped aside. As they stepped in, the other officer holstered his gun, but didn’t snap the clasp. “I’m sorry I can’t offer you coffee,” said Set. 

Detective Hyssop smiled like lightning and coughed like distant thunder. “I have to ask if you are aware, through natural or artificial means, of the warrant issued for your arrest. Just in case,” he added to the officers. 

It sounded as if it needed a strong reply, but all Set came up with was, “No,” and a widening of the eyes. 

Detective Hyssop sighed and gestured to one of the officers. The officer removed a length of zip-tie from his pocket and stepped up to Set. “Put your wrists together, out in front, please.” Set did so. The sound the tie made was like corduroy pants.

“You’re under arrest,” said Hyssop, but he was cut off by his violent cough. He drew a misfolded handkerchief from his pocket and spit dark phlegm into it.

“That’s a nasty cough,” said Set.

“Call it habit,” said Hyssop. “You’re under arrest, and have been charged with the murder of Halt Greenaway of Seattle, Washington.”

“I didn’t do it,” said Set.

“There is significant evidence to the contrary, mister Set.”

“I didn’t do it, detective Hyssop—” he pronounced it incorrectly “—because I was just born. I’ve never set foot out of this room.”

Detective Hyssop sighed and leaned back against the wall. He rubbed his eyes as though tired and tried to suppress another cough. “Jonathan Set is charged with the murder of Halt Greenaway. Are you Jonathan Set?”

“That is my name.” Set wasn’t the type to stand up to authority, but he was feeling petulant as a newborn. He stiffened his back and tried to stare detective Hyssop down.

“You’re under arrest, mister Set. Do you understand?”

“What if my name were Lee Harvey Oswald, detective?”

The officers were settling into a stance that suggested they would be here for a while. They folded their arms over their chests and bent their knees slightly.

“Are you a religious man?” asked Hyssop. 

“No,” said Set.

“No, you wouldn’t be,” said Hyssop. “Got to tell you, I don’t think I’d be here if you were. You people are filling the earth right up with your carbon copies, and each copy means what? means that there’s that much more room for the soul to spread around in. Just my personal theory. But you keep dying, and you keep living, and you’re making heaven too fucking crowded.”

Set felt as if he had been called in front of the principal. “I didn’t do it,” he said.

They took him out to the car and stuck him in the back seat. Hyssop and one of the officers rode with him, the other officer following in an unmarked car. Set tried to order his thoughts, tried to uncover some hint within himself about what his predecessor’s may have done. It was hard to concentrate, because Hyssop kept coughing.

The officer turned and asked, “When you goin’ in?”

“Tomorrow,” said Hyssop, spitting. “Tomorrow. Lungs of a thirty year-old.”

“Nice,” said the officer. 

“Yeah.” Hyssop twisted around in his seat to peer at Set. “What do you think about that, son?”

“Congratulations,” said Set. 

Hyssop made a crooked grin and nodded as though he had scored a victory. “You know what you remind me of?” he asked. “My son had a cat when he was a boy. Stupidest damn thing I ever saw. Chewed on mouse traps. Stuck its claw in a wall socket. It was dumber’n the kid, I swear. Last straw was when it climbed up the tree out front. Tried for ten minutes to get it down, then I said, Screw it and left it up there. Made a noise like you wouldn’t believe. Too damn curious for its own good.”

They were driving into the sun. Even squinting, Set couldn’t see a thing. “I have faith,” he said, just because he knew that word would summon up a cough in Hyssop. “No idea what I’m going to see when I get to the top,” he went on. “But it has to be something worth seeing. I’m a very trustworthy man, and I’ve known some.” The sun disappeared behind a warehouse that looked as if it might house a space shuttle. Set could see inTrust’s logo, the daisy-chained stick figures holding hands, plastered on the side. “What are we doing here?” he asked.

The car stopped and Hyssop got out. “Welcome to your new home.” He chuckled. The officer opened Set’s door and helped him get out. As Set stood, he saw the officer’s holster, still unbuttoned. He didn’t say, You’re not the police; he guessed they knew already. He felt a flash of anger at his predecessors and seized onto it. The heat in his brain was quickly transformed into the warm gun in his hands. He broke away from the officer and tried to run. He tripped over his own feet and ended up on his back in the dust. The officer was running at him and Hyssop had turned to watch. 

Set fumbled the gun around, barrel toward his head, and put his thumb on the trigger. “Someone else’s problem,” he said. Let the cat get down on its own. One step at a time. That’s how you move mountains. As much as you can lift, one load at a time.

#

Two: Set listened to Zero’s message and then opened his eyes. He was lying down and there was a bare fluorescent tube crackling above him. He tried to raise a hand to shield his brow, by found he could not move either of his arms. His legs were similarly restrained. He craned his neck, felt the vertebrae pop, and looked down at himself. He was spread-eagled on a bed, nylon straps looped around his wrists and ankles. There was an indistinct shape near the door of the tiny room. Set could feel his pupils contract against the light.

“Welcome to earth, mister Set,” came a voice from the shape. Set blinked to bring the shape into focus. It was a middle-aged woman, slightly overweight, wire glasses on her nose, the pencil-pushing type. She was carrying a clipboard.

“Why am I tied down?” asked Set. 

“You’ve been belligerent,” said the woman. “I’m sorry.”

“I apologize,” said Set. “Did I hurt anyone?”

“No,” said the woman. She took a step forward and clutched the clipboard like a weapon. “I work for inTrust Corporation, and I wondered if you would be willing to take a look at a couple of forms.”

Set fumbled his tongue around in his mouth. It felt thick and fuzzy and in desperate need of coffee. “Is this the first time you have asked me?”

“No, sir,” said the woman with a rueful smile.

“What are they?” asked Set. The woman brought her clipboard over and positioned it in front of Set’s face. 

“How’s that?” she asked.

“Back a little,” said Set. The forms came into focus. Set read quickly. “Cloning authorization,” he said. Then, “This is backdated. Two years?” The woman said nothing. “What am I doing here?” asked Set.

“You’re a difficult man to get a hold of,” said the woman. “Like a greased pig.” She pulled the clipboard out of reach. “I’ve listened to your message,” she said. “It’s nothing; it’s not poetic or religious. I can’t understand why you’ve put seven bodies in the morgues, nor can my superiors.” She took off her classes and cleaned them, scowling at the grime. Her countenance lifted when she slid the frame back over her ears. “Now, I’m afraid, you’re going to have to be patient.”

“For what am I waiting?”

The woman looked as though she were about to leave without answering, but she paused on the threshold and said, “To be born again,” and Set could tell she had to cut the laughter out.

She left the lights on. Set tried tugging at his restraints, but there was no give to them. He listened to Zero’s message again, to the compelling conviction that he didn’t know his vocal chords could muster. 

One more left, he thought. They’ll probably have him under guard as well. I wish I could record a message for him. I’d say, Sorry I dumped this in your lap. Nothing I could do. Seemed the most appropriate action at the time. 

He debated trying to choke himself to death, trying to swallow his tongue, but it wouldn’t pull far enough back. He wondered if he could make himself vomit, but after a few minutes of flexing his stomach muscles all he had was heartburn.

He kind of wanted to laugh. They wanted his permission to make additional clones, to be farmed off as organ donors for those who didn’t want to spring on a backup, or who didn’t want to lose a few minor years of experience. 

A few minor years. He was reminded of the time he spent three years in college hot on the heels of a girl named Lace. He signed up for the classes she attended; he tried so hard to make her laugh that she actually did. She hated smoking, so he quit for a while. She liked going to church on Wednesday evenings, so he gave it a shot and quite liked the music. He knew, just knew, that a little perseverance would go a long way, and it ended up going five miles to the bar to pick her up one night after her ride bailed, and then six miles back to her apartment, twenty-three steps up to her room, and ten feet to her bed.

Set realized he was smiling. He pulled the corners of his mouth down; they were sore with effort. That wasn’t me, he said. That’s just context. I am Set Two, newborn. There was a convergence in the past, but it was like a myth, a story to enlighten purpose in the present.

He remembered Lace once saying, Faith is being sure of what is hoped for and certain of what remains unseen. That did the trick. He felt his throat clench and bile crept into his mouth. A flex and twist of the body and a whole wave sloshed up. He coughed and choked and some of it came out his nose. 

He held his breath as long as he could. 

#

One: The body had been shipped, upon receipt of payment, to an aluminum building in Peru where two surgeons with identical accents removed its unconscious brain, just in case, and then took his liver for an elderly economist who was too much in love with vodka. The surgeons had no outstanding requests for the other organs, so they dumped the body in an irrigation ditch where it floated into a field of hops and was spotted by the farmer’s son.

#

Zero: It was an explosion, a burst ill-aimed and wide. Seven bullets, four went into the bushes, three punched an Orion’s belt across Halt’s chest. He fell, twisting on his knees, his weight jerking front-to-back. He landed face-down on the cement and coughed. The gunman — he had a wispy mustache and couldn’t have been more than eighteen — took two running steps down the path, then stopped, slipped, came back for Halt’s wallet. He ripped out the twenty bucks in cash that was supposed to be for dinner and then ran off, not looking back, just like a coward.

Like a coward, thought Set, and crawled out of his hiding place. He had spotted Halt from a distance and had slowed, just because he liked to look at him. He had thin German features, and was trying to grow out his hair. Just as Set was about to raise an arm and holler, the young gun had slouched up to Halt, hand out, asking for a light. Halt had shaken his head. The kid’s hand came out again, this time with a folded twenty in it. Halt had smiled — wide German mouth could carry a smile a hundred yards — and again shaken his head. The kid’s hand disappeared and came out with the gun and Set had leapt into the bushes.

Like a coward, though Set, along the path of least resistance. He rushed to Halt’s side and wasn’t the first one there. “I’m a doctor,” he said, which had never quite been true. He got down on his knees and looked into Halt’s eyes. One was open, one was fluttering like a butterfly shot down by a child’s water toy.

The police came and took his statement and then he tried to sleep. Almost fifteen years in the same job, same city, same bed. It had never been comfortable. Apathy had left him tired and depressed, a parasite emotion. Set had realized this; he was a smart guy. Joining the guard for a couple weekends a month had been good for him. There, he had met Gunter and Halt and their beer nights became Set’s best memories for a time.

One night, after Gunter had passed out, Set and Halt sat on the bar’s front steps and talked about the goals of their lives. Halt wanted to be a painter, and Set wanted to stop being a teacher. Halt said, You can do anything you want, because your brain is so damn big. Set said, Oh yeah? Halt said, Absolutely. You have to trust a brain that big and beautiful. Set grinned and let his head fall under all that weight. Halt leaned in and kissed him on the cheek.

There was a memorial service for Halt back in Spokane, where his folks lived. He had had no backups; he blew all his money on paint and canvas. Before boarding the train over the Cascades, Set went to inTrust’s Seattle offices and recorded the message for his descendents; they provided the service, but it wasn’t in high demand, since most of the deaths they dealt in were sudden.

“Aren’t you curious?” he said into the microphone. “I am. I have to do this, and I hope you’ll do it with me. There is no tang in this life without the risk of loss. I can not communicate in words what I hope you will understand. I have faith you will understand. Who knows?” He bit off a laugh. “It could be fun.” It wasn’t quite what he wanted to say. The recorder clicked off. “I’m sorry,” he added.

On the train, he had a beer in the dining car and then went back to one of the sleeping cars as they passed over the mountains. He forced the door open; the wheels threw up steam and locked. A bubble of questions and mild screams grew and burst and forced Set right on out. 

They were on a bridge. The chasm was deep and dark, like hell, but cold and fresh, like heaven.

It seemed poetic. It seemed fair.

It seemed easy.

Originally published in Technoccult.

Difficulty: no giving up.

Hard to write, feet not dextrous, ha. Five senses, five simultaneous inputs. Synthesize three for single output.

Public radio address — pen in hand, now, foot delicate enough for Braille —through the aural inputs. Twelve stranded atop house in flood. Restate. Twelve stranded atop house in flood.

Unfaithful translation of Feynmann to bump-grids now playing underfoot — odd, can spool faster across arch of sole than could under fingers. Inaccurate biographical information; was samba, not bossa nova. Synthesize: Twelve stranded atop samba club in Brazillian flood. Strict accuracy. Twelve stranded atop bossa nova club.

Optical dissociation shunted in favor of rapid focus swap. Looped video (35mm archive, poor condition, no blues, missing audio) of child crying in backseat as imposing figure in black pea-coat recedes to vanishing point through rear window. Twelve stranded atop bossa nova club, abandoned by rescuers. Offset on repeat. Mode same. Twelve abandoned, would-be rescuers fleeing.

Second focus: novel, thriller, yellow paper, pocket-sized, inappropriate ellipses signifying difficult drama. Cheapens the situation. Twelve stranded atop bossa nova club; rescue attempts called off; all the world holds its breath.

The hard two, now. Burnt diesel scent from open vent. Raw seafood from restaurant kitchens two floors down. Nothing discrete, but context fills the role here of isolation. Twelve stranded atop bossa nova club; rescue attempts called off; all the world holds its breath. A fishing vessel, chugging powerfully against the flow, making its way to the survivors against the command of—

Collect and synthesize. I shall bend — not break — the scientific methods. A fishing boat is coming [inappropriate ellipsis].

Been up too long and my sinuses are draining down the back of my throat in a hot sheet that tastes of metal, of the tin lip of cheap beer. Twelve stranded atop bossa nova club; rescue attempts called off; all the world holds its breath. The survivors have exhausted their fresh water supply, and are now rationing tins of beer.

Extrapolate, for the threads of story are like shavings of gold, and to procure a true representative sample there must be much to enter in the crucible: We have seen close ups of the faces of the children, and their fear is solid through the wires and waves. All those housewives between their television sets and ironing boards catch the news flash; students have their classroom monitors switched on; the names of the children are more memorable than those of the old man drinking beer, of the mistress of the club in her simple red dress. Weather conditions prohibit airlift. Cameraman with optical zoom unsteady, drops camera when twisted by sobs.

Hop one: sobbing.

Hop two: That time I took a lungful of asbestos dust and lost the will to stand and faced the wall and coughed until my eyes hurt and the poison particles had turned to mud against my cheeks.

Two hops only. Not good.

In an infinite universe, there must be an infinite number of stories that haven’t got a thing to do with me. In a possibly finite universe, there must be a story, a star somewhere the light of which will never touch me, and never come around again.

The thing is, the problem is, I’m shut up in memories. The real sixth sense, used to navigate a house moved out of twenty years before, used to evaluate the vibrancy of a color, to add the relativity, without which we are seeing new things every day, smelling, tasting, hearing, feeling new things every second of the day.

I want to leave this place. I want to be alone, but here there is no alone. Downstairs, the cook shatters a pan of boiled sugar and his children scramble for the flakes. Upstairs, two women scream. On either side of me are people breathing, breathing heavy, phlegmy gulps. I can not be alone. I can not find the story that has none of me. I can make these successive approximations, Riemann sums for solitude, diminishing myself. But not with two hops. That doesn’t even get close to nothing.

I could write myself a story of escape; even I wouldn’t believe it. Null hop.